After being wounded by a bullet, bank robber Charlie Blake seeks shelter with his gang at his brother's mountain retreat. There he rekindles his romance with his brother's wife and reconnects with the boy he believes is his son.
Struggling artist Geoffrey Carroll meets Sally whilst on holiday in the country. A romance develops but he doesn't tell her he's already married. Suffering from mental illness, Geoffrey ... See full summary »
The uptight and dumb small time thief Nick Robey and his partner and only friend Al Molin steal $10,000.00 from a man, but the heist goes wrong. Al Molin is killed by a policeman and Nick ... See full summary »
Kathy leaves the newspaper business to marry homicide detective Bill but is frustrated by his lack of ambition and the banality of life in the suburbs. Her drive to advance Bill's career soon takes her down a dangerous path.
Mae Doyle comes back to her hometown a cynical woman. Her brother Joe fears that his love, fish cannery worker Peggy, may wind up like Mae. Mae marries Jerry and has a baby; she is happy but restless, drawn to Jerry's friend Earl.
Cheryl Draper (Barbara Stanwyck) sees a murder through her bedroom window, but no one will believe her. She is stalked by the suave killer ('George Sanders'), who first takes steps to convince police she is crazy, but she has ally in a sympathetic policeman (Gary Merrill). Written by
Released less than a month before Rear Window (1954), to which the film bears plot similarities. See more »
When Cheryl first runs up the stairs of the building under construction there are a couple of current-day cars, and about a dozen spectators. A few minutes later on the top as she looks down, there are well over a hundred spectators, street flares, and several vintage 1930s era vehicles, which clearly indicate this is stock footage from a much earlier production. See more »
I was surprised to come upon this film "Witness to Murder" tonight on TV as I hadn't heard of it before - always nice to discover an old movie with excellent, familiar actors. I get the impression of it being a part of the transitional period for some actors from movies to early TV dramas, in live productions that carry such realism as this film does.
I tuned in late and missed the first few minutes of the movie where wily Albert Richter (George Sanders) is purported to have committed his evil deed; unfortunately Sanders has always been one of my favourite actors, one of the best ne'er-do-wells (as in The Ghost and Mrs. Muir, Samson and Delilah, and All About Eve), and I wasn't a little old lady in those days but a budding teenager. His suave demeanour always fascinated me and he carries this over from film to film. By the way, in this 1954 movie his few lines in German weren't very convincing but his villainous role is very well set forth.
It's obvious that Barbara Stanwyck as the frustrated witness, Cheryl, carries a huge emotional burden throughout, and does it well - a real pro! This is a moderately predictable melodrama when crime inspection was more simple somehow. The music is very prevalent in most scenes and seems to override everything at times especially near the climax but that's to be expected.
Good popcorn fare! Enjoy some reminiscing moments of 'film noire' in top form.
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