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Norman Maine, a movie star whose career is on the wane, meets showgirl Esther Blodgett when he drunkenly stumbles into her act one night. A friendship develops, then blossoms into romance before tensions increase as Esther's career takes off while Norman's continues to plummet. Written by
Col Needham <firstname.lastname@example.org>
At age 20, Judy Garland first had played the role of Vicki Lester (Esther Blodgett) on the "Lux Radio Theatre" hour-long adaptation of the original 1937 film. The CBS broadcast of December 28, 1942, without songs, co-starred Walter Pidgeon as Norman Maine. See more »
When Esther and Norman are in Norman's Lincoln convertible, in the closeups the seats have a blanket over the backrest, but in earlier and later shots only the car's standard upholstery is visible. See more »
[Norman has returned to find Esther in a nightclub. Esther walks over to him with a small laugh]
Hello, Mr. Maine. You turn up in the strangest places.
Don't I now?
[stops laughing, suddenly shocked]
And you're cold sober.
Well, you'd better make the most of it!
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I was disappointed with many aspects of a Star is Born. The restored version of the film is more than an hour too long. There are so many drawn out scenes and musical numbers that any tension between the characters is completely dissipated by the time we come to the tragic ending. The two great scenes -- Judy Garland's night club performance of the Man that Got Away and her song and dance routine in her living room using a lamp shade as a Chinese hat -- don't make up for all of the other overly long and unnecessary (as far as the plot or the character development is concerned) musical numbers. This is a showcase for Garland's considerable musical talents, it is not a well scripted movie. It's ashame because James Mason is terrific in his scenes.
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