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Riot in Cell Block 11 (1954)

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Producer Walter Wanger, who had just been released from a prison term after shooting a man he believed was having an affair with his wife, wanted to make a film about the appalling ... See full summary »

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Title: Riot in Cell Block 11 (1954)

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Nominated for 2 BAFTA Film Awards. Another 1 nomination. See more awards »
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Cast

Cast overview, first billed only:
...
James V. Dunn
Emile Meyer ...
Warden Reynolds
...
Commissioner Haskell
Leo Gordon ...
Crazy Mike Carnie
Robert Osterloh ...
The Colonel
Paul Frees ...
Monroe
...
Reporter
Alvy Moore ...
Gator
...
Schuyler
...
Snader
James Anderson ...
Guard Acton
Carleton Young ...
Guard Captain Barrett
Harold J. Kennedy ...
Reporter
...
Reporter
Jonathan Hole ...
Reporter Russell
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Storyline

Producer Walter Wanger, who had just been released from a prison term after shooting a man he believed was having an affair with his wife, wanted to make a film about the appalling conditions he saw while he was incarcerated. He got together with director Don Siegel and they came up with this film, in which several prison inmates, to protest brutal guards, substandard food, overcrowding and barely livable conditions, stage an uprising, in which most of the inmates join, and take several guards hostage. Negotiations between the inmates and prison officials are stymied, however, by politicians interfering with the prison administration, and by dissension and infighting in the inmates' own ranks. Written by frankfob2@yahoo.com

Plot Summary | Add Synopsis

Plot Keywords:

inmate | prison | guard | hostage | politics | See more »

Taglines:

FILMED ON THE SPOT BEHIND PRISON WALLS! (original print ad - all caps) See more »

Genres:

Crime | Drama | Film-Noir

Certificate:

Not Rated | See all certifications »
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Details

Country:

Language:

Release Date:

28 February 1954 (USA)  »

Also Known As:

Les révoltés de la cellule 11  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Producer Walter Wanger served a four-month prison term for shooting agent Jennings Lang, whom he suspected of having an affair with his wife Joan Bennett. The experiences he had in prison so unnerved him that upon his release he resolved to make a film about what prison was "really" like, not the typical Hollywood prison film made by people who had never been anywhere near a prison or who had never had any experience with the justice system. He shot the film at California's Folsom Prison and used both guards and inmates as extras and technical advisers. Wanger's cast and crew also differed from the Hollywood "norm"; among them were actor Neville Brand, decorated Army veteran of WW II who earned a Silver Star in the Allied European campaign; actor Leo Gordon, another combat veteran who had once served a stretch in Folsom Prison for armed robbery; and then-production assistant Sam Peckinpah, whose father, Denver Peckinpah, was a widely known and respected law-and-order judge in northern California (and whose name alone was enough to get the warden to allow the film to be shot in Folsom). See more »

Connections

Edited into Crashout (1955) See more »

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User Reviews

 
Not to be confused with 'Prisoner Cell Block H'.
8 January 2001 | by (Isle of Man) – See all my reviews

Gritty, realistic, semi-documentary style, early film from Don Siegel - two years before 'Invasion of the Body Snatchers'. Essentially a social comment film about the poor conditions in prisons, 'Riot in Cell Block 11' doesn't force its point with cliches and manages to be an effective 'B' Movie.

The storyline starts quickly with a group of prisoners taking their warders hostage and barricading themselves in their cell block. Narrative then follows the proceedings to their conclusion, the action never straying from the prison itself.

Film succeeds mainly as a result of not having any forced characters - none of the prisoners are particularly likable and there are none of the usual dumb characterisations usually found in prison movies. The various authority figures deal with the situation they are presented with in a matter of fact way, and the films stark style remains through to the end.

As I was watching 'Riot in Cell Block 11' I was dreading some wise old sage prisoner coming out of the woodwork, due for parole the following week, who was somehow going to contrive to get himself shot just as the riot was coming to a close, to enjoy a lengthy death scene in someone's arms. Thank goodness nothing like this occurs.

Film made me think of 'Killer's Kiss', in that they are both 1950's low-budget movies with great potential, from a soon-to-be famous director. 'Riot in Cell Block 11' succeeds in all areas, and while its targets may be low it certainly deserves more recognition.


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