Seven Samurai (1954) Shichinin no samurai (original title)

Director:

Akira Kurosawa

Writers:

Akira Kurosawa (screenplay) &
Shinobu Hashimoto (screenplay) ...
(more)

Release Date:

19 November 1956 (USA)

Genre:

Action | Drama

Tagline:

Will Take Its Place With the Seven Greatest Films of All Time!

Plot:

A poor village under attack by bandits recruits seven unemployed samurai to help them defend themselves.

Plot Keywords:

Samurai | Bandit | Farmer | Japan | Rice

Awards:

Nominated for 2 Oscars. Another 4 wins & 5 nominations

Cast

Toshirô Mifune	...	Kikuchiyo (as Toshiro Mifune)
Takashi Shimura	...	Kambei Shimada
Keiko Tsushima	...	Shino
Yukiko Shimazaki	...	Wife (as Yukio Shimazaki)
Kamatari Fujiwara	...	Farmer Manzo
Daisuke Katô	...	Shichiroji (as Daisake Kato)
Isao Kimura	...	Katsushiro (as Ko Kimura)
Minoru Chiaki	...	Heihachi
Seiji Miyaguchi	...	Kyuzo
Yoshio Kosugi	...	Farmer Mosuke
Bokuzen Hidari	...	Farmer Yohei
Yoshio Inaba	...	Gorobei Katayama
Yoshio Tsuchiya	...	Farmer Rikichi
Kokuten Kôdô	...	Old Man Gisaku (as Kuninori Todo)
Eijirô Tôno	...	Thief (as Eijiro Tono)
Kichijirô Ueda	...	Bandit Scout (as Ueda Kichijiro)
Jun Tatara	...	Coolie A
Atsushi Watanabe	...	Bun Seller
Toranosuke Ogawa	...	Grandfather of Kidnapped Girl
Isao Yamagata	...	Samurai
Kamiyama Sôjin	...	Blind Player (as Sojin)
Gen Shimizu	...	Samurai Who Kicks Farmers (as Hajime Shimizu)
Keiji Sakakida	...	Gosaku
Shinpei Takagi	...	Bandit Chieftain (as Shimpei Takagi)
Shin Ôtomo	...	Bandit Second-in-Command
Toshio Takahara	...	Samurai with Gun
Hiroshi Sugi	...	Tea Shop Owner
Kan Hayashi	...	Weak Ronin
Sachio Sakai	...	2nd Coolie
Sôkichi Maki	...	Strong-Looking Samurai
Ichirô Chiba	...	Buddhist Priest
Noriko Sengoku	...	Wife of Gono Family
Noriko Honma	...	Woman Farmer
Masanobu Ôkubo	...	Samurai
Etsurô Saijô	...	Bandit
Minoru Itô	...	Samurai
Haruya Sakamoto	...	Samurai
Kyorô Sakurai	...	Samurai
Hideo Shibuya	...	Bandit
Kiyoshi Kamoda	...	Samurai
Senkichi Ômura	...	Bandit Who Escapes
Takashi Narita	...	Bandit Who Escapes
Shôichi Hirose	...	Bandit
Kôji Uno	...	Bandit
Masaaki Tachibana	...	Bandit
Kamayuki Tsubono	...	Bandit
Taiji Naka	...	Bandit
Chindanji Miyagawa	...	Bandit
Shigemi Sunagawa	...	Bandit
Akira Tani	...	Bandit
Akio Kusama	...	Bandit
Ryûtarô Amami	...	Bandit
Jun Mikami	...	Bandit
Haruo Nakajima	...	Bandit
Sanpei Mine	...	Farmer
Masahide Matsushita	...	Samurai
Kaneo Ikeda	...	Samurai
Takuzô Kumagaya	...	Gisaku's Son (as Jirô Kumagaya)
Ippei Kawagoe	...	Farmer
Jirô Suzukawa	...	Farmer
Junpei Natsuki	...	Farmer
Kyôichi Kamiyama	...	Farmer
Haruo Suzuki	...	Farmer
Gorô Amano	...	Farmer
Hikaru Kitchôji	...	Farmer
Kôji Iwamoto	...	Farmer
Hiroshi Akitsu	...	Gono Husband
Akira Yamada	...	Farmer
Kazuo Imai	...	Farmer
Eisuke Nakanishi	...	Farmer
Toku Ihara	...	Farmer
Hideo Ôtsuka	...	Farmer
Shû Ôe	...	Farmer
Yasuhisa Tsutsumi	...	Farmer in Front of Gono
Yasuo Ônishi	...	Farmer
Tsuneo Katagiri	...	Farmer in Front of Gono
Megeru Shimoda	...	Farmer
Masayoshi Kawabe	...	Farmer
Shigeo Katô	...	Farmer
Yoshikazu Kawamata	...	Farmer
Takeshi Seki	...	3rd Coolie
Haruko Toyama	...	Gisaku's Daughter-in-Law
Tsuruko Mano	...	Woman Farmer in Front of Gono
Matsue Ono	...	Woman Farmer
Tazue Ichimanji	...	Woman Farmer (as Tazue Ichimanji)
Masako Ôshiro	...	Woman Farmer
Kyôko Ozawa	...	Woman Farmer
Michiko Kadono	...	Farmer's Wife
Toshiko Nakano	...	Farmer's Wife
Shizuko Azuma	...	Farmer's Wife
Keiko Mori	...	Farmer's Wife
Michiko Kawabe	...	Farmer's Wife
Yûko Togawa	...	Farmer's Wife
Yayoko Kitano	...	Farmer's Wife
Misao Suyama	...	Woman Farmer
Toriko Takahara	...	Woman Farmer
rest of cast listed alphabetically:
Takeshi Katô	...	Samurai Wandering Through Town (uncredited)
Tatsuya Nakadai	...	Samurai Wandering Through Town (uncredited)
Ken Utsui	...	Samurai Wandering Through Town (uncredited)
Ren Yamamoto	...	Farmer (uncredited)

