Stories of the journeys of a wagon train as it leaves post-Civil War Missouri on its way to California through the plains, deserts and Rocky Mountains. The first treks were led by gruff, ... See full summary »
James Arness rides again as Matt Dillon, the US Marshal he made popular in the 1955-75 TV series. In this movie he goes after a renegade Apache named Wolf (Joe Lara) who has taken his ... See full summary »
Western stories and legends based, and filmed, in and around Death Valley, CA. One of the longest-running Western series, originating on radio in the 1930s. The continuing sponsor was "20 Mule Team" Borax, a product mined in Death Valley.
When his cattle drivers abandon him for the gold fields, rancher Wil Andersen is forced to take on a collection of young boys as his drivers in order to get his herd to market in time to ... See full summary »
Marshal Matt Dillon is in charge of Dodge City, a town in the wild west where people often have no respect for the law. He deals on a daily basis with the problems associated with frontier life: cattle rustling, gunfights, brawls, standover tactics, and land fraud. Such situations call for sound judgement and brave actions: of which Marshal Dillon has plenty. Written by
Murray Chapman <email@example.com>
According to a TV Guide article published in the August 23, 1975 issue (just before the show left the air), 26 actors screen-tested for the role of Matt Dillon. William Conrad (voice of radio's Matt Dillon) was one, but didn't look the part. Raymond Burr sounded great, but according to producer-director Charles Marquis Warren: "he was too big; when he stood up his chair stood up with him" (Burr later lost considerable weight to play Perry Mason)). John Pickard almost made it, but did poorly in a love scene with Kitty (he later guest-starred a few times in various roles). Warren and producer Norman MacDonnell stoutly denied that they even considered major film star John Wayne - but they went with James Arness, who looked and sounded a LOT like Wayne. When Arness was reluctant to take the role, Wayne persuaded him and even agreed to introduce the first episode. See more »
Matt, you can't account for everything that happens to people who touch you. You know, I learned a long time ago, there are some things in this life that you just accept the way they are.
U.S. Marshal Matt Dillon:
That's pretty deep for a redhead.
I'm a pretty deep redhead.
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The best of the series is the first five years when John Meston did most of the writing. He had a real feel of, what I perceive to be, the Old West to be really like. He did not go in for all of the frivolousness of later episodes. He did not rely on loud talking and grandiose brashness by the actors.
People in the earlier episodes gave the impression that they were ordinary, hard working people who barely eked a living out of a hard land. They did what they had to do to get by, out on the lonely Kansas plains. When they met disaster, it was "implied" on screen and the viewer could use his imagination as to what happened. Those shows did not have all of the "Hollywood" glitz that pervaded later episodes.
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