With the help of government-issued pamphlets, an elderly British couple build a shelter and prepare for an impending nuclear attack, unaware that times and the nature of war have changed ... See full summary »
Britain's second animated feature, which, despite the title and Disney-esque animal animation, is in fact a no-holds-barred adaptation of George Orwell's classic satire on Stalinism, with the animals taking over their farm by means of a revolutionary coup, but then discovering that although all animals are supposed to be equal, some are more equal than others... Written by
Michael Brooke <firstname.lastname@example.org>
To make the film, Halas-Batchelor's company was expanded to make it the largest animation unit in Western Europe. See more »
When Old Jones grabs the dynamite out of the box, he has three sticks in each hand, but when he puts his hands together a seventh stick appears from nowhere. Then, when he lights the fuse, there are twelve sticks in the pile. See more »
[The laws of Animal Farm are being read]
No animal shall drink alcohol. No animal shall sleep in a bed. Four legs good, two legs bad.
[The chickens are very annoyed at this rule]
Wings count as legs.
[The chickens realize that Squealer is right]
Group of sheep:
Four legs good, two legs bad. Four legs good, two legs bad.
[continuing the reading of the laws]
No animal shall kill another animal. All animals are equal.
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"Animal Farm" doesn't seem like a candidate for animation, but after seeing the lackluster live-action feature last year, this animated British film looks better and better each time I view it.
Oh, I've heard the complaints about it not being wholly faithful to the source material. I'm going to apply the same defense here that I gave to "Gulliver's Travels": the film is the last place to look for accuracy. A wholly faithful adaptation would have no doubt turned everyone off, but what they have left behind is fascinating: despite an upbeat ending, the flavor of the novel remains intact. How many films can you say that about? The stinging satire is there, the political parallels are there, but a certain entertainment value is there that wasn't in the novel.
The ultimate message of the film leaves the viewer somewhat sad, according to my experience. But that's a good thing, I think. The film was animated by the British animator John Halas, whose short subject "The Christmas Visitor" is widely available on public domain but hardly seen. He retains much of the same style as he did in his earlier short and makes a strong and honorable film.
The box and ads say "Not for children." I think enlightened children will enjoy this film on one level and adults will enjoy it on an entirely different one.
If there's one thing wrong with this film, it's the ending. Orwell wrote an ending that was biting and necessary. By giving the film an upbeat ending, it somewhat undermines a first rate film. But I can't ignore the power of the previous 73 minutes, so I'm still recommending it.
***1/2 out of 4 stars
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