IMDb > La Strada (1954)
La strada
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La Strada (1954) More at IMDbPro »La strada (original title)

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Overview

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8.1/10   38,450 votes »
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Director:
Writers:
Federico Fellini (story) &
Tullio Pinelli (story) ...
(more)
Contact:
View company contact information for La Strada on IMDbPro.
Release Date:
16 July 1956 (USA) See more »
Genre:
Tagline:
You've been hearing about a great picture called La Strada (The Road)...now it is here!
Plot:
A care-free girl is sold to a traveling entertainer, consequently enduring physical and emotional pain along the way. Full summary » | Add synopsis »
Awards:
Won Oscar. Another 10 wins & 4 nominations See more »
User Reviews:
Classic example where "less is always more". See more (112 total) »

Cast

  (in credits order) (verified as complete)

Anthony Quinn ... Zampanò

Giulietta Masina ... Gelsomina

Richard Basehart ... The Fool
Aldo Silvani ... Giraffa
Marcella Rovere ... Widow
Livia Venturini ... Nun
rest of cast listed alphabetically:
Pietro Ceccarelli ... Bartender (uncredited)
Giovanna Galli ... Prostitute (uncredited)
Gustavo Giorgi ... (uncredited)
Yami Kamadeva ... Prostitute (uncredited)
Mario Passante ... Waiter (uncredited)
Anna Primula ... Gelsomina's Mother (uncredited)
Goffredo Unger ... Man Restraining Zampano from Attacking (uncredited)
Nazzareno Zamperla ... Man Restraining Zampano from Attacking (uncredited)

Directed by
Federico Fellini 
 
Writing credits
Federico Fellini (story and screenplay) &
Tullio Pinelli (story and screenplay)

Tullio Pinelli (dialogue)

Ennio Flaiano (screenplay collaborator) (as Ennio Flajano)

Produced by
Dino De Laurentiis .... producer
Carlo Ponti .... producer
 
Original Music by
Nino Rota (music by)
 
Cinematography by
Otello Martelli (director of photography)
Carlo Carlini (uncredited)
 
Film Editing by
Leo Cattozzo (film editor)
 
Production Design by
Mario Ravasco (uncredited)
 
Art Direction by
Enrico Cervelli  (as E. Cervelli)
Brunello Rondi (artistic art director)
 
Costume Design by
Margherita Marinari (uncredited)
 
Makeup Department
Eligio Trani .... makeup artist (as E. Trani)
Dante Trani .... makeup artist (uncredited)
 
Production Management
Angelo Cittadini .... production supervisor
Danilo Fallani .... production supervisor
Luigi Giacosi .... production supervisor
Giorgio Morra .... production supervisor
 
Second Unit Director or Assistant Director
Moraldo Rossi .... assistant director
 
Art Department
Paolo Nuzzi .... assistant art director
Tom Jung .... poster artist (uncredited)
Tom Jung .... poster designer (uncredited)
 
Sound Department
R. Boggio .... sound
Aldo Calpini .... sound (as A. Calpini)
 
Camera and Electrical Department
Roberto Gerardi .... cameraman (as Roberto Girardi)
A. Piatti .... still photographer
 
Editorial Department
Lina Caterini .... assistant editor
 
Music Department
Franco Ferrara .... music conducted by
 
Other crew
Marcello Partini .... laboratories owner
Carol Riethof .... director: Trans Lux English language version (as Carol)
Peter Riethof .... director: Trans Lux English language version
Narciso Vicario .... production secretary (as Narciso Vicari)
Herman G. Weinberg .... title designer: English titles (credited in English version)
Nino Bonanni .... voice dubbing: Pietro Ceccarelli (uncredited)
Alfredo Censi .... voice dubbing: Mario Passante (uncredited)
Marina Dolfin .... voice dubbing (uncredited)
Franca Dominici .... voice dubbing: Anna Primula (uncredited)
Arnoldo Foà .... voice dubbing: Anthony Quinn (uncredited)
Cesare Polacco .... voice dubbing: Aldo Silvani (uncredited)
Stefano Sibaldi .... voice dubbing: Richard Basehart (uncredited)
Giotto Tempestini .... voice dubbing (uncredited)
 
