Series of unrelated short stories covering elements of crime, horror, drama, and comedy about people of different backgrounds committing murders, suicides, thefts, and other sorts of crime caused by certain motivations, perceived or not.
Master of suspense Alfred Hitchcock presents several short stories. The stories are invariably surprising, often containing elements of horror, comedy, and mystery. Written by
Murray Chapman <email@example.com>
Most people who have seen this series, remember Sir Alfred Hitchcock's opening and closing narratives for the series. However, for each episode, more than one opening and closing was filmed, as Hitchcock's famous jibes at the sponsors were unappreciated in the European markets. So for each episode, Hitchcock filmed two openings and two closings: one would be for American viewings (jokes about sponsors) and the second would be for European showings (jokes about Americans, and not about sponsors). For most of the third season, Hitchcock even did the opening and closings in French and German, as he spoke both languages fluently. See more »
Alfred Hitchcock - Host:
[introducing commercials at the end of the show]
I hope you have enjoyed our program. Seeing a murder on television can help to work off one's antagonisms. And if you haven't any antagonisms, these commercials will give you some.
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I am a massive Hitchcock fan and would argue that his creative peak in features was in the mid-late 50's, ironically just at the time he commenced production of this short-form series bearing his imprimatur, even if he only had time to personally direct a handful of episodes. Of the first four episodes I've watched from series 1, I've been impressed by their coherence, consistency and diversity, for instance one was set in the wild west, a genre you can hardly imagine the Master covering in his own work. Snappily scripted, plotted and edited, these short programmes prefigure the likes of "Twilight Zone" in the 60's and "Tales Of The Unexpected" in the 70's. The production values are high as is the acting talent involved; famously this is how Hitch discovered Vera Miles, who was to feature in two of his features in the years ahead as well as a penchant for a low budget, black and white shoot which would result in a certain movie centring on a psychologically disturbed motel owner, the title of which escapes me. All the episodes benefit from acerbic intros and outros by the man himself, playing up to his curmudgeonly persona while the sinisterly jocular theme music still conjures up that famous pencil-profile image which he would fill over the titles. I think it's great that a top Hollywood director in his prime could make time to adapt so well to the TV market as Hitchcock did here. These programmes are fun, pithy and entertaining and still worth watching today.
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