Rear Window (1954) - News Poster



"The Alfred Hitchcock Collection" Blu-ray Set From Universal

  • CinemaRetro
Universal has released a highly impressive Blu-ray set, "The Alfred Hitchcock Collection", on Blu-ray. The set contains fifteen special editions of the Master's top films as well as ten original episodes of "The Alfred Hitchcock Presents" television series. The set is packed with 15 hours of bonus extras and includes an illustrated, 58-page collector's booklet with extremely rare international poster art and film stills. Films included in the set are:

Psycho The Birds Vertigo Rear Window North by Northwest The Man Who Knew Too Much (1956 version) Marnie Saboteur Shadow of a Doubt Rope The Trouble with Harry Topaz Frenzy  Torn Curtain Family Plot


Holiday gifts like this don't get any more impressive (or sinister) for the movie lover in your life.

Click Here To Order From Amazon
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Interview: Co-Writer/Director Dennis Bartok on Tapping into the Horrors of Nails with Shauna Macdonald

  • DailyDead
Dark Sky Films is set to release Dennis Bartok’s directorial debut, Nails, today on VOD, which features The Descent’s Shauna Macdonald doing battle with an evil entity that is stalking her in the hospital after she’s been laid up following a horrific accident that leaves her trapped in her own bed, unable to communicate with the outside world. Daily Dead recently spoke to Bartok about the project, and he discussed how his own experiences inspired the story of Nails, what it was like to collaborate with Macdonald, and more.

Great to speak with you, Dennis. Nails almost feels like a fairy tale meets an X-Files episode, particularly this character of Donnie Pfaster, who was this guy who collected fingernails. I just thought it was kind of interesting the way that you rounded out the mythology of the character of Nails with that, and then it all played
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Made in England: Three Classics by Powell and Pressburger

  • MUBI
Mubi is showing Michael Powell and Emeric Pressburger's The Small Back Room (1949), The Tales of Hoffmann (1951) and Michael Powell's Peeping Tom (1960) in November and December, 2017 in the United States in the series Powell & Pressburger: Together and Apart.The story goes that when they were casting their first flat-out masterpiece together, The Life and Death of Colonel Blimp (1943), Michael Powell and Emeric Pressburger sent a letter to an actress outlining a manifesto of their production company, called "the Archers." At the time, the Archers was freshly incorporated, with Powell and Pressburger sharing all credit for writing, directing, and producing, and their manifesto had five points. Point one was to ensure that they provided their financial backers with "a profit, not a loss," which may raise eyebrows among those who are used to manifestos burning with anti-capitalist fire—but then, in a system like commercial cinema, profitability buys freedom.
See full article at MUBI »

The Killer is Loose

Psycho killers long ago lost their novelty, but in 1956 Budd Boetticher and Wendell Corey gave us Leon ‘Foggy’ Poole, a screen original with limitless appeal. Imagine a time when ‘normalcy’ was so taken for granted that any weird behavior was enough to give us the chills? Foggy carries this crime potboiler with a refreshing new idea: his dangerous maniac looks more normal than normal people.

The Killer Is Loose



1956 / B&W / 1:85 widescreen / 76 min. / Street Date June 13, 2017 / 29.98

Starring: Joseph Cotten, Rhonda Fleming, Wendell Corey, Alan Hale Jr., Michael Pate, John Larch, Dee J. Thompson, Virginia Christine.

Cinematography: Lucien Ballard

Original Music: Lionel Newman

Written by Harold Medford, story by John & Ward Hawkins

Produced by Robert L. Jacks

Directed by Budd Boetticher

A smartly directed mid-fifties noir with a sensational central performance from the overlooked Wendell Corey, The Killer is Loose shows director Budd Boetticher at ease with a modest budget,
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Review: The Snowman (2017)

Ever looked at something and thought where did it all go wrong? Sometimes a movie has everything going for it, a great concept, a great cast, a great crew and some stunning ideas and then it just flat out does not work. Remember Hancock and how it derailed? Or Neveldine/Taylor’s Ghost Rider: Spirit of Vengeance? Well, I’m sad to report that director Tomas Alfredson’s (Tinker Tailor Soldier Spy, Let The Right One In) adaptation of Jo Nesbø’s novel The Snowman is a real disappointment to fans of the book and newcomers alike.

