Young at Heart (1954)

Approved  |   |  Drama, Musical, Romance  |  December 1954 (USA)
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Ratings: 6.9/10 from 1,647 users  
Reviews: 44 user | 18 critic

The lives and romances of three sisters in a musical family; the youngest daughter's life is complicated by the subsequent arrival of a charming composer and a cynical music arranger.



(screenplay), (screenplay) (as Lenore Coffee) , 2 more credits »
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Complete credited cast:
Robert Keith ...
Elisabeth Fraser ...
Bob Neary
Lonny Chapman ...
Ernie Nichols


When Alex enters the lives of the musical Tuttle family, each of the three daughters falls for him. He is charming, good looking and personable. Laurie and Alex seem made for each other and become engaged. When Barney comes into the picture to help Alex with some musical arrangements matters become complicated. He is seen as a challenge by Laurie, who can't believe anyone could be as cynical, and she is more than a match for his gloomy outlook on life. Written by Ron Kerrigan <>

Plot Summary | Add Synopsis


Drama | Musical | Romance


Approved | See all certifications »

Parents Guide:





Release Date:

December 1954 (USA)  »

Also Known As:

Man soll nicht mit der Liebe spielen  »

Company Credits

Production Co:

Show detailed on  »

Technical Specs


Sound Mix:

(RCA Sound Recording)


Aspect Ratio:

1.85 : 1
See  »

Did You Know?


Doris Day wrote that Frank Sinatra disliked Day's husband/manager Martin Melcher so much that he threatened to walk off this film unless Melcher was banned from the Warner Brothers lot during production. Jack L. Warner issued this order to all studio security guards so that production would not be shut down. See more »


When Day and Sinatra are icing the gingerbread men/persons, they refill the icing gun, but the icing is added on top of the plunger. See more »


Gregory Tuttle: [walking in on the girls calmly setting the table] Something's wrong here.
See more »


Young at Heart
Music by Johnny Richards
Lyrics by Carolyn Leigh
Sung by Doris Day and Frank Sinatra
See more »

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User Reviews

YOUNG AT HEART (Gordon Douglas, 1954) ***
17 May 2008 | by (Naxxar, Malta) – See all my reviews

A musicalization of a classic “woman’s picture” is about as unappetizing a prospect as can get for me film-wise, but the polished Hollywood expertise here wins out in the end and makes for a refreshing and appealing movie that I had long underestimated (it was shown several times on Italian TV but I never bothered with it).

Doris Day and, especially, Frank Sinatra are well-matched as star-crossed lovers in small-town America; Day comes from a classically-trained musical family headed by Robert Keith and including Dorothy Malone (with spinster aunt Ethel Barrymore watching maternally from the sidelines). Amiable popular music composer Gig Young bursts in on their quiet, happy family life (all the girls naturally fall for his charms) but this is further exacerbated by the belated introduction of his arranger pal, embittered long-time loser Frank Sinatra. The film’s narrative is largely made up of the romantic entanglements of the trio of girls (two of whom are engaged to local guys but pine for Young) while Day is longed for by Young but is immediately drawn to outsider Sinatra. Robert Keith is really no match for Claude Rains – who had played the father in Michael Curtiz’s original FOUR DAUGHTERS (1938) – but Sinatra does manage to make John Garfield’s star-making, Oscar-nominated turn his own.

Curiously enough, the screenwriters of YOUNG AT HEART – Julius J. Epstein and Lenore Coffee – were the very same duo who had earlier adapted FOUR DAUGHTERS to the screen; however, as is already apparent, the original movie had four daughters instead of three, the character names were also altered and the remake was even given a schmaltzy, happy ending! Naturally, both Day and Sinatra get to sing in the film but they only have a modest duo of sorts at the very end; incidentally, I was let down by the finale not just because of its improbable “all’s well that ends well” qualities but also because, after Sinatra is seen toiling at his magnum opus throughout the whole movie, the result is just a corny love song! At the very least, I was expecting the classic title tune to be it (which he does get to sing over the opening credits). Incidentally, he seems to have had a good working relationship with director Gordon Douglas – since they would reteam three more times in the next 14 years.

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