When churlish, spoiled rich man Bob Merrick foolishly wrecks his speed boat, the rescue team resuscitates him with equipment that's therefore unavailable to aid a local hero, Dr. Wayne ... See full summary »
A struggling young actress with a six year-old daughter sets up housekeeping with a homeless black widow and her light-skinned eight year-old daughter who rejects her mother by trying to pass for white.
An almost accidental romance is kindled between a German woman in her mid-sixties and a Moroccan migrant worker around twenty-five years younger. They abruptly decide to marry, appalling everyone around them.
Rainer Werner Fassbinder
El Hedi ben Salem,
Cary Scott is a widow with two grown children. She's been leading a quiet life since her husband died, socializing with a small circle of friends. Her children no longer live with her full-time but come home every weekend. She's not unhappy but also doesn't realize how bored she is. Her friend Sara Warren encourages he to get a television set to keep her company but she doesn't want that either. She develops a friendship with Ron Kirby who owns his own nursery and comes every spring and fall to trim her trees. Ron is much younger than she and their friendship soon turns to love. Her circle of friends are surprised that she is seeing such a younger man and she might be prepared to overlook that - Ron certainly doesn't care about the differences in their ages - but when her son and daughter vehemently object, she decides to sacrifice her own feelings for their happiness. Over time however, she realizes that her children will be spending less and less time with her as they pursue their ... Written by
Originally, Douglas Sirk wanted the film to end with Ron's fall down the cliff after he recognizes Cary, leaving it open if Ron would survive or not. Producer Ross Hunter found that ending way too "depressing" and "disturbing" for the audience and therefore decided to go with a conventional happy end - which is the one we know today. See more »
When Alida tells Cary to get her coat, Cary gets her coat, but doesn't stop to get boots. But when she gets out of the car at Ron's mill house, she's wearing boots. See more »
[Howard passionately but forcefully kisses Cary, she pushes him away]
I'm sorry Cary. I don't know what got into me. I know you're not like that. I apologize for what I said.
That's all right, Howard.
But I don't apologize for wanting you.
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It's 1950s small town America and rich society widow Cary Scott (Jane Wyman) has fallen in love with her gardener Ron Kirby (Rock Hudson), but can the gossipy town handle it? This beautifully filmed classic, directed by Douglas Sirk, is so touching. And even though it's considered a melodrama (and at times a bit syrupy--just watch for Bambi!) there is a deeper meaning underneath all that Technicolor. Listen for the Thoreau quote that Cary reads when she and Ron visit his friends, Mick and Alida Anderson. That's the whole lesson of the film summed up right there.
Added note: There's a classic line that Wyman says to Hudson in the car when he says that she should not let others influence her decisions, like his friend Mick, who had to learn how to be a man. She responds with "You want me to be a man." Then he says, "Well, just in that one way." It's funny now in retrospect!
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