Loosely traces the life of tenor Enrico Caruso (1873-1921). He loves Musetta, in his home town of Naples, and then Dorothy, the daughter of one of the Metropolitan Opera's patrons. Caruso ... See full summary »
On a train to Rome, the American singer Marc Revere meets the Italian Raffaela. He notices that she intends to work and live at her uncle's. When he gives her a ride, it turns out that said... See full summary »
Damon Vincenti, a young vineyard worker, has a beautiful tenor voice and dreams of becoming a great opera singer. He debuts at Lardelli's Italian restaurant in San Francisco, where he is ... See full summary »
Snooty opera singer meets a rough-and-tumble fisherman in the Louisiana bayous, but this fisherman can sing! Her agent lures him away to New Orleans to teach him to sing opera, but comes to... See full summary »
In this sequel to Father of the Bride (1950), newly married Kay Dunstan announces that she and her husband are going to have a baby, leaving her father having to come to grips with the fact that he will soon be a granddad.
In Philadelphia, the soprano Prudence Budell returns from Europe after a period of five years training in the best Europeans music schools. Her millionaire grandmother Abigail Trent Budell ... See full summary »
When his bride-to-be finds him much too stiff, heir to the throne Prince Karl is sent off to the university in Heidelberg to learn how to socialize. He makes friends with the students there and falls for the down-to-earth Kathie, a barmaid. The two are soul mates, but when Karl's grandfather the king falls ill, he must choose between his country and his own happiness... Written by
Mario Lanza made two separate recordings from this film, both for RCA. The first, in mono, used the new lyrics especially written for the film, in addition to several songs written especially for the movie. The second, a stereo album released in 1959, featured soprano Norma Giusti as Kathie and, like the mono version, the new songs, in addition to some of the songs from the stage production. But the songs from the stage version were sung on this album with their original 1924 lyrics, not with the revisions heard in the film. See more »
At 25:55, when Ruder tells Kathie the Prince has arrived. See more »
Mario Lanza's beautiful tenor soars on the soundtrack of this fairytale, loosely based on Sigmund Romberg's beautiful operetta.
In an interview on a Lanza bio program, Music Director George Stoll shared how Lanza came into the recording studio and rendered perfect one-takes on the entire score, within a remarkable single session.
The glorious timbre of his voice is a highlight of this film. A special treat is hearing the pleasant lyric soprano of Ann Blythe, who was a trained, experienced singer even before making her film debut. The two are heard to advantage in the lovely "Deep in My Heart" park scene duet.
Composer Nicholas Brodszky contributed two ravishingly beautiful added songs, "Beloved" and "I'll Walk With God," intoned to perfection by Lanza.
Alas, Director Richard Thorpe lets the production down with very routine and uninspired direction, allowing for often tedious pacing and formatting. Despite having a great cast to work with, his contribution produces a lethargic bent to the proceedings.
In the end, "The Student Prince's" attributes rest primarily on a beautiful soundtrack, rich score, attractive players, and Lanza's thrilling singing.
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