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La Strada (1954)
"La strada" (original title)

 -  Drama  -  16 July 1956 (USA)
8.2
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Ratings: 8.2/10 from 35,535 users  
Reviews: 108 user | 74 critic

A care-free girl is sold to a traveling entertainer, consequently enduring physical and emotional pain along the way.

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(story), (story), 2 more credits »
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Title: La Strada (1954)

La Strada (1954) on IMDb 8.2/10

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Top 250 #208 | Won 1 Oscar. Another 10 wins & 4 nominations. See more awards »
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Cast

Complete credited cast:
...
Zampanò
...
...
Il Matto - The Fool
Aldo Silvani ...
Signor Giraffa
Marcella Rovere ...
La Vedova
Livia Venturini ...
La Suorina
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Storyline

Sad story of a waif, Gelsomina, who is sold by her mother to Zampano for 10,000 lire and a few kilos of food. Zampano is a traveling showman who exhibits feats of strength by breaking a chain wrapped around his chest. He performs in village squares and then passes the hat for whatever the normally small crowd is prepared to give. He teaches Gelsomina a drum roll as part of his introduction. He doesn't treat her well and when she tries to run away, he beats her. They eventually join a small traveling circus where they meet Il Matto but a disagreement leads to tragedy. Zampano eventually abandons the girl and it's only many years later that he learns of her fate. Written by garykmcd

Plot Summary | Add Synopsis

Taglines:

You've been hearing about a great picture called La Strada (The Road)...now it is here!

Genres:

Drama

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

16 July 1956 (USA)  »

Also Known As:

La Strada  »

Filming Locations:

 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Anthony Quinn said in an interview a few years before his death that he originally accepted a deal that would have paid him a percentage of the profits this film generated instead of an upfront salary. When his agent found out about it, the agent changed the deal and insisted an upfront salary and no percentage. Quinn said that decision cost him several million dollars. See more »

Goofs

Camera shadow visible when Zampanò rides off with Red. See more »

Quotes

Gelsomina: The Fool is hurt.
See more »

Connections

Referenced in Adapting Amityville with Tommy Lee Wallace (2013) See more »

Soundtracks

Down a Lonely Road
(1954) (uncredited)
Music by Nino Rota and Michele Galdieri
Published by Leeds
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Classic example where "less is always more".
12 May 2000 | by (Miami, Florida USA) – See all my reviews

This is one of the most influential films of all time, it is the classical example, where "less" is always "more". The story is deceivingly simple and it feels at the beginning almost like a piece from "commedia del arte", however the master touch of Fellini's heart and vision talk to us directly through the canvas of Gesolmina's face (Giulietta Massina was his wife in real life). You don't need big words or a crafty developed script. This is like music, speaks directly it does not need translation even most non-Italian speakers find themselves more and more immersed in the visual aspects of this drama, it seems in many aspects surreal (I'll develop this point later) and distant but at the same time there is an underlying tension brought up by the close ups and the music revealing all those emotions much more close to our hearts than we are at first openly willing to admit. This is cinema at its best ladies and gentlemen. No special effects, no grandiose vistas, no colors, no extra help. The intimate nature of these characters feelings talk and paint more pictures than anything else can convey. Regarding the intimate relationship of Fellini and his movies there are already many of his little "secrets or eccentricities" that he imposes in all his films, they all have relevant hidden messages, such as the "white mysterious horse" and the haunting "trumpet melody" are just some of them. Those interested in Fellini's oeuvre should have the pleasure to uncover them with more of his viewing of what this all means, in same cases there is a definite reason in others he leaves it to your own devices and interpretation. He constantly teases us with contradictory emotions, sadness and laughter, complicated and simple, logical and absurd, brutish and angelical. Finally this film is like a great banquet, it seems to drag at he beginning and makes you think that is going to be too long and then at the end it seems too abrupt and you want it to continue, but most importantly leaves with us a savor that will linger in our minds for a long time, those who are sensitive to Fellini's vision will carry this for ever and hunger for more, those indifferent will dismiss it as an extravagant little piece and may be curios for another one. Once thing is for certain, nobody will ever forget Gesolmina's face.


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