Three stories of murder and the supernatural. In the first, a museum worker is introduced to a world behind the pictures he sees every day. Second, when two lifelong friends fall in love ...
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A woman is found murdered in a house along the coast from Brighton. Local detectives Fellows and Wilks lead an investigation methodically following up leads and clues mostly in Brighton and... See full summary »
In fog-dripping, barren and sometimes macabre settings, 11th-century Scottish nobleman Macbeth is led by an evil prophecy and his ruthless yet desirable wife to the treasonous act that ... See full summary »
The general Othello is manipulated into thinking that his new wife Desdemona has been carrying on an affair with one of his officers Michael Cassio when in reality it is all part of the scheme of a bitter lieutenant named Iago.
Work has been going with a bang for freelance assassin Hawkins but a job in England just after the war is a different matter. His apparently easy target, a pompous government minister, is ... See full summary »
While mainland Britain shivers in deepest winter, the northern island of Fara bakes in the nineties. The boys at the Met station have no more idea what is going on than the regulars at the ... See full summary »
Three stories of murder and the supernatural. In the first, a museum worker is introduced to a world behind the pictures he sees every day. Second, when two lifelong friends fall in love with the same woman and she is killed, they are obvious suspects. Is their friendship strong enough for them to alibi each other? Third, when a young politician is terribly hurt by the arrogant Secretary for Foreign Affairs Lord Mountdrago, he uses Mountdrago's dreams to get revenge. Written by
Ken Yousten <firstname.lastname@example.org>
According to cast member Patrick Macnee, the "Lord Mountdrago" segment was mostly directed by star Orson Welles. This testimony is supported by the abundance of high-angle, wide-angle and deep focus shots Welles was known for. See more »
THREE CASES OF MURDER is a fun if little known British horror anthology, consisting of three stories all linked by murder and mysterious death. This is very much a cosy little production in which the horror and fantastic elements are played down, but it does share stylistic similarities with the likes of the Ealing classic DEAD OF NIGHT. It's much tamer than the later Amicus anthologies.
As ever, the quality of the stories is mixed, with the first being the best. The main character is the curator of an art gallery who learns of the mysterious background of a particularly atmospheric painting of a spooky old house. He visits the house itself and the sinister occupiers, as well as the artist, only to learn of a terrifying secret. This story boasts strong acting and some great visuals and it's the highlight of the film - and the most supernatural.
The second story is the weakest of the trio and also instantly forgettable. A couple of guys are accused of the murder of a girl, and each provides an alibi for the other. The characters are weak and unmemorable and nothing much happens. The third story is dominated by the presence of star Orson Welles who brings a ton of bluster and charisma to his role of the unpleasant House of Lords member who finds himself haunted by a rival in his dreams. It's essentially an extension of the whole Macbeth/Banquo angle yet Welles makes it his own and lifts the material considerably. The humour might be a bit too broad here but it's a nice way to end a fun and atmospheric little production.
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