An intelligent, articulate scholar, Harrison MacWhite, survives a hostile Senate confirmation hearing at the hands of conservatives to become ambassador to Sarkan, a southeast Asian country... See full summary »
Running from the law after a bank robbery in Mexico, Dad Longworth finds an opportunity to take the stolen gold and leave his partner Rio to be captured. Years later, Rio escapes from the ... See full summary »
This comedy-drama is partially a gentle satire on America's drive to change the world in the post-war years. One year after World War II, Captain Fisby is sent to the village of Tobiki in ... See full summary »
The destiny of three soldiers during World War II. The German officer Christian Diestl approves less and less of the war. Jewish-American Noah Ackerman deals with antisemitism at home and ... See full summary »
Val Xavier, a drifter of obscure origins arrives at a small town and gets a job in a store run by Lady Torrence, a sex-starved woman whose husband Jabe M. Torrance is dying of cancer ... See full summary »
Cop-hating Johnny Strabler is recounting the fateful events that led up to the "whole mess" as he calls it, his role in the mess and whether he could have stopped it from happening. The Black Rebels, a motorcycle gang of which Johnny is the leader, cause a ruckus using intimidation wherever they go, with their actions bordering on the unlawful. On the day of the mess, they invade a motorcycle racing event, at which they cause a general disturbance culminating with one of the gang members stealing a second place trophy to give to Johnny. Despite not being the larger winning trophy, it symbolizes to Johnny his leadership within the group. Their next stop is a small town where their disturbance and intimidation tactics continue. Some in town don't mind their arrival as long as they spend money. Harry Bleeker, the local sheriff, doesn't much like them but is so ineffective and weak that he doesn't do anything to stop them, much to the annoyance of some of the other townsfolk, who see the ... Written by
Based on a 1951 short story in Harper's Magazine entitled The Cyclists' Raid, which in turn was based upon a real-life incident in Hollister, California in 1947. The actual incident, however, bore little resemblance to the events depicted in the movie. Although spirited, the cyclists did not run amok or become violent. In fact, the bikers were invited back to Hollister over the July 4, 1997 weekend for a fiftieth anniversary celebration of the original incident. See more »
When being chased by townsfolk, Johnny hides behind a wall. A total shot shows him back-to-wall until the chasers have passed. In the following shot he has turned by 90 degrees to the left and stands clear off the wall. See more »
I don't get you. I don't get your act at all, and I don't think you do either. I don't think you know what you're trying to do or how to go about it. I think you're stupid. Real stupid and real lucky. Last night you scraped by, just barely; but a man's dead on account of something you let get started even though you didn't start it.
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Strong performances in an original take on a persistent theme
An early Brando vehicle, The Wild One has the air of a local genre for the postwar American youth, determined to strike out and be different from the previous generation - despite little idea of what the alternative is. Of course, there is no real genre at work in this sort of movie but the rise of the youthful celebrity typified by Brando and the obvious climate for generational schism brought by the end of the war specifically midwived films such as this.
Brando is very watchable - I particularly like an early sequence, where, despite his determination to defy any expectation, he gets trapped into following a bargirl (Mary Murphy) around like a puppy. His aimlessness is well calibrated, offset with the defining line of the movie: 'What are you rebelling against?' asks a local. 'What have you got?' ripostes Brando's Johnny.
Also popping up on screen is a necessarily over the top Lee Marvin as an amigo/antagonist counterpart to Johnny and a brilliantly ineffectual yet despondently wise town Sheriff, given by Robert Keith. He alone sees the ever-turning circle of young growing up but is rendered powerless by the very circumstance that gives this study in the unassuming, self-education of youth its ring of temporal genre. With equally committed performances across the rest of the ensemble, the film becomes more than a document though. 6/10
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