6.8/10
448
19 user 5 critic

Shield for Murder (1954)

Approved | | Crime, Drama, Film-Noir | 27 August 1954 (USA)
When a brutal police detective Lt. murders a bookmaker's runner for $25,000 in cash, a deaf mute sees him do it, and now he finds he must kill again to cover his tracks.

Writers:

(screenplay), (screenplay) | 2 more credits »
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Cast

Complete credited cast:
...
Detective Lt. Barney Nolan
...
Patty Winters
...
Detective. Sgt. Mark Brewster
...
Capt. Gunnarson
...
Beth--Girl at Bar
...
Fat Michaels
Lawrence Ryle ...
Laddie O'Neil (as Larry Ryle)
Herbert Butterfield ...
Cabot--Police Reporter
Hugh Sanders ...
Packy Reed
...
Assistant D.A.
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Storyline

A vicious cop kills a bookie's runner and steals $25,000 from the corpse. He then frames everyone in sight in order to keep the money to buy a new home for his would-be lounge singer girlfriend. Written by Ed Lorusso

Plot Summary | Add Synopsis

Taglines:

Dame-hungry killer-cop runs berserk! See more »

Genres:

Crime | Drama | Film-Noir

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

27 August 1954 (USA)  »

Also Known As:

Freibrief für Mord  »

Filming Locations:

 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.75 : 1
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Did You Know?

Trivia

Stafford Repp's first film. See more »

Goofs

Though he is deaf, witness Ernst Sternmueller is described as earning money by playing the accordion. See more »

Quotes

[first lines]
Detective Capt. Gunnarson: [to police reporter] Write his story good.
See more »

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User Reviews

 
No Miami, But Still Blues
3 September 2001 | by (Pittsburgh, PA) – See all my reviews

There are some similarities here with a great B-level film made close to 40 years later "Miami Blues". Both focus on desperate, lawless men with soft spots for a pretty, child-like woman, who abuse the power of a police badge in a violent, supremely ill-advised attempt to settle into a comfortable, anonymous existence in the "paradise" of America's suburbs. And as with "Blues", the last 30 minutes are as frantic and exciting and darkly comic as anything you will see.

The film isn't perfect. There are weak links in the cast: Marla English is unremarkable as the trusting girlfriend, Herb Butterfield doesn't register as a pesky reporter (and John Agar's nagging conscience), and I found snarling Emile Meyer to be a disproportionately cynical police captain consumed with disgust for mankind. But Edmond O'Brien is suitably sweaty and hard-boiled as the corrupt cop (though damn, he is one puffy and bloated leading man), Agar is fine as his conflicted protegee (just before Agar moved into his mostly bad sci-fi phase) and Carolyn Jones spices things up big-time as a spaghetti loving floozy.

Starts off looking sort of cheap and routine but it's one of those films that sneaks up and surprises you. Not bad at all. A little like Richard Gere's "Internal Affairs" too, come to think of it.


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