When churlish, spoiled rich man Bob Merrick foolishly wrecks his speed boat, the rescue team resuscitates him with equipment that's therefore unavailable to aid a local hero, Dr. Wayne ... See full summary »
A struggling young actress with a six-year-old daughter sets up housekeeping with a homeless black widow and her light-skinned eight-year-old daughter who rejects her mother by trying to pass for white.
An almost accidental romance is kindled between a German woman in her mid-sixties and a Moroccan migrant worker around twenty-five years younger. They abruptly decide to marry, appalling everyone around them.
Rainer Werner Fassbinder
El Hedi ben Salem,
Mabel, a wife and mother, is loved by her husband Nick but her madness proves to be a problem in the marriage. The film transpires to a positive role of madness in the family, challenging conventional representations of madness in cinema.
Cary Scott is a widow with two grown children. She's been leading a quiet life since her husband died, socializing with a small circle of friends. Her children no longer live with her full-time but come home every weekend. She's not unhappy but also doesn't realize how bored she is. Her friend Sara Warren encourages he to get a television set to keep her company but she doesn't want that either. She develops a friendship with Ron Kirby who owns his own nursery and comes every spring and fall to trim her trees. Ron is much younger than she and their friendship soon turns to love. Her circle of friends are surprised that she is seeing such a younger man and she might be prepared to overlook that - Ron certainly doesn't care about the differences in their ages - but when her son and daughter vehemently object, she decides to sacrifice her own feelings for their happiness. Over time however, she realizes that her children will be spending less and less time with her as they pursue their ... Written by
Originally, Douglas Sirk wanted the film to end with Ron's downfall after he recognizes Cary, leaving it open if Ron would survive or not. Producer Ross Hunter found that ending way too "depressing" and "disturbing" for the audience and therefore decided to go with a conventional happy end - which is the one we know today. See more »
When Ned mixes a large batch of martinis, the liquid in the shaker is light brown, even though he makes a point of saying he used only two drops of vermouth, which would result in a clear-colored drink in a shaker that big. See more »
She doesn't want to make up her own mind; no girl does. She wants you to make it up for her.
See more »
Wyman and Hudson re-team for this classy melodrama
Due to the success of 1954's "Magnificent Obsession", Universal once again called on Jane Wyman, Rock Hudson, Agnes Moorehead, and director Douglas Sirk for this passionate, heart-gripping look at the hypocrisy of small-town America. Wyman, a rich widow in this well-to-do New England town, falls in love with her gardener (Hudson) and all hell breaks loose. Her community ridicules her and her grown children are horrified by her. She finds herself having to choose love or the respect of those around her.
The cinematography is beyond extraordinary, the score by Frank Skinner is unbelievably moving, Wyman is exquisite, and Sirk gives some of the best direction of his career. A really classy melodrama and completely worthwhile.
21 of 23 people found this review helpful.
Was this review helpful to you?