Seven Brides for Seven Brothers (1954) 7.2
In 1850 Oregon, when a backwoodsman brings a wife home to his farm, his six brothers decide that they want to get married too. Director:Stanley Donen |
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Seven Brides for Seven Brothers (1954) 7.2
In 1850 Oregon, when a backwoodsman brings a wife home to his farm, his six brothers decide that they want to get married too. Director:Stanley Donen |
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| Cast overview, first billed only: | |||
| Howard Keel | ... | ||
| Jeff Richards | ... | ||
| Russ Tamblyn | ... | ||
| Tommy Rall | ... |
Frank Pontipee
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Marc Platt | ... |
Daniel Pontipee
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Matt Mattox | ... | |
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Jacques d'Amboise | ... |
Ephraim Pontipee
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| Jane Powell | ... | ||
| Julie Newmar | ... |
Dorcas
(as Julie Newmeyer)
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Nancy Kilgas | ... |
Alice
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Betty Carr | ... |
Sarah
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Virginia Gibson | ... |
Liza
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| Ruta Lee | ... |
Ruth
(as Ruta Kilmonis)
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Norma Doggett | ... | |
| Ian Wolfe | ... | ||
Adam, the eldest of seven brothers, goes to town to get a wife. He convinces Milly to marry him that same day. They return to his backwoods home. Only then does she discover he has six brothers - all living in his cabin. Milly sets out to reform the uncouth siblings, who are anxious to get wives of their own. Then, after reading about the Roman capture of the Sabine women, Adam develops an inspired solution to his brothers' loneliness. Written by Melissa Portell <mportell@s-cwis.unomaha.edu>
Howard Keel died yesterday bringing a lifetime of energetic and fun films to a close. Seven Brides for Seven Brothers was one of those films. It had catchy memorable tunes with strong hooks that stay in the brain for days. It took full advantage of brilliant color, fabulous choreography, and even managed to have that one thing that too many musicals eschew... a plot... complete with character arcs. Adam Pontipee is the eldest of seven brothers who decides that living in a squalor with six other scroungy bachelors and horrible cooking has gone on long enough. When Milly agrees to marry him on the day they meet, everyone's in for a shock.
Adam finds that a wife is more than a cooking and cleaning slave and that his actions can effect others far more than he ever thought. Milly learns that expectations and dreams don't always work out the way you hope, but they can still work out. The six brothers learn that there's more to life than chopping wood, that Adam isn't always right and that you can't just take what you want. And six young women (the brides) discover that there are more choices than the ones people put in front of you.
The movie asks some hard questions and doesn't answer all of them. Initially the brides are all quite take with the brothers, until the bachelors in town chase them back into the mountains. When the bachelors decide to kidnap the brides we have to ask ourselves how such an act could work out well. Before we heap indignities on the writers, we should also ask whether the townsfolk should be allowed to chase off anyone who might contend for the affections of the girls they have their eyes on. That's one of the finest points of this movie. These aren't matters of black and white. This is a story of humanity and of men and women. But mostly, this is a fine musical and part of Howard Keel's enduring legacy.