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La Strada (1954)

La strada (original title)
Not Rated | | Drama | 16 July 1956 (USA)
A care-free girl is sold to a traveling entertainer, consequently enduring physical and emotional pain along the way.

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(story), (story) | 2 more credits »
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Won 1 Oscar. Another 11 wins & 4 nominations. See more awards »
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Cast

Complete credited cast:
...
...
...
Aldo Silvani ...
Giraffa
Marcella Rovere ...
Widow
Livia Venturini ...
Nun
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Storyline

Sad story of a waif, Gelsomina, who is sold by her mother to Zampano for 10,000 lire and a few kilos of food. Zampano is a traveling showman who exhibits feats of strength by breaking a chain wrapped around his chest. He performs in village squares and then passes the hat for whatever the normally small crowd is prepared to give. He teaches Gelsomina a drum roll as part of his introduction. He doesn't treat her well and when she tries to run away, he beats her. They eventually join a small traveling circus where they meet a tight-rope walker who convinces Gelsomina to question her choices. Written by garykmcd

Plot Summary | Add Synopsis

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You've been hearing about a great picture called La Strada (The Road)...now it is here!

Genres:

Drama

Certificate:

Not Rated | See all certifications »

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Details

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Language:

Release Date:

16 July 1956 (USA)  »

Also Known As:

La Strada  »

Filming Locations:

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Technical Specs

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Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Anthony Quinn was working on a film with Giulietta Masina when she introduced him to her husband, Federico Fellini. Fellini was immediately convinced that the American actor would make the perfect Zampano the strongman in his new film, which was to become (La Strada (1954), and implored him to accept the role. The nonplussed actor, who had no idea who Fellini was, initially turned him down, but Fellini was persistent, pestering him for days about the project. Shortly thereafter, Quinn spent the evening with Ingrid Bergman and her husband, director Roberto Rossellini. After dinner, the three watched Fellini's most recent film, the comedy-drama (I Vitelloni (1953), and Quinn realized with astonishment that the crazy Italian filmmaker who had been hounding him for days was a genius. See more »

Goofs

The fire at the building in the mountains changes four times as Zampanò leaves Gelsomina. When he removes the tripod, it is ashes with one or two charcoal sticks, the next times there are more sticks, the next shot shows a large pile of sticks and the last shot of the fire shows it roaring with flames. See more »

Quotes

The Fool: Maybe he loves you?
Gelsomina: Me?
The Fool: Why not? He is like dogs. A dog looks at you, wants to talk, and only barks.
See more »

Connections

Edited into Histoire(s) du cinéma: Le contrôle de l'univers (1998) See more »

Soundtracks

Zampano
(1954) (uncredited)
Music by Nino Rota and Michele Galdieri
Published by Leeds
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User Reviews

 
To film as Bach is to music
17 October 2004 | by (United States) – See all my reviews

La Strada brings two souls together to tell a story that ultimately displays humanity's finer aspects. The title gives a clue to the meaning of Fellini's masterpiece: The Way. The brute, Zampano, buys the urchin-like Gelsomina to be his traveling companion in his one-man carnival act. He is physically and emotionally cruel to her. Her longing to love and be loved, and her child-like, yet acute perception of life, and desire to live it, despite hardships, makes her the perfect complement to the selfish and despicable Zampano. Their unification affects each other. However, although Zampano's harshness adversely effects Gelsomina's life, it is her influence that will eventually, and more significantly, change him. This may sound like the familiar Beauty and the Beast fairy tale, but it is more than a love story. It is about love, but it isn't until the very end of the film that we realize it. More than love, it is about a man who gains insight and awareness because of love. It is his finale transformation that demonstrates both the frailty and vitality of the human condition. It overpoweringly suggests that the individual, no matter how depraved, is able to spiritually evolve.

Every frame and scene in this masterpiece has purpose and meaning.


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