Three stories of well-off youths who commit murders. In the French episode a group of high school students kill one of their colleagues for his money. In the Italian episode a university ... See full summary »
Anna Maria Ferrero,
A hunted man breaks into the castle at Oberwald to kill the Queen, but faints before doing so. He is Sebastian, the splitting image of the King who was assassinated on his wedding day. The ... See full summary »
The movie director Niccolo has just been left by his wife. This gives him the idea of making a movie about women's relationships. He starts to search for a woman who can play the leading ... See full summary »
In a bleak rundown industrial area a young woman, Giuliana, tries to cope with life. She's married to Ugo the manager of a local plant but is soon having an affair with one of his ... See full summary »
Six separate episodes: would-be suicides discuss their despair. A provincial dance hall. An investigative reporter posing as a husband-to-be. A young unwed mother. Girl-watching techniques of Italian men. A glimpse into prostitution.
An epic portrait of late Sixties America, as seen through the portrayal of two of its children: anthropology student Daria (who's helping a property developer build a village in the Los ... See full summary »
Clelia comes from Rome to her native Turin, to set up a new fashion salon. On her first night, the woman in the next room of her hotel takes an overdose of pills. Clelia becomes involved with this woman, Rosetta, and three of her rich women friends, Momina, Nene, and Mariella. Momina is older than the others, and lives apart from her husband. Her current lover is Cesare, the architect of Clelia's salon. Nene is a talented ceramics artist, and lives with her fiance, the painter Lorenzo. Mariella is a flighty woman only interested in having a good time. Clelia becomes attached to Carlo, the architect's assistant, but the other women look down on him as he comes from a working class background. Momina, with the help of Clelia, discovers that Rosetta fell in love with Lorenzo as he was painting her portrait. Momina then encourages Rosetta to go after Lorenzo, even though he and Nene were supposed to marry soon. Written by
While in Turin for the opening and managing of a branch of a fashion salon from Roma, the elegant Clelia (Eleonora Rossi Drago) finds the young Rosetta Savone (Madeleine Fischer) near death on the next room of her hotel after taking an overdose of sleeping pills trying to commit suicide. Clelia, who is alone in her hometown Turin, befriends Rosetta and her wealthy friends Momina De Stefani (Yvonne Furneaux), who is separated from her husband and easily replaces lovers; Nene (Valentina Cortese), a talented artist in ascension in her career married to the frustrated painter Lorenzo (Gabriele Ferzetti) that envies the success of his wife; and the futile Mariella (Anna Maria Pancani). Meanwhile, Clelia feels attracted by Carlo (Ettore Manni), the assistant of the salon's architect Cesare Pedoni (Franco Fabrizi), but he belongs to the working class living in a different social reality. When Momina and Clelia discover that the reason why Rosetta tried to commit suicide is because she felt in love for Lorenzo, the cynical Momina encourages Rosetta to stay with Lorenzo with tragic consequences.
Michelangelo Antoniani is the filmmaker of the troubled relationships and conflictive emotions and "Le Amiche" is a story about friendship and love disclosing female characters from the upper class that spend most of their times together with their empty and shallow lives. Rosetta is a needy and naive rich girl that falls in love for a painter that painted her portrait and attempts for commit suicide for the non-corresponded love. Momina is selfish, cynical and materialist that does not attach to any man and does not respect her friends. Nene is an insecure woman that sacrifices her promising career to stay with her unfaithful husband in crisis, forgiving him in the end. Mariella is simply a futile woman. Clelia is the opposite, a strong woman that came from the working class and has had a social ascension due to her work. Eleonora Rossi Drago, Madeleine Fischer, Yvonne Furneaux and Valentina Cortese give magnificent performances in the development of these rich characters, supported by great dialogs and wonderful cinematography in black and white. My vote is eight.
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