Engineer Johnny Munroe is enlisted to build a railroad tunnel through a mountain to reach mines. His task is complicated, and his ethics are compromised, when he falls in love with his ... See full summary »
Colini, an exiled American gangster living in Sicily, rescues Giordano, a young Sicilian outlaw, from the police. After Giordano is groomed, polished, and renamed "Johnny Cool," Colini ... See full summary »
Set against the backdrop of a repressed Czechoslovakia, five non-related vignettes are presented, each showcasing the need and want for human connection. In "Mr. Baltazar's Death", a middle... See full summary »
Rick and Dot, two penniless New Yorkers, meet and fall in love in Central Park. Promising to meet later, they separate. Dot is picked up by small-time hood Nick Sarno, posing as a police ... See full summary »
Pat Garrett arrives in Abilene where he catches five of Butch Cassidy's gang. He calls in Wyatt Earp and Bat Masterson and they learn there is a half million dollar shipment of money ... See full summary »
Fred F. Sears
Stan Laurel was still alive when this aired in 1955. I bet he saw it. The director, George Marshall, was the cameraman on a number of Laurel and Hardy films, and Bert Jordan, who was Stan's favorite editor edited this made-for-TV episode of Screen Director's Playhouse. And of course all the episodes of the series including this one were filmed at The Hal Roach studios. So it must have been a homecoming of sorts for George Marshall and Bert Jordan.
After his problems with MGM in the early 30s Keaton was almost hired by Hal Roach to star in his own series of short comedies. Too bad. Buster Keaton's life might have been different had he worked for a studio that understood comedy. MGM sure did not. Keaton's MGM films were just awful. I am sure that if Keaton were still alive he would agree!
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