Sansho the Bailiff
(1954)
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Sansho the Bailiff
(1954)
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| Cast overview, first billed only: | |||
| Kinuyo Tanaka | ... |
Tamaki
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Yoshiaki Hanayagi | ... |
Zushiô
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Kyôko Kagawa | ... |
Anju
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Eitarô Shindô | ... |
Sanshô dayû
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Akitake Kôno | ... |
Taro
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Masao Shimizu | ... |
Masauji Taira
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Ken Mitsuda | ... |
Prime Minister Fujiwara
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Kazukimi Okuni | ... |
Norimura
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Yôko Kosono | ... |
Kohagi
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Kimiko Tachibana | ... |
Namiji
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Ichirô Sugai | ... |
Minister of Justice
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Teruko Ômi | ... |
Nakagimi
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Masahiko Kato | ... |
Young Zushio
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Keiko Enami | ... |
Young Anju
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Bontarô Akemi | ... |
Kichiji
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In mediaeval Japan a compassionate governor is sent into exile. His wife and children try to join him, but are separated, and the children grow up amid suffering and oppression. Written by David Levene <D.S.Levene@durham.ac.uk>
"Sansho the Bailiff" (Japanese, 1954): Kenji Mizoguchi made an epic film from what was (apparently) a centuries-old Japanese morality tale. We watch a well-to-do family slowly disintegrate - not from events they cause, but those out of their control. How they each react, how they deal with the passing years and events, and how they find solutions (if any) are powerful, emotional, lessons in life. Can a half-century old Japanese film be useful to a contemporary American audience? Of course it can. Human issues of love, devotion, honor, greed, lust, hate, violence, sadness, and revenge are, if anything, in further need of consideration and dealing. To enhance these thoughts, the musical scoring is superb (I love classical Japanese music), the photography is in gorgeous black/gray/white with artful composing, the pacing is patient and more explanatory than many Japanese films (perhaps Mizoguchi had foreign audiences in mind which I appreciate!), and I often felt like I was watching delicate woodcut prints come to life.