Keep track of everything you watch; tell your friends.
If your account is linked with Facebook and you have turned on sharing, this will show up in your activity feed. If not, you can turn on sharing
here
.
Acrobat Eddie Marsh is in the army now. His first act is to become friendly with Kathryn Jones, the colonel's pretty daughter. Their romance hits a few snags, including disapproval from her... See full summary »
Anything can happen during a weekend at New York's Waldorf-Astoria: a glamorous movie star meets a world-weary war correspondent and mistakes him for a jewel thief; a soldier learns that ... See full summary »
Delphine and Solange are two sisters living in Rochefort. Delphine is a dancing teacher and Solange composes and teaches the piano. Maxence is a poet and a painter. He is doing his military... See full summary »
Jed Potter looks back on a love triangle conducted over the course of years and between musical numbers. Dancer Jed loves showgirl Mary, who loves compulsive nightclub-opener Johnny, who ... See full summary »
The life of comedienne Fannie Brice, from her early days in the Jewish slums of the Lower East Side, to the height of her career with the Ziegfeld Follies, including her marriage to and ... See full summary »
Molly and Terry Donahue, plus their three children, are The Five Donahues. Son Tim meets hat-check girl Vicky and the family act begins to fall apart. Written by
Ed Stephan <stephan@cc.wwu.edu>
During the filming of the scene where Donald O'Connor and Marilyn Monroe were kissing, there were over 1,000 onlookers who had drifted over from other sets. See more »
Goofs
In the "Heatwave" number, Marilyn Monroe actually accidentally pokes her finger in a dancer's eye, something you can see on the DVD on slow motion. The dancer is seen trying to hide behind the tree with his hand over his eye, but is enough of a trooper to continue with the number. Right after Marilyn pokes the dancer in the eye she performs a twirl, pokes her head between the branches of the fake tree and gives the dancer a kiss as an apology (it's quick but definitely a peck on the cheek to make up for the eye poke). See more »
Quotes
Molly Donahue:
Fit Lew Harris into this picture, will you?
Vicky Hoffman:
Lew did everything for me. Maybe he did have some ideas, that doesn't mean I always agreed with them. There was never anyone for me but Tim.
See more »
The first time you watch this movie, you'll think it's long, boring, and stupid. The second time you watch this movie, you'll love it. I can't begin to tell you why, but it's the truth. (I had the chance to show this film to an audience during a Donald O'Connor film festival. People came up to me weeks later to say that they had caught it again on cable, and loved it the second time through.)
Marilyn is definately "ehh". This movie was filmed during her worst years of personal abuses, and it shows all over her face and her work, lending a shadowy sadness to her character for modern audiences. Donald O'Connor's character also takes on a new depth for modern viewers familiar with his own life's history, oftentimes with a sharp poignance that helps him grab control of so many scenes, and turn his character's story into the strongest sub-plot of the film.
Merman is BRILLIANT as the real head of this family, giving us a wonderfully unique character. Her role as the strong, smart, powerful, and loving mother is truly a standout for the 50's in general, and musicals in particular.
21 of 31 people found this review helpful.
Was this review helpful to you?
The first time you watch this movie, you'll think it's long, boring, and stupid. The second time you watch this movie, you'll love it. I can't begin to tell you why, but it's the truth. (I had the chance to show this film to an audience during a Donald O'Connor film festival. People came up to me weeks later to say that they had caught it again on cable, and loved it the second time through.)
Marilyn is definately "ehh". This movie was filmed during her worst years of personal abuses, and it shows all over her face and her work, lending a shadowy sadness to her character for modern audiences. Donald O'Connor's character also takes on a new depth for modern viewers familiar with his own life's history, oftentimes with a sharp poignance that helps him grab control of so many scenes, and turn his character's story into the strongest sub-plot of the film.
Merman is BRILLIANT as the real head of this family, giving us a wonderfully unique character. Her role as the strong, smart, powerful, and loving mother is truly a standout for the 50's in general, and musicals in particular.