Fred and Lilly are a divorced pair of actors who are brought together by Cole Porter who has written a musical version of The Taming of the Shrew. Of course, the couple seem to act a great ... See full summary »
Billy Bigelow has been dead for fifteen years, and now outside the pearly gates, he long waived his right to go back to Earth for a day. But he has heard that there is a problem with his ... See full summary »
Adam, the eldest of seven brothers, goes to town to get a wife. He convinces Milly to marry him that same day. They return to his backwoods home. Only then does she discover he has six brothers - all living in his cabin. Milly sets out to reform the uncouth siblings, who are anxious to get wives of their own. Then, after reading about the Roman capture of the Sabine women, Adam develops an inspired solution to his brothers' loneliness. Written by
Melissa Portell <firstname.lastname@example.org>
MGM did not have high financial expectations for the film, and chose instead to allocate its resources to Rose Marie (1954) and Brigadoon (1954)--films that, as it turned out, never matched this film's commercial and critical success. See more »
In several shots during the barn dance, Liza's hair comes loose from her chignon, only to be neatly combed again in the next shot. See more »
Love is like the measles. You only get it once, and the older you are, the harder you take it.
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As an experienced woodsman compounded by being a fan of great music, it is so refreshing to see a perfect musical centered around men behaving like men. So many shows have slim little dandies spinning around and leaping to and fro and the only way you can tell them from a 13 year old girl is their shorter haircuts. I truly enjoyed seeing someone masculine (gay or straight doesn't matter) move in a skilled manner, and disprove the stereotypes of "White Men Can't Dance." Seven Brides for Seven Brothers has the great Howard Keel (the John Wayne of Musicals), supported by a cast of 6 men (some actors, some dancers and some acrobats) and the outcome is nothing short of spectacular. Michael Kidd's choreography is fantastic, demonstrating grace and strength, yet remaining believable in the fact that the skills could be something done by woodsmen. Mercers music, especially "Bless Your Beautiful" and "Lonesome Polecat" is simply awesome and are in my head for days every time I watch it. The cinema-scope and vibrant colors are unbelievably crisp. I watched this with my 2 year old daughter, and aside from her dragging me up to dance with her during the big production numbers, she sat in her chair and watched the ENTIRE 2 hour movie. A two year old that watches an entire 2 hour movie with her dad, you say!?! Do I need anymore proof of the perfection of this movie!? Bless Howard Keel, as he must be smiling down on me whenever I collapse back into my seat, exhausted from dancing with my little girl...who also slept very, very well that night.
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