Samurai I: Musashi Miyamoto (I) (1954)
"Miyamoto Musashi" (original title)

With his closest friend, Matahachi, Takezo (the town's wild, orphan kid) leaves his village to join an army on its way to battle. After their side loses, they seek shelter in the isolated ... See full summary »

Director:

Hiroshi Inagaki

Writers:

Hideji Hôjô (play), Hiroshi Inagaki,

Stars:

Toshirô Mifune, Rentarô Mikuni, Kuroemon Onoe

1 win.

Cast

Cast overview, first billed only:
Toshirô Mifune	...	Musashi Miyamoto (Takezo)
Rentarô Mikuni	...	Honiden Matahachi
Kuroemon Onoe	...	Takuan Osho
Kaoru Yachigusa	...	Otsu
Mariko Okada	...	Akemi
Mitsuko Mito	...	Oko, Matahachi's wife
Eiko Miyoshi	...	Osugi, Matahachi's mother
Akihiko Hirata	...	Seijuro Yoshioka
Kusuo Abe	...	Temma Tsujikaze
Eitarô Ozawa	...	Terumasa Ikeda (as Sakae Ozawa)
Akira Tani	...	Kawarano-Gonroku
Seijirô Onda	...	Chief Official
Fumito Matsuo	...	Petty Official
Masanobu Ôkubo	...	Petty Official
Takuzô Kumagai	...	Villager

Storyline

With his closest friend, Matahachi, Takezo (the town's wild, orphan kid) leaves his village to join an army on its way to battle. After their side loses, they seek shelter in the isolated home of a widow, Oko, and her daughter, Akemi. Oko seduces Matahachi, who forgets his betrothal to the virtuous Otsu. Oko, Matahachi, and Akemi go to Kyoto, but Takezo returns to the village. Matahachi's family rejects Takezo's report and has him arrested for treason. A monk rescues him from death and sentences him to the study of the samurai code. Otsu and Takezo fall in love, and she promises to wait for him when he sets off on the road as a knight errant.

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Plot Keywords:

samurai | samurai warrior | katana | jidai geki | warrior | 

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Genres:

Action | Adventure | Biography | Drama | History

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Certificate:

Not Rated

Details

Country:

Japan

Language:

Japanese

Release Date:

18 November 1955 (USA)

Also Known As:

Musashi Miyamoto

Company Credits

Production Co:

Toho Company

Technical Specs

Runtime:

93 min

Sound Mix:

Mono

Color:

Color (Eastmancolor)

Aspect Ratio:

1.33 : 1

Did You Know?

Connections

Featured in The 79th Annual Academy Awards (2007)

User Reviews

A milestone in Japanese postwar social development.

The importance of the Miyamo Musashi saga has been lost somewhat today, even in Japan. These were not just early high-quality color samurai movies, not just great films-- they were a nationwide event, and a milestone in Japanese social evolution. The early 50s were a time of postwar healing, and there were unsettled questions about the national character. The Miyamo Musashi saga used the past to dramatize issues of morality-- and, even more important at the time, morale. Japan had no problem westernizing and living under the rule of law under terms imposed by victors in war-- the knotty issue was, how much of the past do we keep alive in our daily thoughts and actions, and just how much of the real Japan, the one we remember, will our children and grandchildren inherit, once the aftermath of global war has subsided? Watch these films with such then-important issues in mind, and your experience will be deepened and enriched. All three episodes are directed by Hiroshi Inagaki and star Toshiro Mifune as Miyamoto-san, in a performance that is perfection. Miyamoto Musashi shows the young samurai aspirant as a hot-headed, imperfect man, neither hero nor monster-- but possessed of a fierce dark force that could impel him toward either outcome. The question of women looms large in this trilogy-- how to treat them, what kind of woman to honor and what kind to avoid, and just how the diametrically-opposite traits of women work in the world, whether at odds or in harmony with those of men. All these issues are played out without preachiness, in the actions of real people, well-drawn characters whom we meet and get to know before the episode ends in a series of parting of ways. (continued on the page for Ichijoji no Ketto)