Marshal Earp keeps the law, first in Kansas and later in Arizona, using his over-sized pistols and a variety of sidekicks. Most of the saga is based loosely on fact, with historical badguys... See full summary »
A Special agent for the Santa Fe railroad tells Earp that they expect a gang led One Eyed Brown is going to rob the train. They believe he has a blonde sister in town to provide inside information as...
Bret and Bart Maverick (and in later seasons, their English cousin, Beau) are well dressed gamblers who migrate from town to town always looking for a good game. Poker (5 card draw) is ... See full summary »
Western stories and legends based, and filmed, in and around Death Valley, CA. One of the longest-running Western series, originating on radio in the 1930s. The continuing sponsor was "20 Mule Team" Borax, a product mined in Death Valley.
Lawman is the story of Marshal Dan Troop of Laramie, Wyoming and his deputy Johnny McKay, an orphan Troop took under his wing. In the second season Lily Merrill opens The Birdcage Saloon ... See full summary »
Stories of the journeys of a wagon train as it leaves post-Civil War Missouri on its way to California through the plains, deserts and Rocky Mountains. The first treks were led by gruff, ... See full summary »
Marshal Earp keeps the law, first in Kansas and later in Arizona, using his over-sized pistols and a variety of sidekicks. Most of the saga is based loosely on fact, with historical badguys and good guys, ending up with the famous shootout at the O.K. corral. Written by
Ed Stephan <firstname.lastname@example.org>
This show, along with Gunsmoke (1955) helped launch a great era of the TV western. Westerns became so popular on TV that by the end of the 1950s, there would be as many as 40 Westerns in prime time. See more »
Consistent , Absorbing Western Narratives; Memorable Action & Drama
This tremendously popular and long-running half-hour series featured changes of locale, added characters and deaths, and in several cases changes of the actors plying parts. Central to the proceedings from first to last from 1955--1961 was lean and athletic Hugh O/Brian as a plausible young Wyatt Earp. Into this the life of this fictionalized American icon, other characters real and imagined were introduced. The series was first located in Kansas cattle towns such as Wichita and Dodge City; then O'Brian moved to Tombstone, Arizona. He became and remained a town marshal during this time. Other regulars of note in this very intelligently-made, innovative and realistic series--one whose 'history' was decidedly not of a documentary variety--included Lloyd Corrigan as Ned Buntline, Alan Dinehart as Bat Masterson, several Doc Hollidays, Gloria Talbott, Don Haggerty, Denver Pyle, Damian O'Flynn, Carol Stone as Kate Holliday, Selmer Jackson, Randy Stuart, Wlliam Tannen, Paul Brinegar as Mayor "Dog" Kelly, Trevor Bardette as Old Man Clanton, Steve Brodie as Sheriff Johnnie Behan, Ross Elliott and others as Wyatt Earp's brothers, etc. The peculiar and memorable structure of the show allowed "changes" in character, relationships, locations, etc. when many series did not permit such alterations. In addition, the show's producers used some actors in guest roles many times, including Sam Flint, Steve Pendleton, Rico Alaniz and more. Guest stars of note included Anna May Wong, Arthur Space, Ann Robinson, Howard Petrie, George Wallace, Richard Travis, Robert Lowery, James Coburn, Peggy Knudsen, Fay Baker, Carolyn Craig, Jim Bannon, Nancy Hadley, Whitner Bissell, Angie Dickinson, Francis de Sales, Peter Mamakos, Ed Nelson, Richard Devon, Lane Bradford, Dorothy Green and John Vivyan, plus many more. Directors of record included Paul Landres and Frank McDonald. The staff of writers included Frederick Hazlitt Brennan, John Dunkel and Dan Ullman. These professionals kept up the show's very consistent quality throughout, I suggest. During its run, this series was shot by six cinematographers but only two art directors, by Ralph Berger and Albert M. Pyke, created its authentic western 'look'. Set decorations were done by Jack Mills and Kenneth W. Swartz. Bruce Bilson was second-unit director, with Hollywood veteran Roy Rowland as executive producer. The producers employed a gun expert, several production specialists and very good but less-expensive talents in order to keep up their high-standard of quality. The series ended with a memorable five-part but not-very-accurate gunfight at the OK Corral. This by my lights was a first-rate narrative TV series, I assert, one which was much imitated for decades afterward. Also of note was the show's theme song, whose picture of Earp set the tone for Eliot Ness, The Lawman, and Kojack among many other TV lawmen to come.
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