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Riot in Cell Block 11 (1954)

Not Rated  |   |  Crime, Drama, Film-Noir  |  28 February 1954 (USA)
7.0
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Producer Walter Wanger, who had just been released from a prison term after shooting a man he believed was having an affair with his wife, wanted to make a film about the appalling ... See full summary »

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Title: Riot in Cell Block 11 (1954)

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Nominated for 2 BAFTA Film Awards. Another 1 nomination. See more awards »
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Cast

Cast overview, first billed only:
...
James V. Dunn
Emile Meyer ...
Warden Reynolds
...
Commissioner Haskell
Leo Gordon ...
Crazy Mike Carnie
Robert Osterloh ...
The Colonel
Paul Frees ...
Monroe
...
Reporter
Alvy Moore ...
Gator
...
Schuyler
...
Snader
James Anderson ...
Guard Acton
Carleton Young ...
Guard Captain Barrett
Harold J. Kennedy ...
Reporter
...
Reporter
Jonathan Hole ...
Reporter Russell
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Storyline

Producer Walter Wanger, who had just been released from a prison term after shooting a man he believed was having an affair with his wife, wanted to make a film about the appalling conditions he saw while he was incarcerated. He got together with director Don Siegel and they came up with this film, in which several prison inmates, to protest brutal guards, substandard food, overcrowding and barely livable conditions, stage an uprising, in which most of the inmates join, and take several guards hostage. Negotiations between the inmates and prison officials are stymied, however, by politicians interfering with the prison administration, and by dissension and infighting in the inmates' own ranks. Written by frankfob2@yahoo.com

Plot Summary | Add Synopsis

Taglines:

FILMED ON THE SPOT BEHIND PRISON WALLS! (original print ad - all caps) See more »

Genres:

Crime | Drama | Film-Noir

Certificate:

Not Rated | See all certifications »
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Details

Country:

Language:

Release Date:

28 February 1954 (USA)  »

Also Known As:

Les révoltés de la cellule 11  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

At the time this was produced (1953-1954, the Production Code was in full force. The Code prohibited any direct references to homosexuality. That is why the dialog subtly refers to keeping young prisoners away from "certain prisoners." See more »

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User Reviews

Still Relevant Story of How Prisons Work
14 September 2014 | by (Claremont,USA) – See all my reviews

Hook the 80-minutes to a generator and LA would light up for a week. Staging action at Folsom Prison replete with their convicts was a real coup. But the action is not meaningless or action for its own sake. Instead the raw physicality underlines sheer frustration and tactical maneuvering between fed-up cons and hamstrung officials. Prison conditions are woeful, while administrators have little money to fix them. So now there's a trash filled riot raining down. Still, it's the 1950's, so don't expect language or conduct that's too explicit

Surprisingly, there are no heroes on either side, nor is anyone particularly likable. And thank goodness, movie stars were not hired for the leads. That would have gotten in the way of the message. Instead, it's a familiar if no-name cast. But Brand and Gordon are chillingly perfect in their tough-guy roles, while Meyer delivers subtly as the conflicted warden.

Also, don't expect one side or the other to be vindicated. Instead, both are shown as on the receiving end of a John Q. Public that basically doesn't care what prison conditions are like or what it takes to maintain them. That's the movie's point—to alert the public of the time as to why prison riots occur. And also, to humanize the cons without sugar coating them.

Essentially leaders on both sides act rationally given their aims and needs. (Except for Crazy Mike who should be institutionalized.) Director Siegel films in fairly straightforward style, putting camera emphasis where it belongs. On the whole, there may be more theatrical or bigger budget prison movies, e.g. Brute Force (1948). But none reveals more about dynamics between state, warden, guards, and cons. Besides it's a heckuva compelling movie despite the passing decades. And thanks producer Wanger for turning your own stint in jail into a public benefit.


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