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Seven Samurai (1954)
"Shichinin no samurai" (original title)

Unrated  |   |  Drama  |  19 November 1956 (USA)
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Ratings: 8.7/10 from 213,610 users   Metascore: 99/100
Reviews: 585 user | 152 critic | 5 from Metacritic.com

A poor village under attack by bandits recruits seven unemployed samurai to help them defend themselves.



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Top Rated Movies #20 | Nominated for 2 Oscars. Another 5 wins & 6 nominations. See more awards »



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Cast overview, first billed only:
Kikuchiyo (as Toshiro Mifune)
Keiko Tsushima ...
Yukiko Shimazaki ...
Wife (as Yukio Shimazaki)
Kamatari Fujiwara ...
Farmer Manzo
Daisuke Katô ...
Shichiroji (as Daisake Kato)
Isao Kimura ...
Katsushiro (as Ko Kimura)
Minoru Chiaki ...
Seiji Miyaguchi ...
Yoshio Kosugi ...
Bokuzen Hidari ...
Farmer Yohei
Yoshio Inaba ...
Yoshio Tsuchiya ...
Kokuten Kôdô ...
Old Man Gisaku (as Kuninori Todo)
Eijirô Tôno ...
Thief (as Eijiro Tono)


A veteran samurai, who has fallen on hard times, answers a village's request for protection from bandits. He gathers 6 other samurai to help him, and they teach the townspeople how to defend themselves, and they supply the samurai with three small meals a day. The film culminates in a giant battle when 40 bandits attack the village. Written by Colin Tinto <cst@imdb.com>

Plot Summary | Plot Synopsis


Will Take Its Place With the Seven Greatest Films of All Time! See more »




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Parents Guide:





Release Date:

19 November 1956 (USA)  »

Also Known As:

Seven Samurai  »

Filming Locations:


Box Office


$2,000,000 (estimated)

Opening Weekend:

$21,830 (USA) (30 August 2002)


$269,061 (USA) (29 August 2003)

Company Credits

Production Co:

Show detailed on  »

Technical Specs


| (international) | (2002 re-release) | (original) | (1991 re-release) | (cut) (original) | (re-release) | (restored) | (DVD edition)

Sound Mix:

| (re-release prints)

Aspect Ratio:

1.37 : 1
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Did You Know?


Was chosen by "Premiere" magazine as one of the "100 Movies That Shook the World" in the October 1998 issue. The list ranked the most "daring movies ever made." See more »


When the samurai are giving battle advice to the peasants, who sit around them forming a circle, the camera does a rather wide circle shot of them. You can see the dolly track behind the seated peasants. See more »


[first lines]
Bandit second-in-command: We'll take this place next.
Bandit Chief: We took it last autumn. They haven't got anything worth taking yet. Let's wait.
See more »


Referenced in Fear, Panic & Censorship (2000) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Solid Gold
8 January 2003 | by (Switzerland) – See all my reviews

I discovered 16 of Kurosawa's best known films before returning to the one which is commonly thought of as his masterpiece. Seven Samurai is unlike any other grand classic ever produced. It's basic plot can be summed up in a single easy sentence, yet its refinement and execution rival any movie you've ever seen.

The premise: in chaotic 16th century Japan, as marauders threaten raid villages, one village hires samurai to defend it from a group of bandits. Yet Kurosawa (also co-writer) developed these characters in a way unheard of for what might pass as an epic action film. To its astonishing credit, through all of its 207 minutes running time, Seven Samurai never falters or bores. And if the script is a marvel in itself, the acting and production design than derive from it are nothing short of superlative. It is said that Kurosawa forced the villagers (from supporting role to mere extra) to live together as a community during production and be their characters, each and every one of which he had drawn out specifically. This unusual technique gave Seven Samurai a feel of authenticity unparalleled in film history.

The samurai themselves are so richly given life to in the screenplay that little more would have been needed to make them memorable characters, yet the main cast pay off at every turn, and though every one of the seven main actors give in perfect performances (never as I had feared before watching it do you confuse them, even in the chaotic battle scenes), two immortal roles have a particularly resounding effect: Takashi Shimura (Kambei Shimada), who plays the leader of the ragged band of samurai, gives his sage and venerable warrior a god-like intensity that makes the magnetic charisma of his character unquestionable. One of the easiest leaders to root for in all the history of film-making. Stealing the show however, albeit by a very thin margin, is longtime Kurosawa favorite coworker Toshiro Mifune (Kikuchiyo) as the rogue seventh, the black sheep of the herd, giving the bravura ultimate performance of a lifetime paved throughout with great roles.

The story follows them and the villagers, equally nuanced and developed, through their encounter, training, eventual bonding and the big inevitable fight for survival. Unlike subsequent very successful remakes (i.e. Magnificent Seven), seven Samurai transcended excellency by having many layers (nothing or no one is white or black: everything exists in shades of gray) and thus being very real and human. Even without the menace, its interpersonal dynamics would have made it perfect human drama, subtle, balancing comedy, intensity, realism, drama and a deep philosophy with astonishing ease, yet the menace does materialize and thus Seven Samurai unleashes its violence in a series of action scenes crafted with such vision and ingenuity as has ever reached an action film (the frenetic battle scenes at the end rather evoke Saving Private Ryan in their relentlessness).

In the end, what made this into solid gold was, at the core, Akira Kurosawa, who would, despite directing many further masterpieces (Throne of Blood, Yojimbo, Red Beard, Dersu Uzala, Kagemusha, Ran), would never top this one. Throughout his life, Kurosawa kept confirming his status as perhaps the greatest director ever. If so, Seven Samurai is the ultimate proof of that truth. One of the very best films ever made and personal all-time favorite.

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