Discovery by Flo Ziegfeld changes a girl's life but not necessarily for the better, as three beautiful women find out when they join the spectacle on Broadway: Susan, the singer who must ... See full summary »
Billy Bigelow has been dead for fifteen years, and now outside the pearly gates, he long waived his right to go back to Earth for a day. But he has heard that there is a problem with his ... See full summary »
Joey Evans is charming, handsome, funny, talented, and a first class, A-number-one heel. When Joey meets the former chorus girl ("She used to be 'Vera...with the Vanishing Veils'") and now ... See full summary »
A vaudeville comic and a pretty young dancer aren't having much luck in their separate careers, so they decide to combine their acts. In order to save money on the road, they get married. ... See full summary »
Norman Maine, a movie star whose career is on the wane, meets showgirl Esther Blodgett when he drunkenly stumbles into her act one night. A friendship develops, then blossoms into romance before tensions increase as Esther's career takes off while Norman's continues to plummet. Written by
Col Needham <email@example.com>
The set for the musical number "Lose That Long Face" was created by taking New Orleans building facades left over from A Streetcar Named Desire (1951) and spray painting them white. See more »
Vicki and Norman's house is shown, in the distance, as being on top of a bluff overlooking the ocean, but inside the house, it appears that the house is sitting on the beach. See more »
Do you ever go fishing?
[Esther looks confused]
Well, do you like prizefi--have you ever watched a great fighter?
I'm trying to tell you how you sing.
Do you mean like a prizefighter or a fish?
[leads her into a kitchen]
There are certain pleasures that you get--
[realizes that the sound of clanging dishes is intolerable and they depart for the outside]
[...] See more »
Much has been written about this movie (to extremely great length) in other reviews, so I'll try to keep this fairly brief and concise.
First, the restored version runs at 176 minutes. The movie originally ran at 181 minutes, but was cut to 154 minutes when theater owners complained that they were losing money due to the excessive length. The cut destroyed the integrity of the movie - director Cukor never saw the movie again. However, the restored version contains stills to replace some of the cut footage, and gives a better sense of the film's power and scope.
Second, all four major studio versions of the story (including "What Price Hollywood?") have their own merits and differ greatly from one another. If you like the story, see them all and compare for yourself. It's quite fun to compare!
Third, definitely see this version for Judy. Sure, Judy's "The Man That Got Away" may be the greatest musical moment on cinema, but it's her dramatic performance that will keep your attention over almost three hours. James Mason is on target, and the supporting cast is fine, but Judy just dominates the screen. It's an opportunity to see a true genius in action at the absolute height of her powers. For more dramatic Judy, see her in "The Clock".
George Cukor was acclaimed as the great director of actresses, and he raises Judy to the height she deserves. I love Judy. This is a 10 out of 10.
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