| Amedeo Nazzari | ... | L'ingegnere Guido Carani | |
| Yvonne Sanson | ... | Sister Addolorata / Lina Mercolin | |
| Enrica Dyrell | ... | Elena Carani (as Enrica Direll) | |
| Alberto Farnese | ... | Poldo | |
| Flora Lillo | ... | Flora | |
| Philippe Hersent | ... | Mario La Torre | |
| Nerio Bernardi | ... | L'avvocato Rossi | |
| Virgilio Riento | ... | Il dottor Marini | |
| Emilio Cigoli | ... | Il direttore della prigione | |
| Olga Solbelli | ... | La madre superiora | |
| Ignazio Balsamo | ... | Un poliziotto | |
| Franca Parisi | ... | Una soubrette | |
| Oscar Andriani | ... | Un avvocato | |
| Rina Franchetti | ... | Una detenuta | |
| Silvana Jachino | ... | La detenuta bionda | |
| Giuseppe Chinnici | ... | Il cappellano | |
| Amina Pirani Maggi | ... | La guardiana del carcere | |
| Paola Quattrini | ... | Alda Carani | |
| rest of cast listed alphabetically: | |||
| Leonardo Bragaglia | ... | Maurizio (uncredited) | |
| Floria D'Alba | ... | (uncredited) | |
| Enrico Olivieri | ... | Bruno (uncredited) | |
Directed by | |||
| Raffaello Matarazzo | |||
Writing credits | ||
| Raffaello Matarazzo | (story and screenplay) & | |
| Giovanna Soria | (story and screenplay) & | |
| Piero Pierotti | (story and screenplay) | |
| Aldo De Benedetti | (screenplay) | |
Produced by | |||
| Goffredo Lombardo | .... | producer: Titanus | |
| Raffaello Matarazzo | .... | producer: Labor Films | |
Original Music by | |||
| Michele Cozzoli | |||
Cinematography by | |||
| Tonino Delli Colli | |||
Film Editing by | |||
| Mario Serandrei | |||
Production Design by | |||
| Ottavio Scotti | |||
Set Decoration by | |||
| Gino Brosio | |||
Makeup Department | |||
| Grazia De Rossi | .... | hair stylist | |
| Anacleto Giustini | .... | makeup artist | |
Production Management | |||
| Silvio Clementelli | .... | production manager | |
| Federico del Fauro | .... | production supervisor (as Fritz Del Fauro) | |
Second Unit Director or Assistant Director | |||
| Silvio Amadio | .... | assistant director | |
| Rometta Pietrostefani | .... | assistant director | |
Sound Department | |||
| Mario Messina | .... | sound engineer | |
Camera and Electrical Department | |||
| Sergio Bergamini | .... | camera operator | |
| G.B. Poletto | .... | still photographer | |
Music Department | |||
| Ugo Giacomozzi | .... | conductor | |
Other crew | |||
| Mimmola Girosi | .... | script supervisor (as M. Teresa Girosi) | |
| Aldo Pomilia | .... | production secretary | |
| Clelia Bernacchi | .... | voice dubbing: Silvana Jacchino (uncredited) | |
| Mario Besesti | .... | voice dubbing: Giuseppe Chennici (uncredited) | |
| Anna Maria Campanile | .... | production secretary (uncredited) | |
| Giorgio Capecchi | .... | voice dubbing: Nerio Bernardi (uncredited) | |
| Dhia Cristiani | .... | voice dubbing: Yvonne Sanson (role of "Suor Addolorata" only) (uncredited) | |
| Olinto Cristina | .... | voice dubbing: Oscar Andriani (uncredited) | |
| Gualtiero De Angelis | .... | voice dubbing: Philippe Hersent (uncredited) | |
| Franca Dominici | .... | voice dubbing: Enrica Dyrell (uncredited) | |
| Lauro Gazzolo | .... | voice dubbing: Virgilio Riento (uncredited) | |
| Micaela Giustiniani | .... | voice dubbing: Franca Parisi (uncredited) | |
| Rina Morelli | .... | voice dubbing: Flora Lillo (uncredited) | |
| Dina Perbellini | .... | voice dubbing: Rina Franchetti (uncredited) | |
| Bruno Persa | .... | voice dubbing: Igniazio Balsamo (uncredited) | |
| Giuseppe Rinaldi | .... | voice dubbing: Alberto Farnese (uncredited) | |
| Lidia Simoneschi | .... | voice dubbing: Yvonne Sanson (role of "Lina Mercolin" only) (uncredited) | |
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| 8½ | Fists in the Pocket | My House in Umbria | Nights of Cabiria | The Ignorant Fairies |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Italy section |
I'd already had my fill of Matarazzo, but I watched this one -- a sequel to NOBODY'S CHILDREN -- just out of obligation to finish what I started. But this one was a step up. It picks up where its predecessor left off, and piles on a whole new series of tragedies, including an almost hilariously cruel boating accident. Things get even weirder when Sanson appears as a doppelganger character, and Nazzari gets obsessed with her, VERTIGO-style (and takes the opportunity to impregnate her for the third time in as many movies). Where this film surpasses Matarazzo's previous works is in the more heightened cinematic stylization and a somewhat deeper exploration of character psychology. There are actually some really good scenes here. It's still pretty soapy, and there are a few dull spots, but overall this is a "high 7" as opposed to the "low 7" for the NOBODY'S CHILDREN and TORMENTO.