MOVIEmeter
SEE RANK
Up 8,778 this week

All That Heaven Allows (1955)

7.6
Your rating:
    1 2 3 4 5 6 7 8 9 10 -/10 X  
Ratings: 7.6/10 from 7,363 users  
Reviews: 87 user | 80 critic

An upper-class widow falls in love with a much younger, down-to-earth nurseryman, much to the disapproval of her children and criticism of her country club peers.

Director:

Writers:

(screenplay), (story), 1 more credit »
0Check in
0Share...

On Disc

at Amazon

User Lists

Related lists from IMDb users

a list of 30 titles
created 18 Jun 2011
 
a list of 40 titles
created 28 Dec 2011
 
a list of 28 titles
created 01 Jan 2013
 
a list of 30 titles
created 07 Feb 2013
 
a list of 42 titles
created 1 week ago
 

Related Items


Connect with IMDb


Share this Rating

Title: All That Heaven Allows (1955)

All That Heaven Allows (1955) on IMDb 7.6/10

Want to share IMDb's rating on your own site? Use the HTML below.

Take The Quiz!

Test your knowledge of All That Heaven Allows.

User Polls

1 win. See more awards »
Learn more

People who liked this also liked... 

Drama | Romance
    1 2 3 4 5 6 7 8 9 10 7.1/10 X  

When churlish, spoiled rich man Bob Merrick foolishly wrecks his speed boat, the rescue team resuscitates him with equipment that's therefore unavailable to aid a local hero, Dr. Wayne ... See full summary »

Director: Douglas Sirk
Stars: Jane Wyman, Rock Hudson, Agnes Moorehead
Drama | Romance
    1 2 3 4 5 6 7 8 9 10 7.5/10 X  

Alcoholic playboy Kyle Hadley marries the woman secretly loved by his poor but hard-working best friend, who in turn is pursued by Kyle's nymphomaniac sister.

Director: Douglas Sirk
Stars: Rock Hudson, Lauren Bacall, Robert Stack
Drama | Romance
    1 2 3 4 5 6 7 8 9 10 7.9/10 X  

A struggling young actress with a six-year-old daughter sets up housekeeping with a homeless black widow and her light-skinned eight-year-old daughter who rejects her mother by trying to pass for white.

Director: Douglas Sirk
Stars: Lana Turner, John Gavin, Sandra Dee
Drama | Romance
    1 2 3 4 5 6 7 8 9 10 7.3/10 X  

Story of a friendship between an eccentric journalist and a daredevil barnstorming pilot.

Director: Douglas Sirk
Stars: Rock Hudson, Robert Stack, Dorothy Malone
All I Desire (1953)
Drama
    1 2 3 4 5 6 7 8 9 10 7.1/10 X  

In 1910, a wayward mother re-visits the family she deserted.

Director: Douglas Sirk
Stars: Barbara Stanwyck, Richard Carlson, Lyle Bettger
Drama | Romance | War
    1 2 3 4 5 6 7 8 9 10 7.8/10 X  

On the Russian front in 1944 German Private Ernst Graeber receives a leave and visits his family in Germany but Germany isn't the same country he left behind.

Director: Douglas Sirk
Stars: John Gavin, Liselotte Pulver, Jock Mahoney
Comedy
    1 2 3 4 5 6 7 8 9 10 7.2/10 X  

Wealthy Samuel Fulton is getting older and has no family of his own. He decides to leave his estate to the family of his first love, who turned down his marriage proposal years ago because ... See full summary »

Director: Douglas Sirk
Stars: Piper Laurie, Rock Hudson, Charles Coburn
Drama | Romance
    1 2 3 4 5 6 7 8 9 10 7.4/10 X  

When a toy manufacturer feels ignored and unappreciated by by his wife and children, he begins to rekindle a past love when a former employee comes back into his life.

Director: Douglas Sirk
Stars: Barbara Stanwyck, Fred MacMurray, Joan Bennett
Drama
    1 2 3 4 5 6 7 8 9 10 8.1/10 X  

An almost accidental romance is kindled between a German woman in her mid-sixties and a Moroccan migrant worker around twenty-five years younger. They abruptly decide to marry, appalling everyone around them.

