Charlie Reader is a successful theater agent. He is also successful with young ladies. One day he is visited by his old friend Joe, married with three children. Joe falls in love with ... See full summary »
Tax collector Lorenzo Charlton comes to the Larkins' farm to ask why Pop Larkins hasn't paid his back taxes. Charlton has to stay for a day to try to estimate the income from the farm, but ... See full summary »
The star of an upcoming Broadway production, Janet Hallson, walks out during rehersals. The producers of the show, Ted Sturgis, Leo Belney and Bob Dowdy begin to search a replacement. After... See full summary »
Rich kid Danny Churchill (Rooney) has a taste for wine, women and song, but not for higher education. So his father ships him to an all-male college out West where there's not supposed to ... See full summary »
Kitschy musical remake of "Bachelor Mother". Debbie Reynolds plays an over-eager clerk in a large department store and Eddie Fisher plays the boss' son. After getting fired from her job, ... See full summary »
Photographer Grif Henderson is assigned a photo shoot in Paris. He decides to take his wife, Jenny, and his hippie son, Davey, with him on the shoot. Everything gets mucked up when she ... See full summary »
Andy's girlfriend Polly is planning to spend Christmas at her grandmother's, which puts a kink in his plans to take her to the country club Christmas party. He agrees (for a fee) to pretend... See full summary »
Mark Christopher is a 35-year old, award-winning comedy scriptwriter who is struggling to be taken seriously as a drama writer. On Christmas Eve, two police officers bring 17-year old Susan (picked up for vagrancy and brawling) to Mark's apartment. If she spends a few days with him, Mark could use Susan as inspiration to write a script about juvenile-delinquents and Susan could avoid spending Christmas behind bars. Written by
I confess to a soft spot for this candy-box confection. Ordinarily 10 minutes of Debbie- Reynolds-spunk is enough to last me for 2 hours. But I've got to admit she brings genuine verve and sparkle to the role. Never mind that Dick Powell is closer to 50 than the movie- claimed 35, and at least twice as old as the juvenile Reynolds. Fortunately their clinches are kept to a minimum, even as the under-age innuendo is exploited to the hilt for titillated 1950's audiences. If the plot skirts the bounds of good taste, director Tashlin keeps things from straying with a speeded-up pace that allows little pause for contemplation. I would love to have been in on the meetings where studio exec's kicked this premise around for the censors.
Anyway, Powell is appropriately dour as the sober-sided screenwriter, while Glenda Farrell gets the kind of caustic role that would later suit Thelma Ritter to the proverbial T. And, of course, there's Alvy Moore looking like a college freshman and getting all the clever wisecracks, even if in real life he was a veteran of the bloody WWII battle for Iwo Jima! Too bad Anne Francis doesn't get more screen time as "the other woman". But then she does show why she deserved that drop-dead sexy outfit she wore in Forbidden Planet (1956). Cult director Tashlin manages a few of trademark effects from his cartoonist pastnote Reynolds cooling off her libido with a swinging freezer door, and, of course, the fantasy sequences that fit in perfectly.
All in all, I think RKO got away with one-- had the movie been handled less deftly, someone might have landed in 1954's county clink.
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