Seven Samurai (1954)
"Shichinin no samurai" (original title)

A poor village under attack by bandits recruits seven unemployed samurai to help them defend themselves.

Director:

Akira Kurosawa

Writers:

Akira Kurosawa (screenplay), Shinobu Hashimoto (screenplay),

Stars:

Toshirô Mifune, Takashi Shimura, Keiko Tsushima

Top 250 #17 | Nominated for 2 Oscars. Another 4 wins & 5 nominations.

Cast

Cast overview, first billed only:
Toshirô Mifune	...	Kikuchiyo (as Toshiro Mifune)
Takashi Shimura	...	Kambei Shimada
Keiko Tsushima	...	Shino
Yukiko Shimazaki	...	Wife (as Yukio Shimazaki)
Kamatari Fujiwara	...	Farmer Manzo
Daisuke Katô	...	Shichiroji (as Daisake Kato)
Isao Kimura	...	Katsushiro (as Ko Kimura)
Minoru Chiaki	...	Heihachi
Seiji Miyaguchi	...	Kyuzo
Yoshio Kosugi	...	Farmer Mosuke
Bokuzen Hidari	...	Farmer Yohei
Yoshio Inaba	...	Gorobei Katayama
Yoshio Tsuchiya	...	Farmer Rikichi
Kokuten Kôdô	...	Old Man Gisaku (as Kuninori Todo)
Eijirô Tôno	...	Thief (as Eijiro Tono)

Storyline

A veteran samurai, who has fallen on hard times, answers a village's request for protection from bandits. He gathers 6 other samurai to help him, and they teach the townspeople how to defend themselves, and they supply the samurai with three small meals a day. The film culminates in a giant battle when 40 bandits attack the village.

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Plot Keywords:

samurai | bandit | farmer | japan | rice | 

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Taglines:

The Mighty Warriors Who Became the Seven National Heroes of a Small Town

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Genres:

Action | Drama

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Certificate:

Unrated

Details

Country:

Japan

Language:

Japanese

Release Date:

19 November 1956 (USA)

Also Known As:

Seven Samurai

Filming Locations:

Japan

Box Office

Budget:

$2,000,000 (estimated)

Opening Weekend:

$21,830 (USA) (30 August 2002)

Gross:

$269,061 (USA) (29 August 2003)

Company Credits

Production Co:

Toho Company

Technical Specs

Runtime:

207 min 160 min (international) 202 min (2002 re-release) 150 min (original) 190 min (1991 re-release) 203 min (re-release) 207 min (restored) 202 min (DVD edition)

Sound Mix:

Mono Stereo (re-release prints)

Color:

Black and White

Aspect Ratio:

1.37 : 1

Did You Know?

Trivia

Early in the writing process, six of the samurai were conceptualized, all loosely based on historic figures. Originally Toshirô Mifune was meant to play Kyuzo, the extremely stoic master swordsman. However, Akira Kurosawa and his collaborating writers decided that they needed a character they could more identity with who wasn't a fully-fledged samurai, so Kikuchiyo was created. Since Kikuchiyo didn't have a historic basis, Mifune was allowed to do an unprecedented (for a Kurosawa film) amount of improvisation in the part.

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Goofs

When samurai or bandits are shot with muskets, the bullet strikes before the sound of the distant gunshot is heard. This is technically correct, due to the difference between the speeds of light and sound, and it is a feature of other Akira Kurosawa films, such as Kagemusha, although it gives the false impression that people are being shot before the guns are discharged.

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Quotes

[first lines]
Bandit second-in-command: We'll take this place next.
Bandit Chief: We took it last autumn. They haven't got anything worth taking yet. Let's wait.

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Connections

Remade as China Gate (1998)

User Reviews

Solid Gold

I discovered 16 of Kurosawa's best known films before returning to the which is commonly thought of as his masterpiece. Seven Samurai is unlike any other grand classic ever produced. It's basic plot can be summed up in a single easy sentence, yet its refinement and execution rival any movie you've ever seen.

The premise: in chaotic 16th century Japan, as marauders threaten raid villages, one village hires samurai to defend it from a group of bandits. Yet Kurosawa (also co-writer) developed these characters in a way unheard of for what might pass as an epic action film. To its astonishing credit, through all of its 207 minutes running time, Seven Samurai never falters or bores. And if the script is a marvel in itself, the acting and production design than derive from it are nothing short of superlative. It is said that Kurosawa forced the villagers (from supporting role to mere extra) to live together as a community during production and be their characters, each and every one of which he had drawn out specifically. This unusual technique gave Seven Samurai a feel of authenticity unparalleled in film history.

The samurai themselves are so richly given life to in the screenplay that little more would have been needed to make them memorable characters, yet the main cast pay off at every turn, and though every one of the seven main actors give in perfect performances (never as I had feared before watching it do you confuse them, even in the chaotic battle scenes), two immortal roles have a particularly resounding effect: Takashi Shimura (Kambei Shimada), who plays the leader of the ragged band of samurai, gives his sage and venerable warrior a god-like intensity that makes the magnetic charisma of his character unquestionable. One of the easiest leaders to root for in all the history of film-making. Stealing the show however, albeit by a very thin margin, is longtime Kurosawa favorite coworker Toshiro Mifune (Kikuchiyo) as the rogue seventh, the black sheep of the herd, giving the bravura ultimate performance of a lifetime paved throughout with great roles.

The story follows them and the villagers, equally nuanced and developed, through their encounter, training, eventual bonding and the big inevitable fight for survival. Unlike subsequent very successful remakes (i.e. Magnificent Seven), seven Samurai transcended excellency by having many layers (nothing or no one is white or black: everything exists in shades of gray) and thus being very real and human. Even without the menace, its interpersonal dynamics would have made it perfect human drama, subtle, balancing comedy, intensity, realism, drama and a deep philosophy with astonishing ease, yet the menace does materialize and thus Seven Samurai unleashes its violence in a series of action scenes crafted with such vision and ingenuity as has ever reached an action film (the frenetic battle scenes at the end rather evoke Saving Private Ryan in their relentlessness).

In the end, what made this into solid gold was, at the core, Akira Kurosawa, who would, despite directing many further masterpieces (Throne of Blood, Yojimbo, Red Beard, Dersu Uzala, Kagemusha, Ran), would never top this one. Throughout his life, Kurosawa kept confirming his status as perhaps the greatest director ever. If so, Seven Samurai is the ultimate proof of that truth. One of the very best films ever made and personal all-time favorite.