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Needing to fill the position of general manager of his company, and believing that an executive's wife is crucial to her husband's success, auto industry mogul Gifford brings three couples to New York to size up: Jerry and Carol: he hard-driven and self-reliant, she willing to use her beauty to further her husband's career; Sid and Elizabeth, he ulcer-ridden and torn between achieving success and restoring their troubled marriage, she positive that his job will kill him, but gamely agreeing to play the good wife for the duration; and down-to-earth Bill, whose good-natured Katie fears that his promotion would spell the end of their idyllic familiy existence. Written by
Paul Penna <email@example.com>
A section of Lauren Bacall's dialogue from the film is used at the end of the song "The Asphalt World", which appears on the British band Suede's second album and what is considered to be their creative high point "Dog Man Star". See more »
In the scene where Katie is looking in the Macy's windows, the street scene behind her does not change when she moves from one window to another. The same rear projection continued to play for both windows. See more »
Last night I saw Woman's World: The plot concerns three hot shot salesmen who have been summoned to New York for consideration as the general manager of a fictional automobile company. They salesmen are asked to bring their wives along as the company president believes his executives need the proper kind of wife to be an effective senior manager. Much intrigue, drama, and hilarity ensue.
Ford motor company participated significantly in this movie. In addition to a large number of 1954 Ford products, the movie featured two Ford fiftieth anniversary concept cars from 1953: the X-100 and the XL-500
At the beginning of the movie, one couple is shown driving to New York in a Mercury Monterey.
The lead character played by Clifton Web is the president of 'Gifford Motors. Gifford Motors' cars all resemble Ford Motor Company cars. In one scene, the lobby of the Gifford building is shown with the X-100 and the XL-500 displayed. A Gifford manager is demonstrating the features of the X-100 to a member of the public. The Plexiglas roof panel is shown automatically sliding into position as the windows rise to prevent the interior from being damaged in case it rained while the car was left open. Apparently this was a big problem in the 50s as 'automatically closing in case of rain' was a feature of many concept cars including the Buick LeSabre.
Later, the three wives are given a tour of New York in the X-100 with street scenes of the car in front of the New York Public Library and the United Nations among other locations.
Throughout the movie, company executives come and go in a Lincoln sedan and a convertible.
In one scene the president take the three potential general managers to the 'proving grounds' where we see a variety of Fords whizzing around a banked oval at high speeds with appropriate sound effects.
Another scene shows a futuristic feature being demonstrated by three large-scale tabletop models of prototype cars: one model drives forward, stops, makes a whirring sound, and then moves sideways into a parking space between the other two models. Presumably it was lowering dolly wheels when it made the whirring sound. This was a 50s approach to solving the age-old parallel parking problem for which solutions are still being pursued today see the latest Lexus automatic parallel parking feature. A boardroom scene also shows a tabletop model although it's not clear if it's different from the previous three. There is also a scene in the interior design department with many prototype seats of varying color and design.
In addition to being a great movie, it is a real treat for lovers of early 50s Ford products.
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