Singers Lorelei Lee and Dorothy Shaw travel to Paris, pursued by a private detective hired by the disapproving father of Lorelei's fiancé to keep an eye on her, as well as a rich, enamored old man and many other doting admirers.
Jim Craig has lived his first 18 years in the mountains of Australia on his father's farm. The death of his father forces him to go to the low lands to earn enough money to get the farm ... See full summary »
Adam, the eldest of seven brothers, goes to town to get a wife. He convinces Milly to marry him that same day. They return to his backwoods home. Only then does she discover he has six brothers - all living in his cabin. Milly sets out to reform the uncouth siblings, who are anxious to get wives of their own. Then, after reading about the Roman capture of the Sabine women, Adam develops an inspired solution to his brothers' loneliness. Written by
Melissa Portell <firstname.lastname@example.org>
Michael Kidd initially turned down the project. He had just come off a show on Broadway and wanted a rest. He changed his mind after hearing the score. See more »
In the big fight and dance at the barn raising, the brothers change locations rapidly. Also, there are noticeable discontinuities during the acrobatic bits, probably because they needed some repeating. See more »
[singing to Gideon about being in love]
How can you tell what's in its spell? How can you tell unless you've tried it? Wait for that kiss you're certain of. And let your heart decide when you're in love.
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As an experienced woodsman compounded by being a fan of great music, it is so refreshing to see a perfect musical centered around men behaving like men. So many shows have slim little dandies spinning around and leaping to and fro and the only way you can tell them from a 13 year old girl is their shorter haircuts. I truly enjoyed seeing someone masculine (gay or straight doesn't matter) move in a skilled manner, and disprove the stereotypes of "White Men Can't Dance." Seven Brides for Seven Brothers has the great Howard Keel (the John Wayne of Musicals), supported by a cast of 6 men (some actors, some dancers and some acrobats) and the outcome is nothing short of spectacular. Michael Kidd's choreography is fantastic, demonstrating grace and strength, yet remaining believable in the fact that the skills could be something done by woodsmen. Mercers music, especially "Bless Your Beautiful" and "Lonesome Polecat" is simply awesome and are in my head for days every time I watch it. The cinema-scope and vibrant colors are unbelievably crisp. I watched this with my 2 year old daughter, and aside from her dragging me up to dance with her during the big production numbers, she sat in her chair and watched the ENTIRE 2 hour movie. A two year old that watches an entire 2 hour movie with her dad, you say!?! Do I need anymore proof of the perfection of this movie!? Bless Howard Keel, as he must be smiling down on me whenever I collapse back into my seat, exhausted from dancing with my little girl...who also slept very, very well that night.
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