| Photos (See all 13 | slideshow) |
| Jeff Morrow | ... | Exeter | |
| Faith Domergue | ... | Dr. Ruth Adams | |
| Rex Reason | ... | Dr. Cal Meacham | |
| Lance Fuller | ... | Brack | |
| Russell Johnson | ... | Steve Carlson | |
| Douglas Spencer | ... | The Monitor of Metaluna | |
| Robert Nichols | ... | Joe Wilson | |
| Karl Ludwig Lindt | ... | Dr. Adolph Engelborg (as Karl L. Lindt) | |
| rest of cast listed alphabetically: | |||
| Jack Byron | ... | Photographer (uncredited) | |
| Spencer Chan | ... | Dr. Hu Ling Tang (uncredited) | |
| Richard Deacon | ... | Pilot (uncredited) | |
| Coleman Francis | ... | Express Deliveryman (uncredited) | |
| Marc Hamilton | ... | Metaluna Inhabitant (uncredited) | |
| Edward Hearn | ... | Reporter (uncredited) | |
| Edward Ingram | ... | Photographer (uncredited) | |
| Charlotte Lander | ... | Metaluna Woman at Decompression Console (uncredited) | |
| Orangey | ... | Neutron (uncredited) | |
| Regis Parton | ... | Mutant (uncredited) | |
| Olan Soule | ... | First Reporter (uncredited) | |
| Les Spears | ... | Reporter (uncredited) | |
| Lizalotta Valesca | ... | Dr. Marie Pitchener (uncredited) | |
| Robert Williams | ... | Webb (uncredited) | |
Directed by | |||
| Joseph M. Newman | (as Joseph Newman) | ||
Writing credits | ||
| Raymond F. Jones | (story "The Alien Machine") | |
| Franklin Coen | (screenplay) and | |
| Edward G. O'Callaghan | (screenplay) | |
Produced by | |||
| William Alland | .... | producer | |
Original Music by | |||
| Henry Mancini | (uncredited) | ||
| Hans J. Salter | (uncredited) | ||
| Herman Stein | (uncredited) | ||
Cinematography by | |||
| Clifford Stine | |||
Film Editing by | |||
| Virgil W. Vogel | (as Virgil Vogel) | ||
Art Direction by | |||
| Alexander Golitzen | |||
| Richard H. Riedel | |||
Set Decoration by | |||
| Russell A. Gausman | |||
| Julia Heron | |||
Costume Design by | |||
| Rosemary Odell | (gowns) | ||
Makeup Department | |||
| Joan St. Oegger | .... | hair stylist | |
| Bud Westmore | .... | makeup artist | |
Production Management | |||
| Sergei Petschnikoff | .... | unit production manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Fred Frank | .... | assistant director | |
| George Lollier | .... | assistant director (uncredited) | |
Sound Department | |||
| Leslie I. Carey | .... | sound | |
| Robert Pritchard | .... | sound | |
Special Effects by | |||
| David S. Horsley | .... | special photography | |
| Clifford Stine | .... | special photography | |
| Cleo E. Baker | .... | special effects (uncredited) | |
Visual Effects by | |||
| Roswell A. Hoffmann | .... | optical printing (as Roswell A. Hoffman) | |
| Frank Tipper | .... | effects animator (uncredited) | |
Music Department | |||
| Joseph Gershenson | .... | music supervisor | |
Other crew | |||
| William Fritzsche | .... | technicolor color consultant | |
| Dianna Cyrus Bixby | .... | aircraft pilot (uncredited) | |
| Robert Hickman | .... | mutant constructor (uncredited) | |
| Dorothy Hughes | .... | script supervisor (uncredited) | |
| Jack Kevan | .... | mutant constructor (uncredited) | |
| Chris Mueller | .... | mutant constructor (uncredited) | |
| Milicent Patrick | .... | mutant designer (uncredited) | |
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| Earth vs. the Flying Saucers | Superman | Green Lantern | Transformers | Star Wars: Episode I - The Phantom Menace |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Sci-Fi section | IMDb USA section |
"This Island Earth" is not the greatest science fiction movie of all time, but it deserves more respect than it is often granted. The boys at MST3K (whom I think are great) may have done this film a great disservice. In its day, it was thoughtful, imaginative, and the special effects were excellent. I disagree with those who say there is no plot. The cold war fears and xenophobia were once again at the center of this fifties effort. The alien as our "friend" was later used in many settings, including one of the best of the "Twilight Zone" episodes, "To Serve Man."
I was young when I first saw this in a movie theater, but even then I found the home planet, Metaluma, very striking and its fate frightening. I fear that often our smugness in criticizing older films, judging them by standards that they could not have hoped to approach because of the limitations of the technology, keeps us from acceptance of their good points and their contributions. I have an acquaintance who can't watch the Maltese Falcon because it is in black and white. What a loss. The sets are striking in this film. The aliens are a bit of a stretch, but I still like what they are. I saw this movie a couple times in a theatre (not the MST version). As people left they were captivated and involved. When we left, we had had fun (not from ridiculing but enjoying). Granted there are no computer morphs and no giant metal bugs sucking brains out, but it is still good stuff.