Directed by
Akira Kurosawa

Writing credits
Akira Kurosawa		(screenplay) &
Shinobu Hashimoto		(screenplay) &
Hideo Oguni		(screenplay)

Produced by
Sôjirô Motoki	....	producer (as Sojiro Motoki)

Original Music by
Fumio Hayasaka

Cinematography by
Asakazu Nakai		(photography) (as Asaichi Nakai)

Film Editing by
Akira Kurosawa

Production Design by
Takashi Matsuyama

Art Direction by
Sô Matsuyama		(art direction) (as So Matsuyama)

Costume Design by
Kôhei Ezaki
Mieko Yamaguchi

Makeup Department
Midori Nakajo	....	hair stylist
Junjirô Yamada	....	hair
Junjirô Yamada	....	makeup artist

Production Management
Hiroshi Nezu	....	production supervisor

Second Unit Director or Assistant Director
Sakae Hirosawa	....	assistant director
Hiromichi Horikawa	....	assistant director
Toshi Kaneko	....	assistant director
Masaya Shimizu	....	assistant director
Yasuyoshi Tajitsu	....	assistant director

Art Department
Kôhei Ezaki	....	art consultant
Kôichi Hamamura	....	property master
Yoshirô Muraki	....	assistant art director

Sound Department
Ichirô Minawa	....	sound effects editor
Masanao Uehara	....	sound assistant
Fumio Yanoguchi	....	recording

Camera and Electrical Department
Masao Fukuda	....	still photographer
Mitsuo Kaneko	....	assistant lighting technician
Shigeru Mori	....	lighting technician
Takao Saitô	....	assistant camera

Editorial Department
Hiroshi Nezu	....	editing manager

Music Department
Masaru Satô	....	assistant to composer

Other crew
Shigeru Endo	....	archery
Kôhei Ezaki	....	folklore researcher (as Kohei Ezaki)
Yuji Hamada	....	accountant
Ienori Kaneko	....	archery
Toshio Nakane	....	acting office
Teruyo Nogami	....	script supervisor
Takeharu Shimada	....	production assistant
Yoshio Sugino	....	fencing

Production Companies

• Toho Company (presents)

