Former burlesque star May and her daughter Peggy dance in the chorus. When May has a fight with featured dancer Bubbles, Bubbles leaves the show and Peggy takes her place. When Peggy falls ... See full summary »
Mae Doyle comes back to her hometown a cynical woman. Her brother Joe fears that his love, fish cannery worker Peggy, may wind up like Mae. Mae marries Jerry and has a baby; she is happy but restless, drawn to Jerry's friend Earl.
Jeff Carter has put an end to the town's delinquency with a boys' club. Young hoodlum Danny shows up and influences teenagers Doris, Willy and Leo. They hang out at a juke joint where Eve ... See full summary »
Prizefighter Johnny is in love with his promoter O'Malley's daughter Pat. His best friend, sports reporter Rick, is also in love with her but knows that she loves Johnny. Lonely Rick takes ... See full summary »
1920's bandleader Chuck Arnold meets hometown girl Peggy at one of the band's dances and next day weds her. Though she loves him, life on the road becomes increasingly difficult for her, ... See full summary »
Marilyn Monroe's voice on the Decca soundtrack album "There's No Business Like Show Business" was replaced by singer Dolores Gray because Monroe's voice was under contract to another record company that would not release the rights for use on the album. See more »
When Vicky rehearses the "Heat Wave" number with the band the afternoon of her nightclub opening, it's an entirely different musical arrangement and vocal tempo than she uses in her act later just several hours later. See more »
[Molly is dunking Tim's head in a sink full of water to try to sober him up]
[she dunks his head under water]
Ma! You're drowning me!
[Molly dunks his head again]
Don't put any ideas in my head
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This is one of my favorite movies. It's a nice portrait of a show business family. It's a little on the corny side, but that's what's great about it. This is a great look at a family that began in Vaudeville, and worked their way up to headliners in their own act. The Film does a good job portraying the families closeness, and while it's a little hard to swallow a good looking actor like Dan Daily with someone like Ethel Merman for a wife, the two share a definite chemistry and a lot of humor.
This is probably the best that Ethel Merman ever looked and she is fantastic as the family matriarch and her comic talents work great with her hard-to-handle brood.
Although her part is pretty much left to singing and dancing, Mitzi Gaynor gives a spirited performance that we later see her give in the hit movie "South Pacific" as Nellie Forbush.
Donald O'Connor takes a more dramatic turn as the troubled son Tim. I have to admit, while some of his attempts to act like a drunk are a little hard to believe, his performance is one of his best, and his dancing in the film is almost as good as it was in "Singing In The Rain".
The odd duck out is the eldest brother Johnny Ray, who could certainly belt out a song with all the flamboyance and gusto that made him a star in the fifties. However, his acting skills left a lot to be desired. Still, his bad acting works for the character who was struggling to find his own identity when he decides becomes a priest. Perhaps Johnnie projected his own struggles with his bisexuality to guide him.
The most memorable aspect of this movie is Marilyn Monroe, who star was at it's zenith when this movie was being made. In a smart move, Monroe agreed to star in the film if the studio allowed her to also star in "The Seven Year Itch", but in a lot of ways, I feel this is one of her best movies.
First of all, she was clearly head and shoulders above the rest of the cast in terms of molten sexuality.
An example is in the number "Heatwave", which was initially intended for Mitzi Gaynor. The studio made a wise decision handing it over to Monroe who performed the number with so much heat that it's hard to envision the sweet Gaynor conveying that kind of performance.
The number "After you get what you want you don't want it" was also a standout and Marylin's costume was amazing and a precursor to the outfit Britney Spears would later make famous.
Marilyn also brings her tremendous vulnerability that no other comic actress could convey with believability, Marilyn could play wounded characters, perhaps because she was so wounded herself.
Watching her character suffer over her love for Tim and her desire for a career is very believable.
For me, the most amazing part of this movie are the gorgeous costumes. This movie, surprisingly has fantastic costumes made by the famous Travilla, who had already worked with Marilyn in almost all of her films including "River Of No Return", "Monkey Business" as well as "Gentleman Prefer Blondes" and "The Seven Year Itch".
Every costume seemed tailor made for every character.
This is a treat of a movie, with great music, great dancing, wonderful costumes and mostly Marilyn, who proves she could make anything work. It ranks right up there with some of her greatest work.
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