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Having left the Army following W.W.II, Bob Wallace and Phil Davis team up to become a top song-and-dance act. Davis plays matchmaker and introduces Wallace to a pair of beautiful sisters (Betty and Judy) who also have a song-and-dance act. When Betty and Judy travel to a Vermont lodge to perform a Christmas show, Wallace and Davis follow, only to find their former commander, General Waverly, as the lodge owner. A series of romantic mix-ups ensue as the performers try to help the General. Written by
Norman Cook <email@example.com>
In the movie, the four main characters take the train from Florida to Vermont, which in 1954 would have required changing trains in New York. This is alluded to during the "travel sequence," by showing stock footage of two different trains in subsequent shots. However, the trains seen in these shots in the film are both West Coast trains! The first train is the Santa Fe Railroad 'San Diegan' (note the palm trees in the background), followed by the Southern Pacific's 'Coast Mail', a local coach train. Neither railroad ran trains on the East Coast. See more »
Early in the movie when Bob and Phil go to The Florida Theater, they tell Novello they are there to see The Haynes Sisters. Novello then goes to the girls' dressing room and tells them that Bob and Phil are there to see their act because the girls' brother had sent them a letter, but Bob and Phil hadn't told Novello that. See more »
This film was the first feature to use the VistaVision Paramount logo. A new logo, created especially for wide-screen, this logo appears more realistic and features a shot of a canyon with trees around it. The sky is more distant in depth and is full of contrast. The Paramount logo is pretty much the same as before here. The screen credit "Paramount (with the "P" written in their corporate font) proudly presents the first picture in" first appears over the mountain, and then the VistaVision logo appears, then the Paramount logo plays as usual (with the final notes of the Paramount on Parade march, followed by a bell sound). The Paramount mountain, with minor variations until 1986, served as the basis for the company logo for more than 30 years. See more »
By 1954 the song White Christmas had become such a timeless classic that it was inevitable that a film would be made around it. And of course the star would be none other than Bing Crosby. But who to star with him.
Originally this was to be the third Irving Berlin outing for Bing and Fred Astaire. Then Donald O'Connor was to co-star, but finally Danny Kaye teamed with Der Bingle. Proved to be a felicitous combination.
By then Rosemary Clooney had worked in a few films well and more importantly, she had clicked with Crosby on the radio. Bing had teamed with several girl singers over the years, like Connee Boswell, Frances Langford, Mary Martin, Trudy Erwin, Carole Richards, Peggy Lee and a trio of sisters named Andrews. But he always said Rosemary Clooney was it for him and besides Mary Martin, the only other one who did became a leading lady for him.
It's not remembered because of the success of her solo career, but Rosemary Clooney started as a duo with her sister Betty who retired early to raise a family. So with Vera-Ellen as her sister in the movie, that was an aspect of the plot Rosemary could handle with ease.
The plot such as it is involves Bing and Danny as a song and dance duo who've expanded into the production end of show business. Through a little bit of a con game worked by Vera Ellen, the two meet a singing sister act like the Clooney sisters were. The sisters turn out to be headed to Vermont to work at a resort and the smitten guys go along with them.
Problem is there ain't any snow there. It's an unheard of 68 degrees Fahrenheit in early December. And the place is owned by Crosby and Kaye's former commander from World War II, played by Dean Jagger. He's about to lose his shirt and his pride. So our intrepid quartet go to work.
Irving Berlin's score for White Christmas is about half new songs and the other half from previous scores. That's how it was when you got Irving to work for you. Listen carefully even to the background music. You will not hear one note of a non-Berlin song.
One of those songs was a personal favorite of mine, Count Your Blessings Instead of Sheep. I recall in grade school in Brooklyn it was a song that the teachers had us sing in the school assemblies. Little did I know that it was introduced by the guy who proved to be my favorite entertainer. It's a patented philosophical Bing Crosby song that he did best and it serves as a ballad to woo and win Rosie. Bing sings it and then Rosie joins him in the reprise.
Danny Kaye has two good numbers. The first The Best Things Happen While Your Dancing is clearly originally for Fred Astaire, though Kaye and Vera Ellen make a lovely couple on the dance floor. The Choreography number I think was also done for Astaire, but here dancer John Brascia does the complicated dance routine while Kaye sings. I'm sure Astaire would have handled both jobs had the film been made with him.
All the stars do the Minstrel Show/Mandy number, but Vera Ellen really shines in it. She was a great dancer, really sparkled in every film she did.
Besides Sisters, Rosemary Clooney has a grand torch ballad that sold a few platters for her in Love, You Didn't Do Right By Me. She had a wonderful singing voice and the most impeccable diction of any female singer ever. You don't miss one throbbing word on any of her ballads.
White Christmas was Paramount's first film done in their wide screen process called VistaVision. And of course it was proper that their number one star for over 20 years be in this film. Of course jokes about Bing's derrière and the wide screen got into the repertoire of a certain comedian named Hope.
Just like the song that inspired it, White Christmas has proved to be a timeless holiday classic and will remain so.
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