From the bleak first scene to the impressive who’s who opening credits backed by Marco Beltrami’s unnerving scoring (which practically melts away into unremarkable territory after this point), this is a film that looks like it could have that lingering Scandinavian Drama/Thriller inspired chill and a real horrific thrill. A
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Lumière’s International Classic Film Market Focuses on Heritage Films in Greece, Hungary, Latvia

Lumière’s International Classic Film Market Focuses on Heritage Films in Greece, Hungary, Latvia
Lyon, France — Lyon’s International Classic Film Market brought into focus the opportunities and challenges of heritage film in Greece, Hungary and Latvia on Wednesday, presenting stark differences in the three territories.

Greece’s heritage film sector, while a niche market, can be vibrant if handled correctly, according to Spyros Damianakis, managing director of Athen-based boutique distributor Neo Films.

“There is a market in Greece for classical films and this year we decided to jump in,” Damianakis said.

Neo Films, whose current contemporary releases include Gabe Klinger’s “Porto,” starring the late Anton Yelchin, and Joshua Z Weinstein’s “Menashe,” released the 1954 Marlon Brando-starrer “On the Waterfront” and Luc Besson’s 1988 “The Big Blue” this summer – the key season in Greece for classic films, which draw crowds to open-air cinemas.

Cinema-going habits change drastically from summer to winter, Laetitia Kulyk, audiovisual attaché at Greece’s Institut Français, explained. Multiplexes focusing on mainstream blockbusters dominate the winter
See full article at Variety - Film News »

Catalog From The Beyond: Road Games (1981)

  • DailyDead
I’m not sure if you heard, but there was a minor announcement made recently that Jamie Lee Curtis will be reprising her role as Laurie Strode in Blumhouse’s upcoming installment to the Halloween franchise. While the majority of the response has been positive, there have been some concerns, such as the need to once again retcon the series to resurrect Laurie Strode as well as the usual skepticism about the need for another Halloween movie. While I understand these concerns, I do have a retort: they’re bringing back Jamie Lee freaking Curtis.

This woman is the highlight of anything she’s in, be it one of her many turns in horror flicks, starring roles in big-budget action movies like True Lies, or even just a guest spot on New Girl. I’d slap down ten bucks to watch this woman fold laundry. And I have to say,
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Alfred Hitchcock – Opening Day

Marty Melville, an itinerant collector of arcane movie ephemera, wandered the wilderness of the internet lo these many years till one day he vanished with little but a geiger counter and an empty bottle of Blatz to mark his exit. Now he’s back among friends at Trailers From Hell. As you’ll see, all he needs is a good ad mat and he’ll be a happy spelunker. We hope you enjoy the humble results of his pursuits.

This week, a look at a few of Hitchcock’s opening days.

Rebecca – Thursday, March 28, 1940 / Foreign Correspondent – Tuesday, August 27, 1940

Shadow of a Doubt – January 12, 1943 / Notorious – Thursday, August 15, 1946

Strangers On a Train – Tuesday, July 3, 1951 / Rear Window – Wednesday, August 4, 1954

Tuesday, May 15, 1956 / Vertigo – Wednesday, May 28, 1958 (with some vampire movie hogging the limelight)

North By Northwest – Thursday, August 6, 1959 / Psycho – Thursday, June 16, 1960

See full article at Trailers from Hell »

Alfred Hitchcock is Getting His Own Action Figure

Alfred Hitchcock is Getting His Own Action Figure
You can now own the “Master of Suspense” in plastic form. Appearing at the ongoing New York Comic-Con is the first look at ReAction’s new Halloween line, which includes this magnificent throwback Alfred Hitchcock figurine. Turn him to his side and celebrate his films that include Psycho, Rear Window, Vertigo, Strangers on a Train, and […]
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Rushes. New Trailers, Soviet Silent Masterpieces, Frances McDormand

  • MUBI
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.Recommended VIEWINGThe second arresting trailer has arrived for Yorgos Lanthimos' latest, The Killing of a Sacred Deer, his second English language film, starring Colin Farrell and Nicole Kidman. Read review of the film from the Cannes Film Festival here.We admired Alex Garland's feature debut, Ex Machina, and interviewed its product designer. Hence why we're all the more excited for his forthcoming deep dive into sci-fi, Annihilation, adapted from Jeff VanderMeer's wonderfully eerie novel.The first look at Woody Allen's Wonder Wheel, starring Kate Winslet and Justin Timberland and shot by the legendary Vittorio Storaro. Finally, the trailer for Ryusuke Hamaguchi's luminous melodrama Happy Hour. Read our rave review from our coverage of the Locarno Festival in 2015.Paul Thomas Anderson's collaboration with Haim continues with yet another breathlessly staged and lensed music video.
See full article at MUBI »

American Horror Story: Cult Recap: You Are the Weakest Link, Goodbye

American Horror Story: Cult Recap: You Are the Weakest Link, Goodbye
American Horror Story‘s titular Cult is down a member after Tuesday’s episode, though a surprising(ish) addition has emerged to take their place.

