James Arness rides again as Matt Dillon, the US Marshal he made popular in the 1955-75 TV series. In this movie he goes after a renegade Apache named Wolf (Joe Lara) who has taken his ... See full summary »
Stories of the journeys of a wagon train as it leaves post-Civil War Missouri on its way to California through the plains, deserts and Rocky Mountains. The first treks were led by gruff, ... See full summary »
Bret and Bart Maverick (and in later seasons, their English cousin, Beau) are well dressed gamblers who migrate from town to town always looking for a good game. Poker (5 card draw) is ... See full summary »
U.S. Marshals Nevada Jack McKenzie and Sandy Hopkins come upon an overturned stagecoach with the driver and the passenger dead. They learn that the passenger, Hinkley, an archaeologist, has... See full summary »
Johnny Mack Brown,
Marshal Matt Dillon is in charge of Dodge City, a town in the wild west where people often have no respect for the law. He deals on a daily basis with the problems associated with frontier life: cattle rustling, gunfights, brawls, standover tactics, and land fraud. Such situations call for sound judgement and brave actions: of which Marshal Dillon has plenty. Written by
Murray Chapman <firstname.lastname@example.org>
James Arness almost didn't take the part of Matt. People in the industry were telling him not to out of fear that it would hurt his chances for a movie career if the TV show failed. After having a long talk with his good friend, John Wayne, he decided to accept the role. See more »
Matt, you can't account for everything that happens to people who touch you. You know, I learned a long time ago, there are some things in this life that you just accept the way they are.
U.S. Marshal Matt Dillon:
That's pretty deep for a redhead.
I'm a pretty deep redhead.
See more »
The best of the series is the first five years when John Meston did most of the writing. He had a real feel of, what I perceive to be, the Old West to be really like. He did not go in for all of the frivolousness of later episodes. He did not rely on loud talking and grandiose brashness by the actors.
People in the earlier episodes gave the impression that they were ordinary, hard working people who barely eked a living out of a hard land. They did what they had to do to get by, out on the lonely Kansas plains. When they met disaster, it was "implied" on screen and the viewer could use his imagination as to what happened. Those shows did not have all of the "Hollywood" glitz that pervaded later episodes.
35 of 42 people found this review helpful.
Was this review helpful to you?