Jim and Connie's postwar New York building troubles keep Jim from working on his novel. Ex-WAC from Jim's army days Roberta moves in, further upsetting Connie but pleasing Jim's friend Ed. ... See full summary »
Johnny runs away from Father O'Hara's orphanage and becomes a roller skating star with the help of Mary Reeves. He becomes involved with women, including Polly, who only love him because he... See full summary »
Former burlesque star May and her daughter Peggy dance in the chorus. When May has a fight with featured dancer Bubbles, Bubbles leaves the show and Peggy takes her place. When Peggy falls ... See full summary »
Mae Doyle comes back to her hometown a cynical woman. Her brother Joe fears that his love, fish cannery worker Peggy, may wind up like Mae. Mae marries Jerry and has a baby; she is happy but restless, drawn to Jerry's friend Earl.
Jeff Carter has put an end to the town's delinquency with a boys' club. Young hoodlum Danny shows up and influences teenagers Doris, Willy and Leo. They hang out at a juke joint where Eve ... See full summary »
In 1876 Dawson wants to prevent a train from getting to Tomahawk CO on time, to keep it from competing with his stage coach line. Kit, who must get the train to its goal, forces Johnny ... See full summary »
During the making of the CD, it was discovered that half the "Play a Simple Melody" duet was deteriorated beyond repair, with the result that Ethel Merman is credited on the CD label with singing with a "temporary vocal double for Dan Dailey". However, the non-stereo version was intact and was added to the CD as well - they are tracks Fourteen and Fifteen. See more »
When Tim goes to Vicki's and gets her, her assistant was going by with the purple dress and Vicki calls her assistant as Nellie and after Nellie says that it (the color) was what director picked, Vicki calls her assistant as Millie. See more »
You start worrying about your kids the day they're born, and you never stop. Even after they bury you, I bet you never stop worrying.
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This is one of my favorite movies. It's a nice portrait of a show business family. It's a little on the corny side, but that's what's great about it. This is a great look at a family that began in Vaudeville, and worked their way up to headliners in their own act. The Film does a good job portraying the families closeness, and while it's a little hard to swallow a good looking actor like Dan Daily with someone like Ethel Merman for a wife, the two share a definite chemistry and a lot of humor.
This is probably the best that Ethel Merman ever looked and she is fantastic as the family matriarch and her comic talents work great with her hard-to-handle brood.
Although her part is pretty much left to singing and dancing, Mitzi Gaynor gives a spirited performance that we later see her give in the hit movie "South Pacific" as Nellie Forbush.
Donald O'Connor takes a more dramatic turn as the troubled son Tim. I have to admit, while some of his attempts to act like a drunk are a little hard to believe, his performance is one of his best, and his dancing in the film is almost as good as it was in "Singing In The Rain".
The odd duck out is the eldest brother Johnny Ray, who could certainly belt out a song with all the flamboyance and gusto that made him a star in the fifties. However, his acting skills left a lot to be desired. Still, his bad acting works for the character who was struggling to find his own identity when he decides becomes a priest. Perhaps Johnnie projected his own struggles with his bisexuality to guide him.
The most memorable aspect of this movie is Marilyn Monroe, who star was at it's zenith when this movie was being made. In a smart move, Monroe agreed to star in the film if the studio allowed her to also star in "The Seven Year Itch", but in a lot of ways, I feel this is one of her best movies.
First of all, she was clearly head and shoulders above the rest of the cast in terms of molten sexuality.
An example is in the number "Heatwave", which was initially intended for Mitzi Gaynor. The studio made a wise decision handing it over to Monroe who performed the number with so much heat that it's hard to envision the sweet Gaynor conveying that kind of performance.
The number "After you get what you want you don't want it" was also a standout and Marylin's costume was amazing and a precursor to the outfit Britney Spears would later make famous.
Marilyn also brings her tremendous vulnerability that no other comic actress could convey with believability, Marilyn could play wounded characters, perhaps because she was so wounded herself.
Watching her character suffer over her love for Tim and her desire for a career is very believable.
For me, the most amazing part of this movie are the gorgeous costumes. This movie, surprisingly has fantastic costumes made by the famous Travilla, who had already worked with Marilyn in almost all of her films including "River Of No Return", "Monkey Business" as well as "Gentleman Prefer Blondes" and "The Seven Year Itch".
Every costume seemed tailor made for every character.
This is a treat of a movie, with great music, great dancing, wonderful costumes and mostly Marilyn, who proves she could make anything work. It ranks right up there with some of her greatest work.
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