Distributors

• Toho Company (1954) (Japan) (theatrical)
• Columbia Pictures (1956) (USA) (theatrical) (subtitled)
• Public Broadcasting Service (PBS) (1972) (USA) (TV) (US network premiere)
• AVCO Embassy Pictures (1982) (USA) (theatrical) (re-release)
• Films Incorporated (1982) (USA) (theatrical) (re-release)
• Janus Films (1982) (USA) (theatrical) (re-release)
• Landmark Films (1982) (USA) (theatrical) (re-release)
• Embassy Home Entertainment (1987) (USA) (VHS)
• Criterion Collection, The (1989) (USA) (video) (laserdisc)
• Criterion Collection, The (1991) (USA) (video) (laserdisc)
• Criterion Collection, The (1998) (USA) (DVD)
• Cowboy Pictures (2002) (USA) (theatrical) (re-release)
• Toho Company (2002) (Japan) (DVD)
• Shoval Film Production (2003) (Israel) (theatrical) (re-release)
• Bright Angel Distribution (2004) (Netherlands) (theatrical) (re-release)
• Madman Entertainment (2004) (Australia) (DVD)
• Total Film Home Entertainment (2004) (Netherlands) (DVD)
• Total Film Home Entertainment (2004) (Netherlands) (VHS)
• Nihon Eiga Satellite Broadcasting (2007) (Japan) (TV)
• Aito Mäkinen (1963) (Finland) (theatrical)
• Asociace Ceských Filmových Klubu (ACFK) (2009) (Czech Republic) (theatrical) (subtitled)
• Atlantic Film (2002) (Sweden) (theatrical)
• Cinédis (1955) (France) (theatrical)
• Dianafilmi (1981) (Finland) (theatrical)
• Eurooppalainen Filmi (1959) (Finland) (theatrical)
• Jaguar Film (1965) (Sweden) (theatrical)
• Rosenbergs Filmbyrå (1965) (Sweden) (theatrical)
• Sputnik (2004) (Finland) (theatrical)
• Studio 43 (????) (France) (theatrical) (re-release)
• Svenska Filminstitutet (SFI) (2002) (Sweden) (theatrical)
• Television och Smalfilm (1965) (Sweden) (theatrical)
• trigon-film (2012) (Austria) (theatrical)
• trigon-film (2012) (Germany) (theatrical)
• trigon-film (2012) (Switzerland) (theatrical)
• Continental Home Vídeo (????) (Brazil) (DVD)
• Criterion Collection, The (2004) (USA) (DVD)
• Criterion Collection, The (2009) (USA) (DVD)
• Criterion Collection, The (2010) (USA) (DVD) (Blu-ray)
• Sandrew Metronome Distribution Sverige AB (2007) (Sweden) (DVD)
• Sandrew Metronome Distribution (200?) (Finland) (DVD)
• Suomen Kunnallispalvelu (1994) (Finland) (VHS)
• Tocantins (????) (Brazil) (VHS)
• Toho Company (2009) (Japan) (DVD) (Blu-ray)
• Toho Video (1996) (Japan) (VHS)
• WoWow (2012) (Japan) (TV)
• YLE Teema (2005) (Finland) (TV)
• Yleisradio (YLE) (1964) (Finland) (TV)
• trigon-film (2012) (Germany) (DVD) (special edition - full version)
• trigon-film (2012) (Switzerland) (DVD) (special edition)
• trigon-film (2013) (Germany) (DVD) (Blu-ray) (special edition)

Other Companies

• Toho Developing Co.  film developing
• Toho Genzosho  video editing

Also Known As:

"Shichinin no samurai" - Japan (original title)

Runtime:

207 min | 160 min (international version) | Argentina:163 min | Sweden:202 min (2002 re-release) | UK:150 min (original version) | UK:190 min (1991 re-release) | USA:141 min | USA:203 min (re-release) | USA:207 min (restored version) | Spain:202 min (DVD edition)

Country:

Japan

Language:

Japanese

Color:

Black and White

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono | Stereo (re-release prints)

Certification:

Argentina:16 | Australia:PG | Canada:G (Quebec) | Canada:PG | Denmark:15 | Finland:K-16 | Norway:16 | Sweden:11 (re-rating) (2002) | Sweden:15 (original rating) | Switzerland:14 | UK:A (original rating) | UK:PG (video rating) (1991) | USA:Unrated | West Germany:16 | Iceland:12 | Portugal:M/12 (Qualidade) | Brazil:10 | Czech Republic:U | Spain:T | Australia:M (VHS version) | South Korea:15

Filming Locations:

Japan

Company:

Toho Company

Trivia:

The movie is set in 1586. We learn during the scroll scene that the real Kikuchiyo was born in year two of the Tensho era (1574) and is now 13 years old. Japanese convention considered a child to be one year old when he was born and advanced his age one year each new year.

Goofs:

Revealing mistakes: During the first scene when the people in the village are discussing what to do with the bandits, it's visible that they are wearing bald-wigs.

Quotes:

[first lines]
Bandit second-in-command:We'll take this place next.
Bandit Chief:We took it last autumn. They haven't got anything worth taking yet. Let's wait.

