Singers Lorelei Lee and Dorothy Shaw travel to Paris, pursued by a private detective hired by the disapproving father of Lorelei's fiancé to keep an eye on her, as well as a rich, enamored old man and many other doting admirers.
Former burlesque star May and her daughter Peggy dance in the chorus. When May has a fight with featured dancer Bubbles, Bubbles leaves the show and Peggy takes her place. When Peggy falls ... See full summary »
Blake Washburn blames manufacturer MacFarland for his defeat in the race for re-election to the state legislature. He takes over his uncle's newspaper to take on big business as an enemy of... See full summary »
Johnny runs away from Father O'Hara's orphanage and becomes a roller skating star with the help of Mary Reeves. He becomes involved with women, including Polly, who only love him because he... See full summary »
Irving Berlin loved Ethel Merman, having first worked with her in a previous cavalcade of his songs, Alexander's Ragtime Band (1938). After that film, Berlin told her that he was so impressed with her talent that he promised to work with her again. He kept that promise and wrote two Broadway shows especially for her: "Annie Get Your Gun" in 1946 and "Call Me Madam" in 1950, the latter of which also starred Merman in the film adaptation: Call Me Madam (1953). The song "There's No Business Like Show Business" is from "Annie Get Your Gun". See more »
In the "Heatwave" number, Marilyn Monroe actually accidentally pokes her finger in a dancer's eye, something you can see on the DVD on slow motion. The dancer is seen trying to hide behind the tree with his hand over his eye, but is enough of a trooper to continue with the number. Right after Marilyn pokes the dancer in the eye she performs a twirl, pokes her head between the branches of the fake tree and gives the dancer a kiss as an apology (it's quick but definitely a peck on the cheek to make up for the eye poke). See more »
Fit Lew Harris into this picture, will you?
Lew did everything for me. Maybe he did have some ideas, that doesn't mean I always agreed with them. There was never anyone for me but Tim.
See more »
Yeah, yeah. It's hokey, it's sentimental, it's gaudy and it's loud. It's also the most entertaining, involving and unpretentious movie about Show Business ever filmed. The cast is perfect, particularly Merman, Daily and O'Connor. (Ethel Merman and Dan Daily as Donald O'Connor's Mom and Dad? Well, maybe it shouldn't have worked, but it does.) Marilyn is not at her best in the "dramatic" scenes, but all 3 of her big numbers are memorable. Johnnie Ray plays a priest(!) Well, at least he could sing. And Mitzi Gaynor hardly sings at all (thankfully), but is given the opportunity to dance quite often (thankfully). It's big, it's garish and it wear its great big heart on its sleeve. A movie to love and watch over and over.
NOTE: For all TNBLSB buffs, one of the numbers that was deleted from the release print for time, has recently been unearthed. It is included in an American Movie Classics' special documentary, entitled "Hidden Hollywood". It includes many musical numbers that were edited out of 20th Century-Fox musicals of the 30's, 40's and 50's. This one is "Anything You Can Do, I Can Do Better", and is the ONLY number to feature the FOUR Donahues: Ethel, Dan, Mitzi and Donald. It's great. (I don't think anybody would mind sitting through an extra 5 minutes of running time to catch this delightful musical moment.)
16 of 22 people found this review helpful.
Was this review helpful to you?