Jeff Carter has put an end to the town's delinquency with a boys' club. Young hoodlum Danny shows up and influences teenagers Doris, Willy and Leo. They hang out at a juke joint where Eve ... See full summary »
Johnny runs away from Father O'Hara's orphanage and becomes a roller skating star with the help of Mary Reeves. He becomes involved with women, including Polly, who only love him because he... See full summary »
Mae Doyle comes back to her hometown a cynical woman. Her brother Joe fears that his love, fish cannery worker Peggy, may wind up like Mae. Mae marries Jerry and has a baby; she is happy but restless, drawn to Jerry's friend Earl.
In 1876 Dawson wants to prevent a train from getting to Tomahawk CO on time, to keep it from competing with his stage coach line. Kit, who must get the train to its goal, forces Johnny ... See full summary »
In the late 1800s, Miss Pilgrim, a young stenographer, or typewriter, becomes the first female employee at a Boston shipping office. Although the men object to her at first, she soon charms... See full summary »
When Vicky rehearses the "Heat Wave" number with the band the afternoon of her nightclub opening, it's an entirely different musical arrangement and vocal tempo than she uses in her act later just several hours later. See more »
You start worrying about your kids the day they're born, and you never stop. Even after they bury you, I bet you never stop worrying.
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"There's No Business Like Show Business" was never intended to be great film-making or storytelling, so please do not watch it with those things in mind.
Sure, it was over-staged, over-produced, in some cases over-acted and any other "overs" you can think of, but it's just fun to relax and watch and listen to. I've seen the film maybe dozens of times (I own the DVD) and it's obvious to me that despite a few on screen gaffes and off-screen problems for at least a couple of the actors, Hollywood had a whale of a good time making it. Some of the characters are unrealistic and I'm sure if you could ask the actors, all would say it was by far not their best work.
Furthermore, if we didn't know it before, "Show Business" proved that Johnnie Ray, the part crooner, part rock belter of the era, couldn't act his way into or out of a paper bag. But so what?? This ain't Hamlet. Ray was cast to do here what he did best: sing the heck out of a couple of songs that were arranged precisely to suit his performing style. And he also just managed to pull off an unusual plot twist that I'm sure audiences of the era did not expect.
We're all asked to suspend temporarily all logic and reason when we turn on our TVs or go to the movies. Why stop with "There's No Business Like Show Business"? So grab the munchies, sit back and let Ethel Merman and Gang entertain you for a couple of harmless, gaudy hours.
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