On a train trip West to become a mail order bride Susan Bradley meets a cheery crew of young women traveling out to open a " Harvey House " restaurant at a remote whistle stop to provide ... See full summary »
Norman Maine, a movie star whose career is on the wane, meets showgirl Esther Blodgett when he drunkenly stumbles into her act one night. A friendship develops, then blossoms into romance before tensions increase as Esther's career takes off while Norman's continues to plummet. Written by
Col Needham <firstname.lastname@example.org>
Judy Garland did not attend the 1955 Academy Awards, where she was nominated as Best Actress for her portrayal of Vicki Lester in A Star Is Born (1954), because she was in hospital after giving birth to her third child and only son Joey Luft. See more »
The opening scenes of cars arriving for the benefit combine actual shots of a Hollywood event with ones filmed for the movie. But in one shot, taken from the perspective of a spotlight crew atop their tower, the footage of the real event is shown on the right side of the screen, while footage shot for the movie is at the left. Not only is the disparity between the two shots obvious, but the split screen is completely mismatched, so that the cars on the right appear to be moving at a sharp angle directly into the cars and building in the shot at left, and it looks as though there are two streets intersecting below. See more »
You know Libby you missed a lot not knowing Norman Maine.
Not knowing him? I spent my life knowing him. I knew what he was going to do before he did it. I knew him backwards.
You didn't know him at all. He was quite a guy.
See more »
The 1954 musicalized version of A Star Is Born is a great film. Judy Garland and James Mason (both Oscar nominated) turn in terrific performance as Esther and Norman. Like its 1937 predecessor (which starred Janet Gaynor and Fredric Marchboth Oscar nominated), the 1954 version follows the ups and down of two people set against the vicious world of Hollywood. The newer version sticks to the basic story but adds some great numbers for Garland, including "The Man That Got Away" and "I Was Born in a Trunk." In a major comeback, Garland had not worked in films since Summer Stock (1950), and her performance here is the best of her career. That she lost the Oscar to Grace Kelly for The Country Girl is one of Hollywood's great inequities. Mason lost to Marlon Brando for On the Waterfront. Garland sings superbly and is a great comic and dramatic actress. Her Esther is more vulnerable than Gaynor's just as Mason's Norman is more pathetic than March's. I love both versions. Charles Bickford and Jack Carson play the other major parts, played by Adolphe Menjou and Lionel Stander in 1937. Two major supporting roles from the 1937 version were cut from the 1954 version: Esther's first Hollywood friend (Andy Devine) and her intrepid grandmother (the great May Robson). But Garland's musical numbers make up for their absence. Oddly, despite the great hullabaloo surrounding A Star Is Born, it was not nominated for best picture, and George Cukor was bypassed in the directing category. One of the best musicals ever made.
39 of 49 people found this review helpful.
Was this review helpful to you?