Director: Rainer Werner Fassbinder
Stars: Brigitte Mira, El Hedi ben Salem, Barbara Valentin
Interlude (1957)
Drama | Romance
    1 2 3 4 5 6 7 8 9 10 6.2/10 X  

The story of a young woman, Helen Banning, who travels to Munich in search of life experience and romance. While working for America House, she meets a famous symphony conductor, Tonio ... See full summary »

Director: Douglas Sirk
Stars: June Allyson, Rossano Brazzi, Marianne Koch
Adventure | Drama | History
    1 2 3 4 5 6 7 8 9 10 6.5/10 X  

A pair of Irish rebels have swashbuckling adventures in 1815.

Director: Douglas Sirk
Stars: Rock Hudson, Barbara Rush, Jeff Morrow
Musical
    1 2 3 4 5 6 7 8 9 10 6.5/10 X  

In 1904, Doc Tilbee, medicine show huckster and champion tall-tale teller, gives a ride to a young boy escaped from an orphanage, where bad conditions (the result of political graft) are ... See full summary »

Director: Douglas Sirk
Stars: Dan Dailey, Diana Lynn, Chet Allen
Edit

Cast

Cast overview, first billed only:
...
...
...
Sara Warren
Conrad Nagel ...
Harvey
Virginia Grey ...
Alida Anderson
Gloria Talbott ...
William Reynolds ...
Ned Scott
Charles Drake ...
Mick Anderson
...
Dr. Dan Hennessy
Jacqueline deWit ...
Mona Plash (as Jacqueline de Wit)
Leigh Snowden ...
Jo-Ann Grisby
...
Alex Gerry ...
George Warren
Nestor Paiva ...
Manuel
Forrest Lewis ...
Mr. Weeks
Edit

Storyline

Cary Scott is a widow with two grown children. She's been leading a quiet life since her husband died, socializing with a small circle of friends. Her children no longer live with her full-time but come home every weekend. She's not unhappy but also doesn't realize how bored she is. Her friend Sara Warren encourages he to get a television set to keep her company but she doesn't want that either. She develops a friendship with Ron Kirby who owns his own nursery and comes every spring and fall to trim her trees. Ron is much younger than she and their friendship soon turns to love. Her circle of friends are surprised that she is seeing such a younger man and she might be prepared to overlook that - Ron certainly doesn't care about the differences in their ages - but when her son and daughter vehemently object, she decides to sacrifice her own feelings for their happiness. Over time however, she realizes that her children will be spending less and less time with her as they pursue their ... Written by garykmcd

Plot Summary | Plot Synopsis

Taglines:

How much does Heaven Allow a Woman in Love?

Genres:

Drama | Romance

Certificate:

Not Rated | See all certifications »
Edit

Details

Country:

Language:

Release Date:

9 December 1955 (Denmark)  »

Also Known As:

Tout ce que le ciel permet  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Color:

(Eastmancolor and Technicolor)

Aspect Ratio:

2.00 : 1
See  »
Edit

Did You Know?

Trivia

Originally, Douglas Sirk wanted the film to end with Ron's downfall after he recognizes Cary, leaving it open if Ron would survive or not. Producer Ross Hunter found that ending way too "depressing" and "disturbing" for the audience and therefore decided to go with a conventional happy end - which is the one we know today. See more »

Goofs

Carrie prepares for her date with Harvey and draws the curtains before she leaves her bedroom. When she returns to her bedroom after the date, she draws the same curtains which are now wide open. See more »

Quotes

Ned Scott: Holy cat's mother!
See more »

Connections

Remade as Far from Heaven (2002) See more »

Soundtracks

Consolation No.3 in D flat major
(uncredited)
Music by Franz Liszt
See more »

Frequently Asked Questions

This FAQ is empty. Add the first question.

User Reviews

 
Disney was never so magical - Sirk polishes weepy romance to an exquisite gloss
17 January 2004 | by (Western New York) – See all my reviews

Douglas Sirk's All That Heaven Allows could stand as a lesson about how, in gifted hands, movies can surmount and surpass their source material, elevating the routine into the rhapsodic. And that's more than a matter of just fleshing out the roles with appealing talent or supplying de luxe production values. It takes a sensibility that can suggest the complexity under the commonplace and spot the verities hidden beneath the clichés.

It's an alert sensibility that many emigrés from Europe, apprenticed in the artistic ferment between the wars, brought with them to Hollywood (among them this Dane, born Detlef Sierck). Hollywood gave them more money and security than they'd probably ever known, and when it also gave them hackneyed and meretricious scripts to capture on film, they devised new ways to freshen them up and, against all odds, make them work.

On its surface, All That Heaven Allows is little more than polite fiction from women's magazines circa mid-20th-century (and would today be a romance paperback with a beefcake cover). Youngish widow Jane Wyman starts keeping company with free-spirited Rock Hudson, her much younger gardener; despite wagging tongues among her country-club set and clucks of disapproval from her grown children, she finds, after many a twist and turn, true love.

