Prince Wolfram is the betrothed of mad Queen Regina V of Kronberg. Supreme ruler, her word is law and he is a playboy. On maneuvers as punishment for partying with other women, he sees ... See full summary »
Henriette and Louise, a foundling, are raised together as sisters. When Louise goes blind, Henriette swears to take care of her forever. They go to Paris to see if Louise's blindness can be... See full summary »
Diana is outwardly the hit of the party but inwardly virtuous and idealistic. Her friend Ann is thoroughly selfish and amoral. Both are attracted to Ben Black, soon-to-be millionaire. He ... See full summary »
Johnny Mack Brown,
A stenographer who works for a lawyer falls in love with and marries a wealthy young man. His family has the marraige annulled, after which she gives birth to a child. Her former boss helps... See full summary »
At the wedding of Albert and Anna, Karl, the new chauffeur, arrives. Albert is the head butler, second generation to the Baron. Karl soon seems out of place as a servant, and Albert tells ... See full summary »
Sad story of a waif, Gelsomina, who is sold by her mother to Zampano for 10,000 lire and a few kilos of food. Zampano is a traveling showman who exhibits feats of strength by breaking a chain wrapped around his chest. He performs in village squares and then passes the hat for whatever the normally small crowd is prepared to give. He teaches Gelsomina a drum roll as part of his introduction. He doesn't treat her well and when she tries to run away, he beats her. They eventually join a small traveling circus where they meet Il Matto but a disagreement leads to tragedy. Zampano eventually abandons the girl and it's only many years later that he learns of her fate. Written by
Director Bille August cites "La Strada" as the film that first made him want to work in film when he saw it while still in school. See more »
When Gelsomina leaves Zampanò, she has the solid-colored top on. When he finds her in town and gets her back, she climbs into the vehicle dressed like so and goes to sleep. When she gets up the next morning, she has the striped top on again. See more »
[reciting his act by rote before a crowd]
Here we have a piece of chain that is a quarter of an inch thick. It is made of crude iron, stronger than steel. With the simple expansion of my pectoral muscles, or chest, that is, I'll break the hook.
[collecting money from the crowd]
Thank you, thank you. Now, to do this feat, I must fill myself up like a tire. If a blood vessel should break, I would spit blood. For instance, in Milan a man weighing 240 pounds lost his eyesight doing this trick. That ...
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Often it is hard to find a romance which does not include actual romance - i.e. - liplock, hugging scenes. The viewer is overflowed with emotion because the film itself focuses on human emotion, and is a pure amusement to watch because of the many symbols. When Zampano tries to steal a silver heart from the church and Gelsomina pleads with him not to, we can only think of the cold silver heart, his sad action of trying to "steal" such an emotion as "love", Gelsomina's soft nature - this film overflows with such subtleties, but such subtleties! so impactful in conveying emotion..
Gelsomina's faith to Zampano is heartwrenching - she is presented with opportunities to leave Zampano, such as leaving to the nunnery or joining the circus, but she declines all. This fidelity builds up, only to have.. well, let's just say that Fellini is especially skillful in drawing your sympathy and then channeling for it in a single scene.. he knows how to focus and concentrate your emotion, I felt sort of violated after watching the film, since I rarely cry for movies! Also, if the symbolism does not stir a reader to interest, the amazing cinematography will. The tightrope act atop the city buildings, the motorbike rides, the Christ ceremony-
This movie is unpredictable and is interesting to watch, since it keeps the mind afloat with the different scenes which are packed with symbols and metaphors, wonderful puzzles to decipher. Since Fellini does not present it straight-forwardly, and rather wraps meaning in several layers of symbols, uncovering the truth becomes fulfilling for the viewer.
The way Fellini develops his characters is unforgettable. We feel their demise, but urge to see and understand more. I feel only Fellini can accomplish such a remarkable quality. And in case you didn't get the gist of my rating (and my ranting).. 4 stars. Please rent this and enjoy, Fellini's incredible! :o)
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