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The Silver Chalice (1954)

 -  Drama | Romance  -  20 December 1954 (USA)
4.6
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Ratings: 4.6/10 from 869 users  
Reviews: 42 user | 13 critic

A Greek artisan is commissioned to cast the cup of Christ in silver and sculpt around its rim the faces of the disciples and Jesus himself. He travels to Jerusalem and eventually to Rome to... See full summary »

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Title: The Silver Chalice (1954)

The Silver Chalice (1954) on IMDb 4.6/10

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Nominated for 2 Oscars. See more awards »
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Cast

Cast overview, first billed only:
...
Helena
...
Deborra
...
...
Basil
Walter Hampden ...
...
Mijamin
Alexander Scourby ...
...
David J. Stewart ...
Adam
Herbert Rudley ...
Linus
...
...
Ignatius
...
Aaron Ben Joseph
...
Helena as a Girl
Peter Reynolds ...
Basil as a Boy
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Storyline

A Greek artisan is commissioned to cast the cup of Christ in silver and sculpt around its rim the faces of the disciples and Jesus himself. He travels to Jerusalem and eventually to Rome to complete the task. Meanwhile, a nefarious interloper is trying to convince the crowds that he is the new Messiah by using nothing more than cheap parlor tricks. Written by Dan Weckerly

Plot Summary | Add Synopsis

Plot Keywords:

messiah | trick | greek | disciple | artisan | See more »

Taglines:

EVERY BREATHLESS MOMENT OF THOMAS B. COSTAIN'S BEST-SELLER! (original print ad - all caps) See more »

Genres:

Drama | Romance

Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

20 December 1954 (USA)  »

Also Known As:

The Silver Chalice  »

Box Office

Budget:

$4,500,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (cut)

Sound Mix:

(magnetic prints)| (RCA Sound System) (optical prints)

Color:

(Warnercolor)

Aspect Ratio:

2.55 : 1
See  »
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Did You Know?

Trivia

Film acting debut of Lorne Greene (he had narrated, but did not appear in, a short in 1947). See more »

Goofs

(at around 1 min) Basil and Deborra enter the set from behind the cut, painted, and layered scenery, completely spoiling the intended trompe l'oeil effect of rooftop domes. See more »

Quotes

Simon The Magician: A true miracle is nothing but a good trick.
See more »

Crazy Credits

and introducing Paul Newman See more »

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User Reviews

 
Pretty odd, pretty awful...Paul Newman's debut is best forgotten...
28 November 2006 | by (U.S.A.) – See all my reviews

I have to agree with the negative comments on this one. First of all, let's begin with the good points. It got two Oscar nominations--one for William Skall's color cinematography and the other for Franz Waxman's tasteful background score. Indeed, the only tasteful thing about the film is that score.

PAUL NEWMAN at least doesn't have to be ashamed of how he photographed in color because he makes a handsome film debut (physically) but was apparently given no directions from Victor Saville on how to play the role of a man who worked on the framework for The Silver Chalice. His is a bland performance at best and it is undercut even more when he has to share the screen with the terribly miscast VIRGINIA MAYO.

Mayo looks as though she just left the chorus line of The Goldwyn Girls and had the artists paint her eyebrows in what someone must have assumed would resemble women of antiquity. She saunters around in her veiled costumes as though she is about to break out into a burlesque queen's rendition of a bump and grind song number.

JACK PALANCE steals the show with his overwrought, maniacal performance as a magician who begins to believe in his own ballyhoo (or his own press clippings) and thinks he can actually fly without any contraptions aiding his flight. Oddly enough, his caricature of a role fits into the scheme of things, seeing as how the stylized sets and costumes suggest nothing more than comic strip vision.

Adding to lack of credibility is the casting of NATALIE WOOD as the young Helena who turns into Mayo as an adult. Now that would take the work of a major magician. LORNE GREENE, in his film debut, and E.G. MARSHALL struggle with poorly defined roles in the supporting cast.

Summing up: Dismal. The only question is, what inspired Franz Waxman to write such a pleasing background score?


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