RelatedLast Week’s Cult Recap: Blue-Haired Man Group

The roster-changing episode begins with Bob and Beverly — whose names, in any other context, would sound like the title of an old-school sitcom — arguing over her sensationalized reporting of the serial killings. (To be fair, her latest news package does feel like one of The Soup‘s classic Inside Edition parodies.) Beverly attempts to save her job by reminding Bob that she knows he was boning Serena before she died (Rip,
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Halloween 2017: 31 Movies to Watch on Netflix This October

  • DailyDead
Happy October, boils and ghouls! Now that our favorite month has officially kicked off, that means many of us are putting together a list of must-watch movies to get into the Halloween spirit. With that in mind, this writer has once again pulled together a varied list of 31 (well, technically more than 31, but who can resist cheating a bit when it comes to horror movies?) films that are currently streaming on Netflix that should undoubtedly get you primed for the big day on October 31st.

It’s worth noting that several great titles not included on this list are making their way to Netflix during October that would also make for great Scary Movie Month additions, including Cult of Chucky on 10/3, Raw on 10/4, and the Stephen King adaptation 1922 on 10/20, with season 2 of Stranger Things kicking off on 10/27.

Happy viewing, everyone, and look for more Halloween-related articles coming your way all month long,
See full article at DailyDead »

Drive-In Dust Offs: Body Double (1984)

  • DailyDead
Brian DePalma has always come under the gun of the Movie Police, whether it’s for charges of Hitchcock “homages” or misogynistic attitudes towards his female characters. Well round up the paddy wagons for Body Double (1984), the clever thriller that mixes Vertigo, Rear Window, and the adult film industry into one heady stew that audiences took a hard pass on at the time. Maybe it was too classy?

Released in late October by Columbia Pictures, Body Double returned less than its $10 million budget and garnered the same mixed reviews that followed DePalma around for most of his career. (For those keeping count, Ebert gave it a three and a half star review; did his appreciation of the female form inform his opinion? Discuss amongst yourselves.) Regardless of its box office demise, Body Double lives on as one of DePalma’s cleverest magic tricks, a cinematic sleight of hand gussied up in fishnets and mirrored ceilings.
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Film Review: ‘The Great Buddha+’

Film Review: ‘The Great Buddha+’
Two small-town nobodies who get cheap thrills from car dash-cam videos lay eyes on more than they can handle in “The Great Buddha+,” a mordant black comedy that’s a digital-era homage to “Rear Window.” Sporting an ingeniously cinematic concept that’s nimbly executed by writer-director Huang Hsin-yao and producer-dp Chung Mong-hong, this ballad of sad losers mixed with satire on parochial politics is convulsively funny yet uncompromisingly bleak, bridging art with entertainment. Arguably the best film to emerge from a year of exciting resurgence in Taiwan, which hasn’t produced an independent film that addresses themes both local and global in some time, “Buddha” swept the board at the Taipei Film Awards, and should be blessed with numerous festival invitations.

A documentary filmmaker with several awards under his belt, Huang caught the eye of auteur Chung Mong-hong (“Godspeed,” “Soul”) with his first fiction short, after which Chung offered to produce as well as shoot a feature-length
See full article at Variety - Film News »

San Sebastián Review: ‘The Motive’ is a Smart Spanish Comedy

Writer’s block as a theme has given us subversive movies like Barton Fink and Adaptation, films that visualize creative impasse through contorted narratives and stylized cinema. The Motive (El Autor), a smart Spanish comedy from director Manuel Martín Cuenca, doesn’t get close in quality to those stand-out films, but in echoing Deconstructing Harry or Charlie Kaufman’s Synecdoche, New York, it deftly shows that the dividing line between fact and fiction has always been blurred.

Javier Gutiérrez is Álvaro, a notary in the southern Spanish city of Seville and a wannabe novelist who elevates his hum-drum life for years at a creative writing evening class where his amateurish writing is given short shrift by his irascible tutor (a great Antonio de la Torre).

