In the bordertown of San Pablo, preparing for an annual 'Mexican Fiesta,' arrives Gagin: tough, mysterious and laconic. His mission: to find the equally mysterious Frank Hugo, evidently for... See full summary »
Horace Vendig shows himself to the world as a rich philanthropist. In fact, the history of his rise from his unhappy broken home shows this to be far from the case. After being taken in by ... See full summary »
Robert Taylor and Eleanor Parker star as a Kentucky backwoodsman and the woman who will NOT let anything interfere with her plans to marry him in this humorous romantic adventure through the American Frontier of 1798.
Detective Chris Kelvaney has a brother, Eddie, who also is a policeman. He witnessed a murderer running away from the scene of the crime. Chris has contacts with the gangster Beaumonte, who is willing to pay $15,000 if Eddie withdraws his testimony. But Eddie is an honorable cop and refuses. Beaumonte makes sure that Eddie is killed. After his death, Kelvaney starts to track down his brother's killer. Written by
When Father Ahearn comes to the police station to talk to Chris, he puts his right hand on Chris's left shoulder in the over-the-shoulder shot, but the cut to the master reveals his left hand on Chris's right shoulder. See more »
Det. Sidney Y. Myers:
Do me a favor will ya crud? When homicide questions ya get stuffed... show 'em how tough ya are: make em beat it outta ya, eh?
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A hard-edged, gritty, violent little crime drama from, of all studios, MGM! Probably the closest that studio ever came to a noir thriller, only the overall gloss gives it away as an MGM film (guess they just couldn't help themselves); otherwise it could well have come from Warners or RKO. Robert Taylor is in top form as a hardened detective who has been immersed for so long in the seedy, seamy world of big-city crime that he finally succumbs to its corruption and is even tempted to sell out his younger brother, who is also a policeman. George Raft as the slimy crime boss, Janet Leigh as his brother's pretty, sweet (but hardly naive) fiancé, Robert Ellenstein (in a standout performance) as his partner and friend who doesn't want to see Taylor become the kind of lowlife he's always hated, all combine with a Chandler-esqe script by Sydney Boehm, tough, no-nonsense direction from Roy Rowland (a reliable but somewhat stolid director of mainly westerns and musicals) and a violent, action-filled climax to make this a must-see for noir fans. Highly recommended.
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