Jack Cardiff received a 1960 Oscar Nomination as Best Director for this lush, engaging film starring Trevor Howard, Dean Stockwell and Donald Pleasence, which was adapted from D.H. ... See full summary »
An adventuresome young man goes off to find himself and loses his socialite fiancée in the process. But when he returns 10 years later, she will stop at nothing to get him back, even though she is already married.
The true story of Agnes Newton Keith's imprisonment in several Japanese prisoner-of-war camps from 1941 to the end of WWII. Separated from her husband and with a young son to care for she ... See full summary »
On a trip to France, millionaire Jervis Pendelton sees an 18 year old girl in an orphanage. Enchanted with her, but mindful of the difference in their ages, he sponsors her to college in ... See full summary »
Three American women, rooming together while working abroad in Rome, Italy, hope for romance and marriage. Frances, oldest of the three, has been fifteen years a secretary to novelist John Frederick Shadwell, a man whom she loves but whose reclusive nature prompts most people to believe him long since dead. Anita, one week away from returning to America (under the claim of getting married), finally bucks company rules (and gets caught) by finally accepting an invitation from an Italian co-worker to visit his family's farm for his sister's wedding. Newly arrived Maria soon sets her generally innocent eyes on Dino di Cessi, an actual prince with a reputation for womanizing, and makes a play for him by making herself his perfect match. Written by
At the farm, the large round loaf of bread can be seen to have been precut before Giogio's cousin picks it up to cut off a slice. See more »
[Walking down a street in Rome, Maria gets a pinch from a fresh young Italian man]
Anita, somebody pinched me.
Don't look back. It's considered an encouragement. Just pretend you didn't notice.
Are you kidding? I'll kick him right in his antipasto!
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Anima e Core
Music by Salvatore Esposito
(This song was sung at the hillside picnic near the home of Giorgio when he took Anita to meet his parents.)
I have corrected the spelling of the title of this song, and I have corrected the composer's name and the Songwriter's name. Your automatic system would not allow me to correct the songwriter's name which should be: Domenico Titomanlio. See more »
Pleasant locales but it's still little more than a travelogue...
Time hasn't been kind to certain films and THREE COINS IN THE FOUNTAIN is one of them. The story at its center is trite and only exists in order to show the splendors of Rome in color and CinemaScope to lure patrons away from their television sets when the film was made, in the mid-'50s.
The only performers emerging from the film unscathed are JEAN PETERS, gorgeous as a secretary looking for romance away from the office, and the two men who are in their physical prime and give the film's most ingratiating performances--ROSSANO BRAZZI and LOUIS JOURDAN, both being the prototypes of the sort of European men American women find so attractive.
DOROTHY McGUIRE is saddled with the role of a spinster (of 38) whose object of affection is CLIFTON WEBB (mid-'60s) who seems an odd choice for any woman and tries hard to be his usual urbane self. Nor is MAGGIE MacNAMARA any help as a conniving American girl who diligently learns the likes and dislikes of the man (Jourdan) she plans to trap into marriage. Miss MacNamara too often seems more annoying than charming.
But it's harmless fluff, nicely staged in real Italian locales so that there's something to look at when things get dull--as they often do. Surprisingly, the film--which gets off to a nice start with a rendition of the title song by Frank Sinatra--was nominated for a Best Picture Oscar.
Summing up: No surprises here, just a dull story that gets an occasional lift from the romance between Peters and Brazzi which is the best, but briefest, part of the whole film. As a story, it's all too familiar by now but Jean Negulesco manages to combine story and scenery with a fluid touch, disguising the fact that it's little more than a pleasant travelogue.
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