His life is quickly overturned when his wife Amanda’s (Maríá León) debut novel becomes an overnight hit on the best-seller lists, and his ambitions
See full article at The Film Stage »

‘It’ is a Box Office Sensation — But ‘It’ is Not the Record Breaker Everyone Thinks

  • Indiewire
‘It’ is a Box Office Sensation — But ‘It’ is Not the Record Breaker Everyone Thinks
Full credit where “It” is due: Currently standing at $266 million through its third weekend, “It” is a stunning success and boosted a domestic box office in serious crisis. A reasonable estimate, if somewhat conservative, is a domestic gross around $325 million.

All this, from a September horror film made for $35 million? That’s a stunning performance. And it’s by far the best-performing Stephen King adaptation. But it’s far from the top horror movie in history.

At $325 million, here’s where “It” will stand in adjusted totals:

Horror films The Exorcist (1973) – $983 million The Sixth Sense (1999) – $512 million House of Wax (1953) – $449 million Psycho (1960) – $379 million Signs (2002) – $345 million It (2017) – $325 million (projected)

House of Wax” was by far the biggest 3D hit in that technique’s first wave. “The Exorcist” is the ninth biggest-grossing of the post-silent era and a social phenomenon in its time. M. Night Shyamalan’s films both had high-end casts and
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Listen to The Walking Dead ’Cast Discuss Alfred Hitchcock’s Rear Window and the Latest Walking Dead News

  • DailyDead
With the return of Fear The Walking Dead right around the corner and The Walking Dead Season 8 not far behind, The Walking Dead ’Cast team has a lot of living dead news to dive into on the latest episode of their podcast, which also includes an in-depth discussion on Alfred Hitchcock's Rear Window.

From The Walking Dead ’Cast: "Tons of Walking Dead news in this ep, and Karen and I had a lot of fun getting back to podcasting basics this week, so you should listen even if you don't care about Alfred Hitchcock movies.

If you appreciate what we do and want to help support us and keep all this going, please check out our Patreon page at Some awesome rewards at all levels!

If you’d like to give us a call, you can call us at (650) 485-3323 or email

You can
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Making the Simple Great: The Power of a Top Director

Tom Jolliffe on the power of a top director…

We’ve all seen great directors deliver complex films, perhaps sprawling with ideas and scope. Perhaps an engrossing retelling of an event in history. A director like Christopher Nolan has spent almost his entire career on weaving complex and intricately stranded high concept films. It takes a good director to do the films he does. No question.

By the same token, there’s a big difference between a great director and a functional director. I think that can often be best illustrated in a film with a simple concept. Take a film for example, which in the context of a directors CV is fairly lithe. A lot of great directors have at least one in their filmography. In the case of Steven Spielberg’s Duel, it was the film that first brought him to attention. The film runs on the ruthlessly
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The Best Classic Movies for People Who Don’t Watch Older Films — IndieWire Critics Survey

The Best Classic Movies for People Who Don’t Watch Older Films — IndieWire Critics Survey
Every week, IndieWire asks a select handful of film critics two questions and publishes the results on Monday. (The answer to the second, “What is the best film in theaters right now?”, can be found at the end of this post.)

A recent article (based on a very unscientific poll) argued that millennials don’t really care about old movies. Maybe that’s true, and maybe it isn’t, but the fact remains that many people disregard classic cinema on principle. These people are missing out, but it only takes one film — the right film — to change their minds and forever alter their viewing habits.

This week’s question: What is one classic film you would recommend to someone who doesn’t watch them?

Candice Frederick (@ReelTalker), Hello Beautiful, /Film, Thrillist, etc

Rebel Without a Cause.” I’ll out myself by saying that I’ve only recently seen this film
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The 2017 Muriels Hall Of Fame Inductees

The history of the Muriel Awards stretches aaaalllll the way back to 2006, which means that this coming season will be a special anniversary, marking 10 years of observing the annual quality and achievement of the year in film. (If you don’t know about the Muriels, you can check up on that history here.) The voting group, of which I am a proud member, having participated since Year One, has also made its personal nod to film history by always having incorporated 10, 25 and 50-year anniversary awards, saluting what is agreed upon by ballot to be the best films from those anniversaries during each annual voting process.

But more recently, in 2013, Muriels founders Paul Clark and Steven Carlson decided to expand the Muriels purview and further acknowledge the great achievements in international film by instituting The Muriels Hall of Fame. Each year a new group of films of varying number would be voted upon and,
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