7 items from 2012
30 April 2012 11:28 AM, PDT | Rope of Silicon | See recent Rope Of Silicon news »
Today marks the 100th birthday of Universal Pictures and to celebrate the studio has released a list of 100 facts based on its first 100 years in existence. I have placed in bold some of the ones I found interesting as well as offered a selection of photo and video accompaniments here and there. 1. Universal Film Manufacturing Company was officially incorporated in New York on April 30, 1912. Company legend says Carl Laemmle was inspired to name his company Universal after seeing "Universal Pipe Fittings" written on a passing delivery wagon. 2. The only physical damage made during the filming of National Lampoon's Animal House was when John Belushi made a hole in the wall with a guitar. The actual Sigma Nu fraternity house (which subbed for the fictitious Delta House) never repaired it, and instead framed the hole in honor of the film. 3. The working title for Et: The Extra Terrestrial was "A Boy's Life. »
- Brad Brevet
29 April 2012 5:20 AM, PDT | MUBI | See recent MUBI news »
James Wolcott's right on this one: "Even if, like me, you thought you never needed or wanted to read another votive offering to Marilyn Monroe, lay aside thy doubts and reservations and attend to Jacqueline Rose's essay in the London Review of Books, 'A Rumbling of Things Unknown,' a full-course meal of a meditation." He quotes a couple of passages, but the gist is this: "It is something of a truism for psychoanalysis that one member of a family can carry the unconscious secrets of a whole family, can fall sick, as it were, on their behalf. My question is: for whom or what in 1950s and early 1960s America was Marilyn Monroe carrying the can?"
More reading. Sean O'Hagan interviews William Klein for the Guardian.
DVD/Blu-ray. Dave Kehr reviews three releases for the New York Times this week, the first from Olive Films: "Often overlooked »
17 April 2012 7:02 AM, PDT | The Playlist | See recent The Playlist news »
The Oscar-winning success of last year's "The Help" was a throwback in many ways, principally to the socially-conscious melodramas of Stanley Kramer, like "Guess Who's Coming To Dinner." Another comparison point that came up frequently in reviews of Tate Taylor's film was "Imitation Of Life," the 1959 film by director Douglas Sirk, but it's scarcely fair: over fifty years on, Sirk's picture stands head and shoulders above virtually every other melodrama.
The story follows widow and aspiring actress Lora (Lana Turner), whose daughter Susie goes missing at the beach, and is found by an African-American divorcee, Annie Johnson (Juanita Moore), there with her own light-skinned daughter, Sarah Jane. The two become friends, Lora taking Annie in as a housekeeper, and Annie's care helping Lora achieve her dream of becoming a Broadway star. Eleven years later, however, their children have grown up, and Susie (Sandra Dee) develops a crush on her mother's boyfriend Steve, »
- Oliver Lyttelton
16 April 2012 7:07 AM, PDT | FilmExperience | See recent FilmExperience news »
Go Fug Yourself riffs hilariously on a photo of Noomi Rapace & Charlize Theron at the Prometheus premiere. Guldbagge!
Film Studies for Free "all that pastiche allows" looks at Far From Heaven, All That Heaven Allows and other examples of pastiche
The Kid in the Front Row discusses "the scene that made it all worth it" in Friends With Kids. I still haven't seen this one but love the cast. Same deal with Salmon Fishing... What's keeping me?
Liz Smith on all that's riding on the product known as Jeremy Renner who'd rather be "a good human"
The Guardian Darth Vader and son. Tee hee
Indiewire wonders if Matthew McConaughey could be an Oscar contender for Magic Mike. I wish I had done a post about this last week. It occurred to me and I even wrote a wee note about it on the supporting actor page but my then original »
- NATHANIEL R
19 March 2012 2:22 PM, PDT | MUBI | See recent MUBI news »
"With The Deep Blue Sea," writes Nick Pinkerton in the Voice, "the great British director Terence Davies returns to the postwar period — though in a sense, he has never left. Born in 1945, Davies's cinema is defined by a mixed pity and fondness for the world of yesterday, a past he seemingly finds impossible to put behind him or to do without. The era's hypocritical propriety and quivering repression has most frequently been held up for 'enlightened,' Pleasantville-style condescension, but Davies is a great historical filmmaker because he feels the period too intimately to mock its rituals and mores, knows that no progress occurs without loss."
A retrospective of Davies's work is running at New York's BAMcinématek through March 27, while Sing, Memory: The Postwar England of Terence Davies opens today at the Harvard Film Archive and runs through March 26. On March 28, The Long Day Closes (1992) opens for a week-long run at New York's Film Forum. »
15 March 2012 3:02 PM, PDT | MUBI | See recent MUBI news »
A day after Greg Smith rattled the financial sector with his New York Times Op-Ed, "Why I Am Leaving Goldman Sachs," claiming that "the environment now is as toxic and destructive as I have ever seen it," Deadline's Mike Fleming reminds us that Wall Street was pretty toxic and destructive long before Smith even began his 12-year run at the company. Martin Scorsese and Leonardo DiCaprio "are committing to make The Wolf of Wall Street their fifth collaboration. The film is based on the Jordan Belfort memoir of his days as a hard partying, drug addicted stockbroker who was indicted in 1998 for security fraud and money laundering and served a 22-month federal prison stretch. Shooting will begin August in New York." The Playlist's Kevin Jagernauth posts a 2007 interview with Belfort.
Also at the Playlist, Jagernauth reports that Gerardo Naranjo (Miss Bala) will likely direct Michael Fassbender in J Mills Goodloe »
12 March 2012 2:46 PM, PDT | MUBI | See recent MUBI news »
"When something is said to be dead or dying, we are bound to hear more about it than ever," writes Nico Baumbach in a piece for Film Comment, "All That Heaven Allows: What Is, Or Was, Cinephilia? (Part One)." Part Two will appear on Wednesday. "Two relatively distinct trajectories have emerged: one that takes 20th-century cinephilia to be a historical phenomenon, a 'specific kind of love' that emerged in postwar France and spread throughout Europe and the Americas in the Fifties and Sixties; and a second that asserts the ongoing validity of cinephilia and seeks to demonstrate the health of cinephile culture in the 21st century. The occasion for these reflections, Project: New Cinephilia — a website hosted by Mubi, curated by Damon Smith and Kate Taylor, and conceived in conjunction with a day-long symposium at the 2011 Edinburgh International Film Festival — falls into the second category."
New York. Star Quality »
7 items from 2012
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.
See our NewsDesk partners