C.K. Dexter-Haven, a successful popular jazz musician, lives in a mansion near his ex-wife's Tracy Lord's family estate. She is on the verge of marrying a man blander and safer than Dex, ... See full summary »
Youthful Father Chuck O'Malley led a colorful life of sports, song, and romance before joining the Roman Catholic clergy, but his level gaze and twinkling eyes make it clear that he knows ... See full summary »
Having left the Army following W.W.II, Bob Wallace and Phil Davis team up to become a top song-and-dance act. Davis plays matchmaker and introduces Wallace to a pair of beautiful sisters (Betty and Judy) who also have a song-and-dance act. When Betty and Judy travel to a Vermont lodge to perform a Christmas show, Wallace and Davis follow, only to find their former commander, General Waverly, as the lodge owner. A series of romantic mix-ups ensue as the performers try to help the General. Written by
Norman Cook <firstname.lastname@example.org>
Although the movie stars Bing Crosby and features songs by Irving Berlin, it is not a sequel to the earlier film, Holiday Inn (1942), as Crosby plays different characters in each movie (Jim Hardy in the first film; Bob Wallace in this one). Originally, the plan was to reunite Crosby with his Holiday Inn (1942) co-star, Fred Astaire, but Astaire turned it down, as he had temporarily "retired" at the time. Donald O'Connor was cast as Crosby's co-star, in what was hoped to be a reprise of his successful dance partnership with Vera-Ellen from Call Me Madam (1953). But while filming _Francis Joins the WACs_ (1954), O'Connor contracted a severe bout of Q-Fever from his co-star, Francis the Talking Mule, and had to pull out. Danny Kaye was cast as a last minute replacement. See more »
In the hospital, Wallace is almost to the door when Davis calls him back. Wallace sits down on the end of the cot, but in the next shot, he is seated beside Davis on the side of the bed. See more »
This film was the first feature to use the VistaVision Paramount logo. A new logo, created especially for wide-screen, this logo appears more realistic and features a shot of a canyon with trees around it. The sky is more distant in depth and is full of contrast. The Paramount logo is pretty much the same as before here. The screen credit "Paramount (with the "P" written in their corporate font) proudly presents the first picture in" first appears over the mountain, and then the VistaVision logo appears, then the Paramount logo plays as usual (with the final notes of the Paramount on Parade march, followed by a bell sound). The Paramount mountain, with minor variations until 1986, served as the basis for the company logo for more than 30 years. See more »
The music of Irving Berlin, one of America's most distinguished composers of the 20th century, is at the center of this pleasant holiday film, that if one is to judge by the comments submitted to this forum, is a perennial favorite of audiences that discover this charming movie, or just go back to visit from time to time.
Directed by Michael Curtiz, a versatile man; he was at ease with drama as well as comedy, or musicals. He shows a light touch that helps make this a cherished film for movie fans of all ages. Based on material by another great team, Norman Panama, Norman Krasna and Melvin Frank, the movie is light as a feather. The film is sort of a variation on the theme, "let's put on a show", or even, "if we stage it, they will come", we know how it will end, but we feel good, and enjoy it even though we know the plot by heart.
The main reason for watching, besides Mr. Berlin's wonderful tunes, is hearing those standard songs delivered by the likes of Bing Crosby and Rosemary Clooney, who were at the top of their careers. They had such wonderful and melodious voices, they enhance the songs they interpret. The story is just a pretext to bring together the talented principals plus Danny Kaye, Vera Ellen, Dean Jagger, and the marvelous Mary Wickes, in a film that will delight anyone, anytime, but especially at Christmas.
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