Director Billy Wilder salutes his idol, Ernst Lubitsch, with this comedy about a middle-aged playboy fascinated by the daughter of a private detective who has been hired to entrap him with the wife of a client.
In 1930, in Belgium, Gabrielle van der Mal is the stubborn daughter of the prominent surgeon Dr. Pascin Van Der Mal that decides to leave her the upper-class family to enter to a convent, ... See full summary »
Linus and David Larrabee are the two sons of a very wealthy family. Linus is all work -- busily running the family corporate empire with no time for a wife and family. David is all play -- technically employed in the family business but never showing up for work, spending all his time entertaining, and having been married and divorced three times. Sabrina Fairchild is the young, shy, and awkward daughter of the household chauffeur, who has been infatuated with David all her life, but whom David hardly notices till she goes away to Paris for two years and returns an elegant, sophisticated, beautiful woman. Suddenly, she finds she's captured David's attention, but just as she does so, she finds herself also falling in love with Linus, and she finds that Linus is also falling in love with her. Written by
Brian C. Madsen <email@example.com>
After Sabrina tells Fairchild that the moon is reaching for her, we see a shot of the moon through the trees at the Larrabee party. Directly above and to the right of the moon, you can see the strings and holes of that backdrop. See more »
Once upon a time, on the north shore of Long Island, some thirty miles from New York, there lived a small girl on a large estate. The estate was very large indeed, and had many servants. There were gardeners to take care of the gardens, and a tree surgeon on a retainer. There was a boatman to take care of the boats: to put them in the water in the spring, and scrape their bottoms in the winter. There were specialists to take care of the grounds: the outdoor tennis court ...
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'Sabrina' looks at first glance to be one of those rags to riches tales, as Audrey Hepburn's chauffeur's daughter takes herself to Paris and comes back a sophisticated young lady. However, she isn't the one who undergoes the most striking transformation in this charming romantic comedy.
William Holden plays the playboy son of the house (and he could probably have done this kind of role in his sleep) while Humphrey Bogart of all people plays his crusty business-focused older brother. Bogart is surprisingly good in this in a rare foray into comedy. Hepburn of course is just luminous. John Williams, as Hepburn's deadpan snobby chauffeur father is good fun, as is Ellen Corby (grandma from 'The Waltons') as Bogart's secretary. And how nice to see 1910s movie idol Francis X Bushman in one of his later character roles (as the father of Holden's intended).
This Billy Wilder movie compares well with his more cited titles such as 'The Seven-Year Itch', 'Some Like It Hot', 'Sunset Blvd.', and 'The Lost Weekend'. It is also much better than the remake with Harrison Ford which limped out in recent years.
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