It's no holds barred for Julian in pursuit of upward mobility. Although expected to channel career aspirations into the Church of the post- Napoleonic era, his intensely romantic liaisons ... See full summary »
Juliette Merteuil and Valmont is a sophisticated couple, always looking for fun and excitement. Both have sexual affairs with others and share their experiences with one another. But there ... See full summary »
The first to die in an epidemic of meningitis in Vera Cruz is a French tourist. His wife Nellie, detached and indifferent, feels little grief and realizes that her coldness is her own doom.... See full summary »
Rafael E. Portas
Carlos López Moctezuma
Biographic movie about the last year of the famous Italian painter Modigliani. Modigliani, a poor painter in Paris of 1919, falls in love with a daughter from a wealthy family. Her parents ... See full summary »
Muichkine, a young Russian prince, returns home to St. Petersburg from a mental institution, determined to spread decency and kindness in the harsh and cruel world. He becomes betrothed to ... See full summary »
It's no holds barred for Julian in pursuit of upward mobility. Although expected to channel career aspirations into the Church of the post- Napoleonic era, his intensely romantic liaisons propel him forward at a pace he cannot control. Written by
After Marlon Brando had finished his stage commitment to "Streetcar Named Desire," Claude Autant-Lara wanted the young actor, who had not yet made a movie, for "The Red and the Black." He paid for Brando's transportation to Paris to meet with him. Although Brando loved the French capitol, plans for the movie were delayed, and the film was not made until 1954 with Gerard Philipe. See more »
Claude Autant-Lara had intended a three and a half hours movie,but the producers were not prepared to accept it;two shows a day was not profitable for an expensive movie filmed in color ,which was rare in France of the fifties;the precedent user was probably right when he wrote about the producers'cuts .SO the movie was divided into two parts ; the audience had to come twice (and to pay twice of course!) Autant-Lara was an auteur:his then anti-clericalism ,anti-militarism and he held in contempt the bourgeoisie (no Chabrol did not invent it,nor the N.V),hypocrisy and so called sacred values ."Douce" and "LE Diable Au Corps,among others,had already been released .The story like,romantic ,human side of the novel is almost absent .Madame De Rénal (who could remind the viewers of the female role of "Le Diable Au Corps" and mainly Mathilde De La Môle are relegated to supporting parts:and however they are played by Danielle Darrieux and Italian beauty Antonella Lualdi (co-production outcome)!The director and his screenwriters,Bost and Aurenche focused on the social side :Julien,a carpenter's son,dreams of social promotion ,but he does not belong there ,in the world of privileged persons ,protected by the Red (the army) and the Black (religion) .He puts his head in the guillotine because he is an intruder under the very reactionary reign of Charles the Tenth,like the young student of "Diable" or the proletarian couple of "Douce"....and later the conscientious objector in "Tu Ne Tueras Point".
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