Linus and David Larrabee are the two sons of a very wealthy family. Linus is all work -- busily running the family corporate empire with no time for a wife and family. David is all play -- technically employed in the family business but never showing up for work, spending all his time entertaining, and having been married and divorced three times. Sabrina Fairchild is the young, shy, and awkward daughter of the household chauffeur, who has been infatuated with David all her life, but whom David hardly notices till she goes away to Paris for two years and returns an elegant, sophisticated, beautiful woman. Suddenly, she finds she's captured David's attention, but just as she does so, she finds herself also falling in love with Linus, and she finds that Linus is also falling in love with her. Written by
Brian C. Madsen <firstname.lastname@example.org>
This was the second film in a row where Audrey Hepburn gets her hair cut as a symbol of maturity. The first was in Roman Holiday (1953). It is also the first of four films in a row where she'd play a character romantically linked with a man old enough to be her father. See more »
After Sabrina tells Fairchild that the moon is reaching for her, we see a shot of the moon through the trees at the Larrabee party. Directly above and to the right of the moon, you can see the strings and holes of that backdrop. See more »
Once upon a time, on the north shore of Long Island, some thirty miles from New York, there lived a small girl on a large estate. The estate was very large indeed, and had many servants. There were gardeners to take care of the gardens, and a tree surgeon on a retainer. There was a boatman to take care of the boats: to put them in the water in the spring, and scrape their bottoms in the winter. There were specialists to take care of the grounds: the outdoor tennis court ...
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Audrey Hepburn as a mousy chauffeur's daughter? Yes, and she's beguiling trying to gas herself in the garage (before quickly cracking a window) because gorgeous, rich playboy William Holden doesn't notice her. But it's nothing that a little time away in Paris won't cure... Hepburn is absolutely radiant in this picture: dark brows over big Bambi eyes, sensual, flirtatious lips, and that long, long neck. She embodies the spirit of the Cinderella heroine, and director Billy Wilder milks her gamine appeal for all the millions it is worth. Holden is blithe and lively, and Humphrey Bogart manages to make his stuffy unease rather charming. Clever, biting, romantic, sweet, this version of "Sabrina" has it all. ***1/2 from ****
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