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An Annapolis Story (1955)

 |  Drama  |  10 April 1955 (USA)
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Ratings: 5.0/10 from 82 users  
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Two brothers, enrolled at the U.S. Naval Academy on the verge of the Korean War, fall in love with the same girl.



(story) (as Dan Ullman) , (screenplay) (as Dan Ullman) , 1 more credit »
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Cast overview, first billed only:
Anthony J. 'Tony' Scott
Peggy Lord
James R. 'Jim' Scott
Willie 'Seaweed' Warren
Pat Conway ...
Tim Dooley
John Kirby ...
Pete Macklin
Barbara Brown ...
Mrs. Scott
Fran Bennett ...
Connie Warren
Betty Lou Gerson ...
Mrs. Lord
Robert Osterloh ...
Midshipman Laisson
Boxing Coach
Don Kennedy ...
Don Haggerty ...
Lt. Prentiss
Tom Harmon ...


Two brothers, enrolled at the U.S. Naval Academy on the verge of the Korean War, fall in love with the same girl.

Plot Summary | Add Synopsis

Plot Keywords:

midshipmen | See All (1) »







Release Date:

10 April 1955 (USA)  »

Also Known As:

Navy Air Patrol  »

Company Credits

Production Co:

Show detailed on  »

Technical Specs


Sound Mix:

(Western Electric Recording)



Aspect Ratio:

1.85 : 1
See  »

Did You Know?


The first carrier shown, during training with the 20 on her deck; is the U.S.S. Bennington. The second carrier shown, during carrier operation in Korea with the 10 on her deck; is the U.S.S. Yorktown. Both carriers are Essex class carriers built near the end of World War II. Both were later modernized to accommodate jets. The last carrier shown just as the film is ending with 41 on the deck; is the U.S.S. Midway in World War II trim. The clip of the Midway shows the gun mounts at the end of the flight deck that were removed as part of the SCB-27A conversion that brought all the Essex class carriers up to handling jets. See more »


Boxing coach: [to Jim Scott and Tony Scott] Go cool off in the showers, both of you.
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User Reviews

Generic Academy Salute
10 October 2002 | by See all my reviews

With a pretense of being a salute to a great American institution and the brave officers it produces, this film relies on choppy inserts of combat stock footage, flat dialogue, and improbable situations (but nonetheless a very predictable plot swiped from the 1928 film "Annapolis") to "glorify" a great tradition. Everyone looks great, including the Navy fighter jets, and there are some respectful shots of Academy traditions, but if the studio wanted to make a cinema salute to Annapolis and its graduates who served in the Korean war, it should have employed a more creative and/or dedicated director and more talented writers, film editors, and cinematographers. Annapolis deserves better. For dramatic contrast see John Ford's salute to West Point: "The Long Gray Line."

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