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A Star Is Born (1954)

Approved | | Drama, Musical, Romance | 16 October 1954 (USA)
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A film star helps a young singer and actress find fame, even as age and alcoholism send his own career on a downward spiral.

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Writers:

(screen play by), (based on the 1937 screen play by) | 4 more credits »
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Nominated for 6 Oscars. Another 5 wins & 5 nominations. See more awards »

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Cast

Complete credited cast:
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...
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...
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Danny McGuire (as Tom Noonan)
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Lola Lavery
...
Susan Ettinger
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Graves
Hazel Shermet ...
Libby's Secretary
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Glenn Williams
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Storyline

Norman Maine, a movie star whose career is on the wane, meets showgirl Esther Blodgett when he drunkenly stumbles into her act one night. A friendship develops, then blossoms into romance before tensions increase as Esther's career takes off while Norman's continues to plummet. Written by Col Needham <col@imdb.com>

Plot Summary | Add Synopsis

Taglines:

"A BRILLIANTLY STAGED, SCORED AND PHOTOGRAPHED FILM WORTH ALL THE EFFORT!" Life Magazine (original ad - mostly caps) See more »

Genres:

Drama | Musical | Romance

Certificate:

Approved | See all certifications »

Parents Guide:

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Details

Country:

Language:

Release Date:

16 October 1954 (USA)  »

Also Known As:

Ein neuer Stern am Himmel  »

Box Office

Budget:

$5,019,770 (estimated)

Gross:

$14,933,000 (USA)
 »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

(premiere) | (restored) | (DVD) | (cut)

Sound Mix:

(RCA Sound System) (magnetic prints)| (optical prints)

Color:

(Technicolor)

Aspect Ratio:

2.55 : 1
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Did You Know?

Trivia

In October 1954, after the film had opened and been reviewed, Harry Warner, head of the studio's business side in New York, decided that the picture was too long. He ordered another half-hour of cuts so that exhibitors could get in one more showing per day. By this time, George Cukor was in India filming Bhowani Junction (1956), so he was unable to influence the re-editing of the film. The cuts included an entire sequence in which Norman and Esther lose touch with each other while Norman is on location. A comic scene of her getting sick on the way to her first preview was also deleted, along with two complete numbers, "Here's What I'm Here For," the song Esther is recording when Norman proposes to her, and "Lose That Long Face," the number she does before and after she breaks down in her dressing room. The cuts represented most of the scenes that developed Norman and Esther's relationship. To make matters worse, the studio melted the negative from the cut scenes to retrieve the film's silver content. Word of the cuts hit the press and generated such a strong backlash against the film that attendance dropped precipitously. As a result, despite the film's promising opening, it ended up losing money. See more »

Goofs

While Vicki and Oliver are talking on the patio as Norman is listening in bed the seascape reflected on the glass doors behind them keeps resetting as though the film loop started over. See more »

Quotes

Bruno: Pasadena, leave it alone.
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Connections

Referenced in Hollywood Hist-o-Rama: Judy Garland (1962) See more »

Soundtracks

I'll Get By (As Long as I Have You)
(uncredited)
Music by Fred E. Ahlert
Lyrics by Roy Turk
Performed by Judy Garland as part of the "Born in a Trunk" medley
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Frequently Asked Questions

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User Reviews

 
Magnificent entertainment, subtle filming
24 January 2005 | by (New York) – See all my reviews

Alcoholic movie star Norman Maine (James Mason) meets singer Esther Blodgett (Judy Garland) and gets her the screen test she needs to become a big star (and change her name to Vicki Lester—has any name ever so desperately needed changing?).

This was not my first viewing of A Star Is Born, but it was illuminating. I certainly already believed it was a great movie, but it is far more subtle and complex than I had previously known. The movie is working on several levels at once. In one way, it's a straight-ahead musical, with some wonderful songs and production numbers. At another level, it's an 'inside Hollywood' story, and that level works remarkably well. Some of the 'events' (the opening, the Academy Awards) look almost raw in their filming style, almost like news footage, creating a powerful impression of being behind the scenes. The production numbers support that impression, with numerous bits and visuals lifted from other musicals, so that we are clued into the idea that we are seeing what "really" happened, or might have happened, on any number of film sets (at one point, An American in Paris is referenced directly).

Finally, it is a remarkably honest and true portrayal of alcoholism and marriage to an alcoholic. Esther's co-dependence is seen for what it is, her pain is real, her self-flagellation is real. If anything, the movie is overly sympathetic with Norman Maine, portraying the publicist (Jack Carson) who is disgusted with him as a villain. When I saw A Star Is Born for the first time, I was in *my* one and only relationship with an alcoholic. I wept with Judy Garland and I knew firsthand how accurately her agony was depicted. All these years later, quite recovered from any desire to go THERE again, I sympathize almost as much with the publicist. Kick the bum out! A few weeks ago I saw the train wreck that is New York, New York. It seemed like Scorcese's intention was to deconstruct, while at the same time celebrating, the 40s Hollywood musical. He wanted to show the ugliness behind those magical romances, the meanness behind those amusingly bossy men, and he still wanted to enjoy the glamour. Upon re-viewing A Star Is Born, I wondered why he bothered. It's already been done, as well as could possibly be done.


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