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Sansho the Bailiff (1954)
"Sanshô dayû" (original title)

 -  Drama  -  1955 (USA)
8.2
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Ratings: 8.2/10 from 8,446 users  
Reviews: 40 user | 64 critic

In mediaeval Japan a compassionate governor is sent into exile. His wife and children try to join him, but are separated, and the children grow up amid suffering and oppression.

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(short story "Sanshô dayû"), (screenplay), 1 more credit »
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Title: Sansho the Bailiff (1954)

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Edit

Cast

Cast overview, first billed only:
...
Tamaki
Yoshiaki Hanayagi ...
Zushiô
Kyôko Kagawa ...
Anju
Eitarô Shindô ...
Sanshô dayû
Akitake Kôno ...
Taro
Masao Shimizu ...
Masauji Taira
Ken Mitsuda ...
Prime Minister Fujiwara
Kazukimi Okuni ...
Norimura
Yôko Kosono ...
Kohagi
Kimiko Tachibana ...
Namiji
Ichirô Sugai ...
Minister of Justice
Teruko Ômi ...
Nakagimi
Masahiko Kato ...
Young Zushio
Keiko Enami ...
Young Anju
Bontarô Akemi ...
Kichiji
Edit

Storyline

In mediaeval Japan a compassionate governor is sent into exile. His wife and children try to join him, but are separated, and the children grow up amid suffering and oppression. Written by David Levene <D.S.Levene@durham.ac.uk>

Plot Summary | Add Synopsis

Taglines:

A film of unparalleled beauty by the great Japanese Master Kenji Mizoguchi

Genres:

Drama

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

1955 (USA)  »

Also Known As:

Legend of Bailiff Sansho  »

Filming Locations:


Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

'Kenji Mizoguchi' left the composer alone to do the music. He also did that before in his previous films Ugetsu Monogatari as much as Chikamatsu Monogatari. See more »

Quotes

Zushiô: [quoting his father] "Without mercy, man is not a human being."
See more »

Connections

Version of The Littlest Warrior (1961) See more »

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User Reviews

 
Luminous
23 November 2002 | by (Colorado Springs) – See all my reviews

Luminous...painterly...haunting...devastating...in terms of both substance and style, a cinematic achievement of the very highest order. Like all great works of art, it is incomparable, although it would not be misleading to place it in the company of the very best of Renoir, Ford, and Kurosawa. It has the same kind of compassionate humanism, high-caliber storytelling, and effortless-seeming mastery of the medium...the same generosity.

I prefer this film even to the great (and much better-known) Ugetsu. And I know now why Welles once said that Mizoguchi "can't be praised enough, really." I hope one day this film will be as well known as it deserves to be.


47 of 55 people found this review helpful.  Was this review helpful to you?

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