The growing ambition of Julius Caesar is a source of major concern to his close friend Brutus. Cassius persuades him to participate in his plot to assassinate Caesar but they have both sorely underestimated Mark Antony.
An intelligent, articulate scholar, Harrison MacWhite, survives a hostile Senate confirmation hearing at the hands of conservatives to become ambassador to Sarkan, a southeast Asian country... See full summary »
Val Xavier, a drifter of obscure origins arrives at a small town and gets a job in a store run by Lady Torrence, a sex-starved woman whose husband Jabe M. Torrance is dying of cancer ... See full summary »
The destiny of three soldiers during World War II. The German officer Christian Diestl approves less and less of the war. Jewish-American Noah Ackerman deals with antisemitism at home and ... See full summary »
Running from the law after a bank robbery in Mexico, Dad Longworth finds an opportunity to take the stolen gold and leave his partner Rio to be captured. Years later, Rio escapes from the ... See full summary »
Cop-hating Johnny Strabler is recounting the fateful events that led up to the "whole mess" as he calls it, his role in the mess and whether he could have stopped it from happening. The Black Rebels, a motorcycle gang of which Johnny is the leader, cause a ruckus using intimidation wherever they go, with their actions bordering on the unlawful. On the day of the mess, they invade a motorcycle racing event, at which they cause a general disturbance culminating with one of the gang members stealing a second place trophy to give to Johnny. Despite not being the larger winning trophy, it symbolizes to Johnny his leadership within the group. Their next stop is a small town where their disturbance and intimidation tactics continue. Some in town don't mind their arrival as long as they spend money. Harry Bleeker, the local sheriff, doesn't much like them but is so ineffective and weak that he doesn't do anything to stop them, much to the annoyance of some of the other townsfolk, who see the ... Written by
The name of Lee Marvin's motorcycle gang is "The Beetles." Although it has never formally been acknowledged as an inspiration for the name of the 1960s rock band, the scene from the movie where Marvin introduces The Beetles is used at the beginning of The Beatles Anthology. See more »
The mark on Johnny's face (below left eye and received in earlier fight with Chino) is missing in the motorcycle ride to park with Kathie, but shows up later in following scenes. See more »
My son-in-law recently saw "Easy Rider" for the first time and became totally confused. "What's that all about?" he asked me. What could I say? I replied, "You just had to have lived through those times to understand and appreciate the movie." The same can be said of "The Wild One." Before "Blackboard Jungle," before "Rebel Without A Cause," before "Look Back in Anger," there was "The Wild One." "What are you rebelling against?" "Whatcha got?" That certainly sounds like James Dean in "Rebel Without a Cause" but, no, it's Johnny (Brando) in "The Wild One." I saw this movie for the first time when I was 13 and was mesmerized by it. Apparently it was distributed again after "Blackboard Jungle" and "Rebel Without a Cause" came out because I saw it the same year I saw the other two. As far as fascination of the three, this one effected me most. Almost as good as Brando is Lee Marvin. I've read conflicting accounts of how The Beatles came up with their name. One, they so admired Buddy Holly and the Crickets that they adopted Beatles as a replacement for Crickets. The other story is that John Lennon so admired "The Wild One" that he took the name of the rival bikers and gave it a new spelling. Whatever the case, Lee Marvin is a good foil for Brando.
My favorite part of the movie is the opening. The open highway is a symbol for the movie. The highway is a means of passage for new ideas, new challenges, new life styles. The highway can bring evil as well as good. It is symbolic of freedom and a carefree way of life. It's not surprising that trucks began replacing freight trains as the major means of transport for goods and services following World War II. The highway also began replacing the rails as the major means of escape for the socially and spiritually oppressed among us. The viewer sees the blacktop for what seems to be several minutes. Suddenly, something appears on the horizon. Before the viewer knows it, rebels in the form of bikers are headed directly toward the camera. Then it seems they actually run through the camera and come out of the screen into the audience. What a piece of cinematography. Hungarian-born Laszlo Benedek mainly concentrated on television after this film. Being such a gifted director, one wishes he had done more films.
There is actually not much of a story in this movie. Supposedly based on a true account of a biker gang taking possession of a small California town, it's mainly a comment on changing times and mores in post-war America. But from the first roar of bikes journeying down the pavement, the viewer is hooked and stays spellbound to the very end. One thing puzzles me about the film's history: How does a movie get banned in Finland?
33 of 45 people found this review helpful.
Was this review helpful to you?