But from his opening shot Sirk creates a dreamy, storybook world, so Disney-pretty that he might as well have started with `Once upon a time....' Swirling downward from a church steeple in a New England autumn, he shows us an affluent enclave just a commuter-train trip away from New York. Luncheons are taken on patios, station wagons the approved mode of travel and martinis the drink of the evening - the kind of town New Yorkers played by Bette Davis or Barbara Stanwyck meant when they referred to their `country' places in Connecticut.

In this idyllic bower, Wyman has resigned herself to a stately and well-appointed widowhood; she half-heartedly resists friend Agnes Moorehead's lures to put her back on the market (women without men, by choice or circumstance, just don't fit in). But Wyman's too classy for the boozed-up louts and gossipy shrews in her former set, and still too vital to succumb to valetudinarian Conrad Nagel's proposal for tepid `companionship.'

And that's when Hudson, come to prune the branches, catches her eye - and, somewhat less probably, she his. He whisks her out to see his tree farm, and they explore an old mill on his property (`I love to poke around old buildings,' she explains). When she suggests he fix up the dump and live there, it's to the horn theme from the last movement of Brahms' 1st Symphony. No wonder she ends up staying the weekend.

Here Sirk introduces a subtly subversive element: Hudson's friends, in discordant counterpoint to hers (who dismiss him as `nature boy' and a `good-looking set of muscles'). His are an amiably casual network of all ages and backgrounds who have opted out of the rat race or never cared to enter it (the `quiet desperation' passage from Thoreau's Walden screws the point home). Though their style of merrymaking brings to mind Old World folk festivals, they represent a segment of society rarely if ever seen in films of the era: Low-profile, thoughtful rebels against the smug status quo

  • post-war pioneers of the voluntary simplicity movement inflamed with a


touch of ecological consciousness ( now laughed off as tree-hugging). It's a startling glimpse into a below-the-radar counterculture that must have been around even in the mid-'50s (and there's not a beret, goatee or bongo drum among them - they're presented without a hint of condescension or marginalization).

Hudson proposes, Wyman accepts. Even her children (Gloria Talbott and William Reynolds) are thrilled, so long as they assume her remarriage will be to stuffy, respectable Nagel. When they're told that their new stepdad will be the stud who cleans up the yard come spring and come fall, they go rigid with upper-middle-class snobbery. (And the specter of Mrs. Grundy floats in when Moorehead asks if people will think Wyman and Hudson were keeping company when Wyman's husband was still kicking.) Stranded between her familiar past and an uncertain future, Wyman begs for more time; Hudson, hewing to his mantra `to thine own self be true,' delivers an ultimatum....

Abetted by director of photography Russell Metty, Sirk paints this soapish weeper with a gorgeous palette of hues and tints (a feat that Todd Haynes emulated in his Sirk hommage Far From Heaven, for which this movie served as template). Now and again, he washes half the screen in an autumnal green-gold, the other in an enchanted-night mauve, situating characters at cross purposes in their respective halves.

Of course, splitting or doubling the screen, through barriers or mirror shots, is one of Sirk's signature tropes, reaching its apex when Wyman's hangdog face stares back from a newly delivered television set, a Christmas present from the kids (`Here's all the company you need. Drama, comedy, all life's parade at your fingertips,' goes the spiel.) Pointedly, the set never gets turned on; it's seen but once again, reflecting flames from the fireplace, the focal point of simpler, less sophisticated times, and the values Hudson embodies.

Sirk takes this unlikely June-September romance and buffs it to the highest possible gloss, using his exquisite eye to enrich and deepen every frame. It's lush and sensuous - almost candified (at times gluttingly so) - and all but impossible to resist. When, at the close, a deer gambols up to nuzzle some snow off the windowpane in the mill Hudson has turned into his - their
  • home, it's an embarrassment of perfection. Never was Disney so


magical.


35 of 43 people found this review helpful.  Was this review helpful to you?

Message Boards

Recent Posts
Seeing this with 'Rock is gay' shades on adds some humor Felonious-Punk
Great moments of unintentional comedy drn5
Movie Location of Mill waldenpond88
Ages of Cary and Ron? malin1248
Any other Virginia Grey fans here? tag65
In comparison with Edward Scissorhands this_is_absolution
Discuss All That Heaven Allows (1955) on the IMDb message boards »

Contribute to This Page

Create a character page for:
?