Movie Connections:

Referenced in Cha-cha-chá (1998)

Arguably, the best samurai film ever made

Though its biblical connotation is not the happiest one ("Seven Deadly Sins") number seven, omnipresent in our (7 days a) weekly cycles, seems to have been a lucky number in the world of cinema. Several very solid and some great movies have this number in their title, starting with gag-wise incredibly inventive Seven Chances (1925) from genius of silent era Buster Keaton, Frank Borzage's silent version of classic melodrama 7th Heaven (1927), Walt Disney's first feature-length animated movie, Snowhite and Seven Dwarfs (1940), recognized as an instant classic and remained so ever after, Stanley Donen's ear-pleasing, eye-riveting musical Seven Brides for Seven Brothers (1954), staged in western milieu, with an outstanding dance sequence, Ingmar Bergman's literally Death-defying, answers-to-reasons-for-human-misfortune-seeking masterpiece, Det sjunde inseglet ("The Seventh Seal") (1957), Billy Wilder's Seven Year Itch (1957), a clever and amusing first collaboration with incomparable Marilyn Monroe (a worm-up for their second, bigger if not decisive step in taboos-of-the-motion-picture-production-code-breaking, brilliant comedy Some Like It Hot (1959)), up to newer examples like David Fincher's disturbing drama Se7en (1995), one of the finest Hollywood movies of the 90's, as well as Tsui Hark's Chat Gim ("Seven Swords") (2005), a stunner in the department of action sequences from the often under-appreciated genre Wuxia, originating from Chinese literature.

However, even among such illustrious examples of movie-making par excellence, one movie holds a special place, Shichinin no samurai ("Seven Samurai") (1954) from the legendary Japanese director Akira Kurosawa. This movie doesn't seem to lack anything that an avid movie consumer, in particular samurai genre admirer, might be wishing for.

It is not easy to say anything new about the one of the most analyzed and scrutinized movies of the film history. Nevertheless, and despite being eventually only repeated, it shall be mentioned that movie has a simple but very engaging story - a group of peasants, representing a village, periodically stormed by gang of bandits, looting their crops and other possessions, hires several wandering ronins (masterless samurai) to help them protect the village - not without lucid observations on the possibility of social interaction between members of different classes during the almost seven centuries long feudal history (1185–1868) of Japan.

Characterization is excellent, and though having clear stand-outs in samurai's true leader, Kambei (Takashi Shimura), a wise tactician of the exceptional valor, as well as in the exuberantly uncontrollable Kikuchiyo (Toshiro Mifune), messy in its appearance and blustering in its manner, yet, a peasant descendant himself, making for a perfect link between the samurai and their employers, all other samurai are memorable, as well, sporting wide variety of personality traits. In joining the village protection campaign, hired for nothing more than a regular meal for as long as providing a service, thus primarily hoping to finally fill their starving stomachs, each one of them was driven by different additional motives, whether they were challenged to test their bravery, fighting skills and tactics, seeking for excitement and recognition, trying to regain pride and glory of the past days, just reaching out for that human touch (cross-class communication, even mere courtship promising relationship) they have been deprived of, or simply interested in its noble cause.

Together with true highlights in realistically choreographed battle scenes, showing all the pain and misery of excessive violence on the reverse of heroism, that even defenders cannot avoid resorting to, sadly announcing inevitable decline of the samurai and their ways exposed to new artless technology, unbecomingly dying ambushed by distant shots from the muskets, while ingloriously stuck in the village muds... it all makes for a compelling narrative.

Though triumphant in their common task to protect the village, unlikely alliance between samurai and peasants is ultimately doomed to fail. In the short run, it gives expected results, but in the long run, does not stand the chance. That is so loudly, although in fact silently, expressed at the end, when peasants don't even care to join the surviving samurai in their mourning over the fallen ones, not even giving the last well deserved respect to those who have helped them withstand fierce attacks, prevail and ultimately defeat bandits, and, in doing so, most of them given their lives. Peasants simply continue with their daily chores, while surviving samurai have to leave the village, like they have never existed, sadly symbolizing their ultimate destiny: slowly but surely stepping off the future pages of the history books.

Seven Samurai, the movie, is rightfully considered as the one that has redefined samurai film in its contemporary perception, and dawned almost two decades long string of successes, instantly becoming the brightest example of thus revived, uniquely provocative and entertaining sub-genre, unknown as such in the country of its origin, classified there within a broader genre, jidaigeki (a period drama, often describing events from pre-modern era of the Edo period, marking the governance of Tokugawa shogunate (1603-1868), relatively peaceful times for Japan's long history of civil wars, as opposed to gendaigeki, films treating contemporary matters), and by IMDb standards, as an action drama, occasionally historical, when based on real events.

Originating in the Edo-era Far East, it has inspired equally successful, star-studded (Y. Brynner, S. McQueen, C. Bronson, J. Coburn, E. Wallach, R. Vaughn, H. Buchholz, B. Dexter) Hollywood remake, The Magnificent Seven (1960), conveniently situated in the U.S. West of 19th century, as well as three lesser sequels, Return of... (1966), Guns of... (1969), and ...Ride! (1972).