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Rouge et noir (1954)

Le rouge et le noir (original title)
It's no holds barred for Julian in pursuit of upward mobility. Although expected to channel career aspirations into the Church of the post- Napoleonic era, his intensely romantic liaisons ... See full summary »

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(novel), | 2 more credits »
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3 wins. See more awards »
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Cast

Credited cast:
...
...
Antonella Lualdi ...
Jean Mercure ...
Jean Martinelli ...
M. de Rénal
...
Anna-Maria Sandri ...
Elisa
André Brunot ...
Mirko Ellis ...
Suzanne Nivette ...
Marquise de la Mole
Pierre Jourdan ...
Jacques Varennes ...
Le président du tribunal
Rest of cast listed alphabetically:
Jean-Marie Amato ...
Le bottier
Jacques Beauvais
Robert Berri ...
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Storyline

It's no holds barred for Julian in pursuit of upward mobility. Although expected to channel career aspirations into the Church of the post- Napoleonic era, his intensely romantic liaisons propel him forward at a pace he cannot control. Written by <incite@netwiz.net>

Plot Summary | Add Synopsis

Genres:

Drama | Romance

Certificate:

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Details

Country:

|

Language:

Release Date:

8 April 1958 (USA)  »

Also Known As:

Rouge et noir  »

Company Credits

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Technical Specs

Runtime:

| (longer) | (New York opening)

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

After Marlon Brando had finished his stage commitment to "A Streetcar Named Desire," Claude Autant-Lara wanted the young actor, who had not yet made a movie, for "The Red and the Black." He paid for Brando's transportation to Paris to meet with him. Although Brando loved the French capitol, plans for the movie were delayed, and the film was not made until 1954 with Gérard Philipe. See more »

Connections

Version of The Secret Courier (1928) See more »

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User Reviews

The Army and the Church
6 February 2012 | by See all my reviews

Claude Autant-Lara had intended a three and a half hours movie,but the producers were not prepared to accept it;two shows a day was not profitable for an expensive movie filmed in color ,which was rare in France of the fifties;the precedent user was probably right when he wrote about the producers'cuts .SO the movie was divided into two parts ; the audience had to come twice (and to pay twice of course!) Autant-Lara was an auteur:his then anti-clericalism ,anti-militarism and he held in contempt the bourgeoisie (no Chabrol did not invent it,nor the N.V),hypocrisy and so called sacred values ."Douce" and "LE Diable Au Corps,among others,had already been released .The story like,romantic ,human side of the novel is almost absent .Madame De Rénal (who could remind the viewers of the female role of "Le Diable Au Corps" and mainly Mathilde De La Môle are relegated to supporting parts:and however they are played by Danielle Darrieux and Italian beauty Antonella Lualdi (co-production outcome)!The director and his screenwriters,Bost and Aurenche focused on the social side :Julien,a carpenter's son,dreams of social promotion ,but he does not belong there ,in the world of privileged persons ,protected by the Red (the army) and the Black (religion) .He puts his head in the guillotine because he is an intruder under the very reactionary reign of Charles the Tenth,like the young student of "Diable" or the proletarian couple of "Douce"....and later the conscientious objector in "Tu Ne Tueras Point".


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