The Life and Legend of Wyatt Earp (1955–1961)

TV Series  -   -  Western
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Marshal Earp keeps the law, first in Kansas and later in Arizona, using his over-sized pistols and a variety of sidekicks. Most of the saga is based loosely on fact, with historical badguys... See full summary »

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Title: The Life and Legend of Wyatt Earp (1955–1961)

The Life and Legend of Wyatt Earp (1955–1961) on IMDb 7.7/10

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Season:

6 | 5 | 4 | 3 | 2 | 1 | unknown

Year:

1961 | 1960 | 1959 | 1958 | 1957 | 1956 | 1955
Nominated for 2 Primetime Emmys. See more awards »
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Cast

Complete series cast summary:
...
 Wyatt Earp (226 episodes, 1955-1961)
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Storyline

Marshal Earp keeps the law, first in Kansas and later in Arizona, using his over-sized pistols and a variety of sidekicks. Most of the saga is based loosely on fact, with historical badguys and good guys, ending up with the famous shootout at the O.K. corral. Written by Ed Stephan <stephan@cc.wwu.edu>

Plot Summary | Add Synopsis

Genres:

Western

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Details

Country:

Language:

Release Date:

6 September 1955 (USA)  »

Also Known As:

Wyatt Earp  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

| (266 episodes)

Sound Mix:

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

From 1956 until 1959 the show was set in Dodge City, which was also the setting for Gunsmoke. Marshall Matt Dillon is never mentioned, but in one episode Earp makes a passing reference to the Longbranch Saloon, a setting for much of the action on "Gunsmoke". See more »

Connections

Referenced in Leave It to Beaver: The Garage Painters (1959) See more »

Soundtracks

"The Legend Of Wyatt Earp"
Music by Harry Warren
Lyrics by Harold Adamson
Performed by Ken Darby
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User Reviews

An Old-Fashioned Western
13 February 2005 | by (USA) – See all my reviews

When TV Land recently began showing reruns of "Wyatt Earp," I had forgotten that, apparently in the early episodes, the only music heard was an a cappella male quartet. Not only did they sing the theme song, but periodically during those episodes, to augment certain special "drama," they would chime in, humming either low in the background for sentimentality, or swelling to full volume when the emotions were supposed to be at peak. The only lyrics heard were those of the theme song; otherwise, the musical accompaniment consisted entirely of that periodic humming in four-part harmony. Written out, it appeared, "mmmm-oooooo-AAAAHHHH-OOOOOHHH!!" Bypassing a full orchestra was one sure way to save a chunk of cash for the budget. Then in other, perhaps later, episodes, orchestral music replaced that humming, and the a cappella quartet only sang the theme song. I must admit that the humming contributed a rather corny element to the show.


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