Rear Window
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3 items from 2016


Contemporary films reflecting on Hollywood’s Golden Age

25 January 2016 4:45 AM, PST | Flickeringmyth | See recent Flickeringmyth news »

Sara Hemrajani on Hollywood’s love affair with its Golden Age…

Since there’s no business like show business, it’s unsurprising that one of Hollywood’s favourite topics is itself. The recent wave of award nominations for Trumbo, including a best actor Oscar nod for Bryan Cranston, is fresh evidence of the industry’s fascination with the so-called Golden Age.

In Trumbo, Cranston plays real-life writer Dalton Trumbo who was jailed and blacklisted for his ties to the American Communist Party. Despite the ban, Trumbo and his peers managed to flout the system using pseudonyms and support from eager filmmakers. He went on to write screenplays for classics such as Roman Holiday and Spartacus.

Following swiftly in its steps is Hail, Caesar!, the Coen brothers’ throwback to the glossy studio pictures of the 1940s. The trailer reveals characters reminiscent of Gene Kelly and Esther Williams, as well as producer »

- Sara Hemrajani

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I Confess

23 January 2016 4:50 PM, PST | Trailers from Hell | See recent Trailers from Hell news »

What's it all about, Alfie? The master of suspense goes in an unusual direction with this murder mystery with a Catholic background. And foreground. Actually, it's a regular guidebook for proper priest deportment, and it's so complex that we wonder if Hitchcock himself had a full grip on it. Montgomery Clift is extremely good atop a top-rank cast that includes Anne Baxter and Karl Malden. Rated less exciting by audiences, this is really one of Hitch's best. I Confess Blu-ray Warner Archive Collection 1953 / B&W / 1:37 flat Academy / 94 min. / Street Date February 16, 2016 / available through the WBshop / 17.95 Starring Montgomery Clift, Anne Baxter, Karl Malden, Brian Aherne, Roger Dann, Dolly Haas, Charles Andre, O.E. Hasse. Cinematography Robert Burks Art Direction Edward S. Haworth Film Editor Rudi Fehr Original Music Dimitri Tiomkin Written by George Tabori, William Archibald from a play by Paul Anthelme Produced and Directed by Alfred Hitchcock

Reviewed by Glenn Erickson »

- Glenn Erickson

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The Woman Who Knew Too Little in Alfred Hitchock’s Suspicion

15 January 2016 9:57 PM, PST | SoundOnSight | See recent SoundOnSight news »

Released 75 years ago, Alfred Hitchcock’s Suspicion (1941), his fourth film to be made in the United States, was a departure from his previous films. Unlike The Man Who Knew Too Much (1934), The 39 Steps (1935), or The Lady Vanishes (1938), Suspicion eschews the globetrotting and spying that made those films so exhilarating. It’s an intimate affair, a chamber drama (or chamber suspense film) primarily led by Cary Grant and Joan Fontaine, only occasionally breached by other supporting actors. Hitchcock had rarely worked on such a minimal scale before; even in Rebecca (1940); the mansion Manderlay was practically its own character. The isolation of Grant and Fontaine’s marriage is suffocating and without precedent in Hitchcock’s filmography. Though flawed due to Production Code restrictions, Suspicion remains one of Hitchcock’s most fascinating experiments.

Joan Fontaine plays Lina McLaidlaw, a woman presumably more interested in books than men (a woman wearing glasses in a »

- Brian Marks

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3 items from 2016


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