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Riding Shotgun (1954)

Approved  |   |  Western  |  6 January 1955 (Finland)
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Ratings: 6.6/10 from 544 users  
Reviews: 20 user | 5 critic

When a stagecoach guard tries to warn a town of an imminent raid by a band of outlaws, the people mistake him for one of the gang


(as Andre de Toth)


(screenplay) (as Tom Blackburn) , (story)
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Complete credited cast:
Larry Delong
Deputy Sheriff Tub Murphy
Orissa Flynn
Joe Sawyer ...
Tom Biggert
James Millican ...
Dan Marady
Pinto (as Charles Buchinsky)
James Bell ...
Doc Winkler
Fritz Feld ...
Richard Garrick ...
Vic Perrin ...
Bar-M Rider with Lynching Rope (as Victor Perrin)
John Baer ...
Deputy Ross Hughes
William Johnstone ...
Col. Flynn


After members of his family are killed by the Maraday Gang during a stagecoach robbery, Larry Delong takes a job as stage guard in hopes that he will meet up with the outlaws. After he is captured by the bandits, his shot-up stage is returned to the town by the gang in order to draw the authorities out of town. After being left for dead, Delong escapes to warn the townspeople of an imminent raid by the outlaws. They don't believe his story and, in fact, accuse him of complicity in the stage robbery, tasking the town's remaining deputy with arresting him. A besieged Delong hides out in a local saloon before making his next move. Written by Gabe Taverney (

Plot Summary | Add Synopsis




Approved | See all certifications »




Release Date:

6 January 1955 (Finland)  »

Also Known As:

Dieser Mann weiß zuviel  »

Company Credits

Production Co:

Show detailed on  »

Technical Specs


Sound Mix:

(RCA Sound System)



Aspect Ratio:

1.37 : 1
See  »

Did You Know?


When the shot-up stagecoach arrives in town with a supposedly dead driver slumped in his seat, he visibly sits up enough in order to control and stop the horses. See more »


Larry Delong: [interior monologue] I could have taken that shotgun away from Lewellyn and wrapped it around his fat ears, but it might have meant shooting some misguided people who might have thought the right thing was to keep me in town. There was only one person left who might help me: Fritz, who ran a dirty little cantina which few self-respecting people ever entered. He'd do anything for a fast dollar.
See more »


Referenced in The Dangerous (1995) See more »

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User Reviews

Randy Remounts Once More...
5 January 2012 | by ( – See all my reviews

Larry DeLong (Randolph Scott) is a man on a mission to bring to justice Dan Marady (James Millican) and his band of outlaws (who include a young Charles Bronson – then Buchinsky – amongst their number). So determined is he that he's riding shotgun on the stagecoach hoping Marady will strike. Marady's just as obsessed with his pursuer and, with an ease that makes you wonder whether ol' Randy isn't starting to slip, tricks our hero into a trap. Left to die by Marady's men, DeLong manages to escape (managing somehow not to shoot himself in the back of the head while doing so) and returns to warn the local townsfolk only to find that they suspect him of being one of the gang, and of trying to throw them off the trail of his mates.

As with most of Scott's films, Riding Shotgun is a reasonably entertaining Western shot on a modest budget, although enhanced perhaps by Andre De Toth's direction. The story's a little silly at times, with villains who take the time to explain to their victim exactly what it is they plan to do after he is dead so that, when he defies death – as Randy invariably did back then – he knows exactly what he has to do to foil their plot. The difference with this one is that he's largely impotent against the suspicion and mistrust of the well-meaning townsfolk, and spends much of the time unsuccessfully attempting to convince them that the bad guys are coming back into town to knock off the casino now that all the town's able-bodied men have formed a posse to chase a phantom gang of stagecoach robbers.

The film is reminiscent of High Noon in a way, although on an obviously much smaller scale, in that it pits a single man against an entire town. But in this case, the single man is a victim of mistrust and rumour, and his every move, no matter how innocent or well-meaning, is repeatedly misconstrued as something altogether more sinister. A better writer would have injected a lot more tension into the plot, but Randy was almost always whiter-than-white in his movies so there's not a lot of room to explore personality flaws that simply don't exist, and there's never any danger that DeLong just might lose his patience.

Decent enough then, but not one of Scott's best.

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