James Arness rides again as Matt Dillon, the US Marshal he made popular in the 1955-75 TV series. In this movie he goes after a renegade Apache named Wolf (Joe Lara) who has taken his ... See full summary »
Stories of the journeys of a wagon train as it leaves post-Civil War Missouri on its way to California through the plains, deserts and Rocky Mountains. The first treks were led by gruff, ... See full summary »
Western stories and legends based, and filmed, in and around Death Valley, CA. One of the longest-running Western series, originating on radio in the 1930s. The continuing sponsor was "20 Mule Team" Borax, a product mined in Death Valley.
When his cattle drivers abandon him for the gold fields, rancher Wil Andersen is forced to take on a collection of young boys as his drivers in order to get his herd to market in time to ... See full summary »
U.S. Marshals Nevada Jack McKenzie and Sandy Hopkins come upon an overturned stagecoach with the driver and the passenger dead. They learn that the passenger, Hinkley, an archaeologist, has... See full summary »
Johnny Mack Brown,
Marshal Matt Dillon is in charge of Dodge City, a town in the wild west where people often have no respect for the law. He deals on a daily basis with the problems associated with frontier life: cattle rustling, gunfights, brawls, standover tactics, and land fraud. Such situations call for sound judgement and brave actions: of which Marshal Dillon has plenty. Written by
Murray Chapman <firstname.lastname@example.org>
The best of the series is the first five years when John Meston did most of the writing. He had a real feel of, what I perceive to be, the Old West to be really like. He did not go in for all of the frivolousness of later episodes. He did not rely on loud talking and grandiose brashness by the actors.
People in the earlier episodes gave the impression that they were ordinary, hard working people who barely eked a living out of a hard land. They did what they had to do to get by, out on the lonely Kansas plains. When they met disaster, it was "implied" on screen and the viewer could use his imagination as to what happened. Those shows did not have all of the "Hollywood" glitz that pervaded later episodes.
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