The titular river unites a farmer recently released from prison, his young son, and an ambitious saloon singer. In order to survive, each must be purged of anger, and each must learn to understand and care for the others.
When billionaire Jean-Marc Clement learns that he is to be satirized in an off-Broadway revue, he passes himself off as an actor playing him in order to get closer to the beautiful star of the show, Amanda Dell.
Showgirls Lorelei Lee and Dorothy Shaw travel to Paris, pursued by a private detective hired by the suspicious father of Lorelei's fiancé, as well as a rich, enamored old man and many other doting admirers.
Matt Calder, who lives on a remote farm with his young son Mark, helps two unexpected visitors who lose control of their raft on the nearby river. Harry Weston is a gambler by profession and he is racing to the nearest town to register a mining claim he has won in a poker game. His attractive wife Kay, a former saloon hall girl, is with him. When Calder refuses to let Weston have his only rifle and horse, he simply takes them leaving his wife behind. Unable to defend themselves against a likely Indian attack, Calder, his son and Kay Weston begin the treacherous journey down the river on the raft Weston left behind. Written by
Roughly a decade after the film was made, Marilyn Monroe claimed this was her worst film, and Otto Preminger spoke bitterly about her in numerous interviews. It wasn't until January 1980, when being interviewed for the New York Daily News, that he conceded, "She tried very hard, and when people try hard, you can't be mad at them." See more »
The chords Kay plays on the guitar do not match the chords necessary for that particular song. See more »
Beautiful scenery. Oh, and the mountains looked good, too.
Beautiful scenery. Oh, and the mountains looked good, too. A really good part for Marilyn Monroe. It gave her a chance to be more than just a sexpot, and she pulled it off. A young Robert Mitchum was very good, with his usual quiet masculinity. He seemed a little unused to the horse, however, in an early scene. I thought the film would have been better if it had ended about 30 seconds earlier than it did. Another note: back in those days Hollywood could portray Indians as implacably hostile, without the political correctness required now. Refreshing. Overall a pretty decent flick.
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