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Storyline
Based on an actual strike against the Empire Zinc Mine in New Mexico, the film deals with the prejudice against the Mexican-American workers, who struck to attain wage parity with Anglo workers in other mines and to be treated with dignity by the bosses. The film is an early treatment of feminism, because the wives of the miners play a pivotal role in the strike, against their husbands wishes. In the end, the greatest victory for the workers and their families is the realization that prejudice and poor treatment are conditions that are not always imposed by outside forces. This film was written, directed and produced by members of the original "Hollywood Ten," who were blacklisted for refusing to answer Congressional inquiries on First Amendment grounds. Written by
Bob Shields <rshields@igc.apc.org>
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Taglines:
The Only Blacklisted American Film
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Did You Know?
Trivia
Because the producers feared both sabotage and destruction of the film, the exposed footage had to be developed in secret, and at night, by a sympathetic lab technician, with the film delivered in unmarked canisters.
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Goofs
When Ramon is in the bar, his hands change position several times between shots.
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Quotes
Esperanza Quintero:
[
opening narration]
How shall I begin my story that has no beginning? My name is Esperanza, Esperanza Quintero. I am a miner's wife. This is our home. The house is not ours. But the flowers... the flowers are ours. This is my village. When I was a child, it was called San Marcos. The Anglos changed the name to Zinc Town. Zinc Town, New Mexico, U.S.A. Our roots go deep in this place, deeper than the pines, deeper than the mine shaft. In these arroyos my great grandfather raised cattle before the ...
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Soundtracks
"We Shall Not be Moved"
(uncredited)
Traditional
Sung by the women on the picket line
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I had never worked a day of construction until the Summer of 2001. I applied, got hired, and immediately recieved rank of apprentice under the dumbest white guy I'd ever met. While I'm trying to learn maps and numbers, all the minorities were grouped together for the grunt work. I didn't know it, but it seems that there is a war between the whites and the Mexicans on most construction sites, and apparently the port-a-johns are used as the venue for slanderous discussion. Salt of the Earth is almost fifty years old. It illustrates inequality between whites & Chicanos, male & female, and rich & poor. Is it possible that fifty years later nothing has changed? We've achieved nothing as a human race. Sadly, this lack of achievement is what allows this film to have great meaning to modern-day viewers like myself. I've got a tag line for this movie: "Don't fight 'til the end. Fight to win."