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Silver Lode (1954)

Approved  |   |  Western  |  23 July 1954 (USA)
7.1
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Ratings: 7.1/10 from 834 users  
Reviews: 17 user | 16 critic

Dan Ballard, a respected citizen in the western town of Silver Lode, has his wedding interrupted by four men led by Ned McCarthy, an old acquaintance who, as a US Marshal, arrests Ballard ... See full summary »

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Title: Silver Lode (1954)

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Cast

Complete credited cast:
...
Dan Ballard
...
Rose Evans
Dan Duryea ...
Ned McCarty
Dolores Moran ...
Dolly
Emile Meyer ...
Sheriff Wooley
Robert Warwick ...
Judge Cranston
John Hudson ...
Michael 'Mitch' Evans
...
Johnson
...
Kirk
...
Wicker
Frank Sully ...
Paul Herbert, Telegrapher
Morris Ankrum ...
Zachary Evans
Hugh Sanders ...
Reverend Field
Florence Auer ...
Mrs. Elmwood
Roy Gordon ...
Dr. Elmwood
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Storyline

Dan Ballard, a respected citizen in the western town of Silver Lode, has his wedding interrupted by four men led by Ned McCarthy, an old acquaintance who, as a US Marshal, arrests Ballard for the murder of his brother and the theft of $20,000. Ballard seeks to stall McCarthy while tracking down evidence that will prove his innocence: but the townspeople's loyalty to him gradually begins to waver under McCarthy's accusations. Written by David Levene <D.S.Levene@durham.ac.uk>

Plot Summary | Add Synopsis

Taglines:

Not for Silver...Gold...Love...but for HATE! (original herald) See more »

Genres:

Western

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

23 July 1954 (USA)  »

Also Known As:

Stadt der Verdammten  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

During the McCarthyism, political messages are usually cloaked in metaphors: for example, the name of the villain is Ned McCarty. See more »

Goofs

When Ballard hides near a haystack outside the Evans house, his shadow and the shadows of his pursuers fall on to the painted backdrop, revealing it as canvas and not a real landscape. See more »

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User Reviews

 
SILVER LODE (Allan Dwan, 1954) ***1/2
14 January 2009 | by (Naxxar, Malta) – See all my reviews

What could easily have been just another low-budget Western oater or, worse still, the poor man's HIGH NOON (1952), is turned by excellent scripting (atypically the work of a woman!) and direction into a true gem of the genre during its golden age. In fact, the film wears its anti-Red Scare intentions proudly on its sleeve by actually naming its chief villain (Dan Duryea in formidable form) McCarthy and making him an outlaw posing as a fake U.S. Marshal! Reformed gunfighter hero John Payne (in his first of four movies for veteran director Dwan) has his 4th of July wedding (to local belle Lizabeth Scott) disrupted by the arrival in town of Duryea and his men (including Stuart Whitman and Harry Carey Jr.) claiming to have a warrant for his arrest for killing Duryea's brother and absconding with the sum of $20,000. So far so conventional plot-wise but what is remarkable here is the way that the film-makers chose to employ the townspeople who are constantly following the protagonists around the streets of Silver Lode, at first forcibly siding with Payne (to the point of holding Duryea et al at gunpoint) but, with time, being swayed by the latter's lies and an unfortunate series of events that lead them to believe Payne guilty of murdering their sheriff (Emile Meyer) and one of the marshals, as well as wounding Scott's hot-headed brother. Aiding Payne, apart from the unwavering Scott (of course), is his ex-flame, sultry saloon gal (Dolores Moran, the wife of producer Benedict Bogeaus and whose last film this proved to be) who spits one-liner put-downs to hero, villain and everyone in between; I really liked her character and, apparently, so did Dwan because he opted to close the film on the image of her running frantically clenching the all-important telegraphic confirmation (Duryea's men had intuitively cut the lines beforehand) of Payne's claims of innocence. However, in view of the film being a thinly-veiled allegory on the ongoing witch-hunts, it is a telling comment on the relative nature of truth that the girls had already won the day by forcing the gullible telegraph official to write down a false reply. The expected climactic confrontation between Payne and Duryea, then, takes place inside a bell tower – with the latter's bullet ultimately ricocheting on himself in God-like retribution – making for a doubly ironic ending to a film (beautifully shot in color by the great John Alton) that had held its audience entranced for all of 77 breathless minutes.


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