Crew verified as complete


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Additional Details

Also Known As:
"La strada" - Italy (original title)
"The Road" - USA (literal English title)
See more »
Runtime:
108 min
Country:
Language:
Aspect Ratio:
1.37 : 1 See more »
Sound Mix:
Mono (Western Electric Recording)
Certification:
Argentina:16 | Australia:G | Australia:M (alternate rating) | Chile:18 | Finland:K-10 (1986) | Finland:K-16 (1956) | Netherlands:6 (DVD rating) | New Zealand:R16 | Norway:16 | Norway:15 (1995) | Portugal:M/12 | Singapore:PG | Sweden:15 | Switzerland:16 (canton of the Grisons) | UK:A (original rating) | UK:PG (video rating) | USA:Not Rated | USA:TV-PG (TV rating) | West Germany:16

Did You Know?

Trivia:
Won the first ever Academy Award for Best Foreign Language Film.See more »
Goofs:
Continuity: When Zampanò meets the Fool while he is repairing a flat tire on his car, the left front wheel is removed and the car is jacked. Right after the altercation, when Zampanò pushes the Fool's car, the wheel rim is back and not jacked anymore.See more »
Quotes:
Zampanò:[reciting his act by rote before a crowd] Here we have a piece of chain that is a quarter of an inch thick. It is made of crude iron, stronger than steel. With the simple expansion of my pectoral muscles, or chest, that is, I'll break the hook.
[collecting money from the crowd]
Zampanò:Thank you, thank you. Now, to do this feat, I must fill myself up like a tire. If a blood vessel should break, I would spit blood. For instance, in Milan a man weighing 240 pounds lost his eyesight doing this trick. That is because the optical nerves take a beating, and once you lose your eyes, you are finished. If there's any delicate person in the audience, I would advise him to look away 'cause there could be blood.
[...]
See more »
Movie Connections:
Referenced in Alex in Wonderland (1970)See more »
Soundtrack:
ZampanoSee more »

FAQ

Why does the Fool die after only a few punches from Zampanò?
See more »
22 out of 28 people found the following review useful.
Classic example where "less is always more"., 12 May 2000
Author: Ivan R. Pohlwein from Miami, Florida USA

This is one of the most influential films of all time, it is the classical example, where "less" is always "more". The story is deceivingly simple and it feels at the beginning almost like a piece from "commedia del arte", however the master touch of Fellini's heart and vision talk to us directly through the canvas of Gesolmina's face (Giulietta Massina was his wife in real life). You don't need big words or a crafty developed script. This is like music, speaks directly it does not need translation even most non-Italian speakers find themselves more and more immersed in the visual aspects of this drama, it seems in many aspects surreal (I'll develop this point later) and distant but at the same time there is an underlying tension brought up by the close ups and the music revealing all those emotions much more close to our hearts than we are at first openly willing to admit. This is cinema at its best ladies and gentlemen. No special effects, no grandiose vistas, no colors, no extra help. The intimate nature of these characters feelings talk and paint more pictures than anything else can convey. Regarding the intimate relationship of Fellini and his movies there are already many of his little "secrets or eccentricities" that he imposes in all his films, they all have relevant hidden messages, such as the "white mysterious horse" and the haunting "trumpet melody" are just some of them. Those interested in Fellini's oeuvre should have the pleasure to uncover them with more of his viewing of what this all means, in same cases there is a definite reason in others he leaves it to your own devices and interpretation. He constantly teases us with contradictory emotions, sadness and laughter, complicated and simple, logical and absurd, brutish and angelical. Finally this film is like a great banquet, it seems to drag at he beginning and makes you think that is going to be too long and then at the end it seems too abrupt and you want it to continue, but most importantly leaves with us a savor that will linger in our minds for a long time, those who are sensitive to Fellini's vision will carry this for ever and hunger for more, those indifferent will dismiss it as an extravagant little piece and may be curios for another one. Once thing is for certain, nobody will ever forget Gesolmina's face.

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Message Boards

Discuss this movie with other users on IMDb message board for La Strada (1954)
Recent Posts (updated daily)User
anyone else cry for this movie?? parsapanda
Top 20 Movies List ericsinla
missed out on a perfect ending roy-gilham
Did Gelsomina and Zampano Have Carnal Relations? bebop63-1
Someone help me... hpavillion1
La Strada is in the top 250! nicknc1214
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