Damon Vincenti, a young vineyard worker, has a beautiful tenor voice and dreams of becoming a great opera singer. He debuts at Lardelli's Italian restaurant in San Francisco, where he is ... See full summary »
In Philadelphia, the soprano Prudence Budell returns from Europe after a period of five years training in the best Europeans music schools. Her millionaire grandmother Abigail Trent Budell ... See full summary »
Snooty opera singer meets a rough-and-tumble fisherman in the Louisiana bayous, but this fisherman can sing! Her agent lures him away to New Orleans to teach him to sing opera, but comes to... See full summary »
A rich, young beauty, Louise Durant, follows the man she loves and hopes to marry to Zurich where he studies violin at the conservatory. A piano student at the conservatory falls madly in ... See full summary »
The Queen's youngest son is off to university, mainly because "I'm hopeless at anything else". Barry, his new bodyguard, has no time for the royal family and left school at fifteen. He ... See full summary »
Pinky Scariano, Allan Ross, and Frankie Davis all join the Army Air Forces with hopes of becoming pilots. In training, they meet and become pals with Bobby Grills and Irving Miller, and the... See full summary »
When his bride-to-be finds him much too stiff, heir to the throne Prince Karl is sent off to the university in Heidelberg to learn how to socialize. He makes friends with the students there and falls for the down-to-earth Kathie, a barmaid. The two are soul mates, but when Karl's grandfather the king falls ill, he must choose between his country and his own happiness... Written by
Mario Lanza made two separate recordings from this film, both for RCA. The first, in mono, used the new lyrics especially written for the film, in addition to several songs written especially for the movie. The second, a stereo album released in 1959, featured soprano Norma Giusti as Kathie and, like the mono version, the new songs, in addition to some of the songs from the stage production. But the songs from the stage version were sung on this album with their original 1924 lyrics, not with the revisions heard in the film. See more »
Shortly after the "Serenade" segment Kathie is in her room. She puts out the candles until only one is left yet, when she goes to the window, a large electric stage light can be seen reflected in the glass. See more »
A student prince falls in love with a lowly barmaid...
THE STUDENT PRINCE should have been a lot better. After all, it's based on a famous operetta with music by Sigmund Romberg, features the golden voice of Mario Lanza at his singing peak, is cast with competent enough MGM players, and is filmed in glorious Technicolor.
But something happened--the uninspired Richard Thorpe was chosen to direct (Vincente Minnelli, where were you???) and the result is a tedious, slow-paced musical with stagebound sets and much of the Romberg score either missing or drastically altered with the insertion of two new songs (which, by the way, aren't bad at all). One of them, BELOVED, is sung with great feeling and style by Mario.
Lanza was at a difficult stage of his career by the time THE STUDENT PRINCE was set to roll, and his temperament and weight problems made it impossible for the studio to let him play the lead, even after he'd recorded all of the songs. EDMUND PURDOM, a relatively unknown newcomer, was given the chance to step in and, in all fairness to Purdom, it must be said that he does a commendable enough job in the acting department and does the lip-sync thing with professional results (he's right up there with Larry Parks in that department!) ANN BLYTH, never a particular favorite of mine, does her own singing with a pleasant soprano voice but is less than satisfying as the barmaid. She looks much too sophisticated and stylish for her lowly status to be believable and is rather arch and patronizing in her attitudes.
The rest of the cast isn't handed the best of material but they do workmanlike jobs with it: EDMUND GWENN, LOUIS CALHERN, JOHN ERICSON, S.Z. SAKALL and EVELYN ARDEN--but the extensive faults lie with the limp direction unable to give any luster to the proceedings. And the soundstage look for outdoor scenes doesn't help.
Worth hearing (if not watching) for Lanza alone on some delightful Romberg songs. His soundtrack recording of the music was a big seller and it's easy to understand why.
6 of 8 people found this review helpful.
Was this review helpful to you?