When a great film star accepts an academy award, he reflects on a comedian he worked with in the early film days, owing his success to him, not realizing that man is now destitute, watching the show ...
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Roy Markham, a former successful New York attorney, becomes a private detective and his cases take him worldwide. For the first two months of the show, Markham had an assistant, John Riggs,... See full summary »
Cynthia is married to Steve and is a selfish hard woman. She decides where they will live, who they will see and even gets rid of Dora, the nanny who raised Steve and is now raising their ... See full summary »
Robert B. Sinclair
Stan Laurel was still alive when this aired in 1955. I bet he saw it. The director, George Marshall, was the cameraman on a number of Laurel and Hardy films, and Bert Jordan, who was Stan's favorite editor edited this made-for-TV episode of Screen Director's Playhouse. And of course all the episodes of the series including this one were filmed at The Hal Roach studios. So it must have been a homecoming of sorts for George Marshall and Bert Jordan.
After his problems with MGM in the early 30s Keaton was almost hired by Hal Roach to star in his own series of short comedies. Too bad. Buster Keaton's life might have been different had he worked for a studio that understood comedy. MGM sure did not. Keaton's MGM films were just awful. I am sure that if Keaton were still alive he would agree!
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