Fred and Lilly are a divorced pair of actors who are brought together by Cole Porter who has written a musical version of The Taming of the Shrew. Of course, the couple seem to act a great ... See full summary »
Tom and Ellen Bowen are a brother and sister dance act whose show closes in New York. Their agent books them in London for the same period as the Royal Wedding. They travel by ship where ... See full summary »
This behind-the-scenes documentary includes interviews with people who were directly involved in the MGM classic musical 'Seven Brides for Seven Brothers'. Those interviewed include actors ... See full summary »
Adam, the eldest of seven brothers, goes to town to get a wife. He convinces Milly to marry him that same day. They return to his backwoods home. Only then does she discover he has six brothers - all living in his cabin. Milly sets out to reform the uncouth siblings, who are anxious to get wives of their own. Then, after reading about the Roman capture of the Sabine women, Adam develops an inspired solution to his brothers' loneliness. Written by
Melissa Portell <firstname.lastname@example.org>
On the 2004 DVD commentary, Stanley Donen claims that there were two versions made of the film: one in CinemaScope and another in the standard screen ratio of the day. Each scene shot in CinemaScope had to be re-shot for the standard version. This was out of MGM's concern that not all theatres had the equipment to screen films in CinemaScope. Although the standard version was more expensive than the CinemaScope version, it was never released theatrically. However, it did play on Turner Classic Movies in the late 1990s and is featured as a special feature on the 2004 DVD. See more »
In "Wonderful, Wonderful Day" birds fly onto the set and and several crash into the painted backdrop in the background (the director acknowledges this in a documentary). See more »
Don't just stand there, do something!
What for? There's only three little ones!
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Spectacular dancing and great music..Keel and Powell never did anything better!
A permanent place in the history of film musicals is obviously the fate of 'Seven Brides for Seven Brothers' the minute Howard Keel begins to sing 'Bless Your Beautiful Hide'. His robust romantic presence and voice are perfectly suited to blend with Jane Powell's sweet soprano--the Nelson and Jeanette of the '50s era. Jane is as perky as can be as the girl who impulsively marries him only to find that she's expected to keep house for him and his seven handsome brothers. (Echos of 'Snow White and the Seven Dwarfs' here and a touch of political incorrectness). But all that can be forgiven, for what follows is the most outrageously entertaining musical treat from the MGM factory--singin' and dancin' like you've never seen before! The exuberant acrobatic dancing of the brothers is a special highlight--particularly during the barnraising sequence. And their wistful rendering of the carefully staged 'Lonesome Polecat' is another high point. Powell and Keel get to warble some enchanting tunes and both are totally charming and professional in their roles. Keel probably never had a better role--except perhaps 'Showboat' or 'Annie Get Your Gun', handsome, macho and utterly believable. By all means reward yourself with this gem--either in regular format or widescreen, it's certainly one of the greatest MGM musicals of the '50s. Perhaps, as others have noted, the only drawbacks are some of the obviously painted mountain backgrounds--but this never destroys the overall charm of the film. The songs are splendid and the dances are as zestful as any you're ever likely to see.
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